Based at Company 3 Santa Monica. Available virtually through any Company 3 Virtual Outpost.
Since joining the company in the fall of 2014, Jill Bogdanowicz has brought her unique talents to features including Thor: Love and Thunder, John Wick: Chapters 3 and 4, and Joker. Episodic work includes Ahsoka, The Fall of the House of Usher, Black Adam, and The Umbrella Academy. She won the HPA (Hollywood Professional Association) Awards for Outstanding Color Grading for her remarkable work on the blockbuster feature film Joker and in the Commercial category for Toyota’s “Jessica Long Story: Upstream.” She has colored major international spots for a wide variety of clients, including Capital One, Activision (“Call of Duty: Modern Warfare III”), Dolce and Gabbana, and dozens more.
Previously, Bogdanowicz spent two years at Modern VideoFilm, where she colored an impressive list of films, including the lush, beautiful The Grand Budapest Hotel for director Wes Anderson and cinematographer Robert Yeoman, ASC. Before that, Bogdanowicz worked for eight years at Technicolor on a large slate of productions, including almost everything Clint Eastwood finished during that period – an awe-inspiring list that includes the stark Letters from Iwo Jima, and powerful period drama The Changeling.
Bogdanowicz started her work as a digital colorist assistant at Cinesite on the first full DI, O Brother, Where Art Thou? for Joel and Ethan Coen, and cinematographer Roger Deakins, ASC, BSC. She comes from a family of imaging experts — her father spent his career as a top-level scientist at Eastman Kodak’s Rochester, NY, headquarters, and her sister is also a successful digital colorist. Bogdanowicz majored in Art and minored in Physics at the State University of New York, Geneseo. She is also an avid painter of large-format (five- and six-foot-tall) oils and watercolors, which she has exhibited at several high-profile galleries.
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