red camera overview

Our digital camera capture (DCC) workflows can be customized to fulfill your needs, so whether you're shooting commercial spots, feature films or episodic television with RED cameras, we can tailor a workflow for you. We can create files, files and tapes, or just tapes. Any combination is easy to achieve. HD or SD, Final Cut or Avid.

Dailies
Keep it tapeless and use the power of metadata to apply a simple OneLight look to dailies. If you want more control of your dailies color we can move into a tape-based workflow and give you all the control you need. Using our proprietary database management software ensures you're not locked into any color; you can always go back to your raw files to achieve the look you want.

Final
If you're staying tapeless we'll take your EDL and export Log DPX files from the original RED files. Staying tapeless lets you enjoy the benefits of using Digital Intermediate (DI) Color Correction. If you prefer to work from tape we can easily do a traditional tape-to-tape.

• TRANSCODING FROM ALL R3D FILES TO ALL OFFLINE DIGITAL FORMATS

• CREATION OF AVID BINS

• SECURE BACKUPS TO LTO TAPE

• HIGH-RESOLUTION TRANSCODES FROM RED TO UNCOMPRESSED FORMATS

• EDL AND FILE STRUCTURE MANAGEMENT FOR EASY CONFORMS