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Sound
Den of Thieves: Pantera
Colorist:
Tony Dustin
Re-Recording Mixer:
Christian T. Cooke, Mark Zsifkovits
Finishing Editor:
Darren Hinchy
Company 3, Producer:
Chris Dewolde
Director:
Christian Gudegast
Director of Photography:
Terry Stacey, ASC
Editor:
Roberth Nordh
Production Design:
Sébastien Inizan
Lionsgate
A Good Girl’s Guide to Murder
Colorist:
Paul Staples
Re-Recording Mixer:
Mathew Knights
Finishing Editor:
Nick Pratt
Company 3, Production:
Miles Gibbons, Alice Greenland, Ana Quiroga
Director:
Dolly Wells, Tom Vaughan
Director of Photography:
Seppe Van Grieken, Michael Filocamo
Editor:
Rachel Durance, Zsófia Tálas
Production Design:
Beck Rainford
BBC + Netflix
Megalopolis
Re-Recording Mixer:
Christian T. Cooke, Brad Zoern
Dailies:
Marc Lulkin
Company 3, Producer:
Sarah Riley
Director:
Francis Ford Coppola
Director of Photography:
Mihai Malaimare Jr.
Editor:
Cam McLauchlin, Glen Scantlebury
Production Design:
Bradley Rubin, Beth Mickle
American Zoetrope
Hotel Cocaine
Re-Recording Mixer:
Alan deGraff, Lana Marie Hattar
Company 3, Producer:
Chris Dewolde
Director:
Guillermo Navarro, Fernando Rovzar, Sara Seligman
Director of Photography:
Josep Civit, Alvaro Navarro
Editor:
Ben Wilkinson, Ana Yavari, Dan Briceno
Production Design:
Raymundo Cabrera
MGM+
Archie
Re-Recording Mixer:
Adam Gama Davidson
Company 3, Producer:
Ana Quiroga
Director:
Paul Andrew Williams
Director of Photography:
Laurens De Geyter
Editor:
James Taylor
Production Design:
Jacqueline Smith
ITV (UK) | Britbox (US)
Arthur the King
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Parker Jarvie
Re-Recording Mixer:
Christian Cooke, J.R. Fountain
Finishing Editor:
Adrian Saywell
Dailies:
Company 3
Company 3, Production:
Amanda Champion, Tatianna Kroha
Director:
Simon Cellan Jones
Director of Photography:
Jacques Jouffret ASC
Editor:
Gary Roach ACE
Production Design:
Mailara Santana
Lionsgate
Priscilla
Re-Recording Mixer:
Steve Foster, Stephen Barden
Dailies:
Company 3
Company 3, Producer:
Shane Allan
Director:
Sofia Coppola
Director of Photography:
Philippe Le Sourd
Editor:
Sarah Flack
Production Design:
Tamara Deverell
A24
The Horror of Dolores Roach
Colorist:
Bill Ferwerda
Additional Colorist:
Ian Passy
Re-Recording Mixer:
Mike Baskerville, Jamie Sulek
Finishing Editor:
Adrian Saywell
Company 3, Producer:
Shane Allen
Director:
Hiromi Kamata, Eduardo Sánchez, America Young, Roxann Dawson, Edward Ornelas
Director of Photography:
James Takata
Editor:
Roslyn Kalloo, Jorge Weisz, Andrew Wesman
Production Design:
Britt Doughty, Oleg M. Savytski
Prime Video
Fubar | Season 1
Colorist:
Tony Dustin
Re-Recording Mixer:
Alan deGraaf + Eric Apps
Finishing Editor:
Darren Hinchy
Company 3, Producer:
Lindsay Adam
Director:
Phil Abraham, Holly Dale, Steve Adelson, Stephen Surjik
Director of Photography:
Craig Wrobleski, Colin Hoult, Michael McMurray
Editor:
J.J. Geiger, Eric Seaburn, Anthony Miller, Sang Han
Production Design:
Andrew Stearn
Netflix
The Great | Season 3
Colorist:
Paul Staples
Re-Recording Mixer:
Adam Davidson + Mathew Knights
Finishing Editor:
Nick Pratt
Company 3, Production:
Alice Greenland, Carolynne Philpott + Ana Quiroga
Director:
Matthew Moore, Sheree Folkson , Jaffar Mahmood + Tricia Brook
Director of Photography:
Catherine Derry, Caroline Bridges + Sergio Delgado
Editor:
Billy Sneddon, Edel McDonnell + Anthony Boys
Production Design:
Francesca Di Mottola
Lionsgate+ (UK) | Hulu (US)
Sex/Life | Season 2
Colorist:
Joanne Rourke
Re-Recording Mixer:
Steve Foster, Lana-Marie Hattar
Finishing Editor:
Motassem Younes
Company 3, Producer:
Jake Blum
Director:
Jessika Borsiczky, Sheree Folkson, Rachel Raimist
Director of Photography:
David Makin, Kim Derko
Editor:
Scott Wallace
Netflix
The Consultant
Colorist:
Tony Dustin
Re-Recording Mixer:
Christian T. Cooke, Bret Killoran + Mark Zsifkovits
Finishing Editor:
Darren Hinchy
Dailies Colorist:
John St. Laurent
Company 3, Producer:
Chris Dewolde
Director:
Daniel Attias, Charlotte Brändström, Alexis Ostrander, Matt Shakman + Karyn Kusama
Director of Photography:
Jess Hall, Elie Smolkin + Eduardo E. Mayén
Editor:
Dan Briceno, Jonathan Eagan, Lara Johnston + Wendy Hallam Martin
Production Design:
Rachel Tenner
Prime Video
The Walk In
Colorist:
Paul Staples
Re-Recording Mixer:
Adam Davidson
Finishing Editor:
Andrew Cave
Director:
Paul Andrew Williams
Director of Photography:
Aaron Reid
Editor:
James Taylor, John Michael Murphy
Production Design:
Anna Mould
ITV
Wednesday | Season 1
Colorist:
Siggy Ferstl (Episode 1) + Joanne Rourke (Episodes 2-8)
Re-Recording Mixer:
Mike Baskerville + Jamie Sulek
Finishing Editor:
Motassem Younes
Company 3, Producer:
Gino Carletti
Director:
Tim Burton, Gandja Monteiro, James Marshall
Director of Photography:
David Lanzenberg, Stephan Pehrsson
Editor:
Jay Prychidny, Ana Yavari, Paul G. Day
Production Design:
Mark Scruton
Netflix
Crimes of the Future
Colorist:
Bill Ferwerda
Re-Recording Mixer:
Christian T. Cooke, Mark Zsifkovits
Finishing Editor:
Adrian Saywell
Company 3, Producer:
Gino Carletti
Director:
David Cronenberg
Director of Photography:
Douglas Koch
Editor:
Christopher Donaldson
Production Design:
Carol Spier
Neon
Nightmare Alley
Colorist:
Stefan Sonnenfeld
Re-Recording Mixer:
Christian T. Cooke, Brad Zoern
Finishing Editor:
Adrian Saywell
Director:
Guillermo del Toro
Director of Photography:
Dan Laustsen
Editor:
Cam McLauchlin
Production Design:
Tamara Deverell
Searchlight Pictures
The Expanse | Season 6
Colorist:
Joanne Rourke
Re-Recording Mixer:
Mike Baskerville + Hugo De La Cerda
Finishing Editor:
Motassem Younes
Director:
Breck Eisner, Jeff Woolnough, Anya Adams, Lewin Webb
Director of Photography:
Jeremy Benning + Kevin Jewison
Editor:
D. Gillian Truster, Roderick Deogrades, Stephen Roque
Production Design:
Peter Emmink
Prime Video
Squidbillies | Season 13
Adult Swim
This Way Up | Season 2
Colorist:
Paul Staples
Re-Recording Mixer:
Adam Davidson
Finishing Editor:
Andrew Cave
Director:
Alex Winckler
Director of Photography:
Jonas Mortensen
Editor:
Laura Morrod, Jim Hampton
Production Design:
Debbie Burton
Channel 4 (UK) | Hulu (US)
Sex/Life
Colorist:
Joanne Rourke
Re-Recording Mixer:
Steve Foster, Lana Marie Hattar
Finishing Editor:
Motassem Younes
Director:
Jessika Borsiczky, Sheree Folkson, Samira Radsi, Patricia Rozema
Director of Photography:
David A. Makin, CSC, Mike McMurray
Editor:
Janet Weinberg, Rebekah Fridman, Kelly Soll
Production Design:
Britt Doughty
Netflix
Feel Good | Season 2
Colorist:
Chris Rodgers
Re-Recording Mixer:
Adam Davidson
Finishing Editor:
Richard Ellis
Director:
Luke Snellin
Director of Photography:
James Blann
Editor:
William Webb, Charlie Fawcett
Production Design:
Tim Dickel
Netflix
Feel Good
Colorist:
Chris Rodgers
Re-Recording Mixer:
Adam Davidson
Director:
Ally Pankiw
Director of Photography:
Will Hanke
Editor:
William Webb
Production Design:
John Collins
Netflix
Silent Witness
Colorist:
Paul Staples
Re-Recording Mixer:
Mathew Knights
Director:
Emma Sullivan
Director of Photography:
Sergio Delgado
Editorial:
Benjamin Gerstein
BBC One | Season 22
Polar
Colorist:
Bill Ferwerda
Re-Recording Mixer:
Mark Zsifkovits
Finishing Editor:
Ian Passy
Director:
Jonas Åkerlund
Director of Photography:
Pär M. Ekberg
Editor:
Doobie White
Production Design:
Emma Fairley, Anthony A. Ianni
Netflix
Death in Paradise
Colorist:
Chris Rodgers
Re-Recording Mixer:
Adam Davidson
Director:
Ian Barber + Jennie Darnell
Director of Photography:
Rory Taylor
Editorial:
Adam Collins + Louise Pearson
BBC One | Season 7
Diner
Agency:
Translation
Client:
Champs
Champs
Game Warden
Agency:
St. John & Partners
Client:
Zaxby's
Zaxby's
Coffee Trek
Agency:
Tatoo Projects
Client:
Sheetz
Sheetz
Lever
Agency:
Nelson Creative
Client:
Bridgestone Golf
Bridgestone Golf
Ramp
Children's Healthcare of Atlanta
New Life
Agency:
Ferebe Lane & Co.
Caromont Health
Deer Trap
Agency:
BBDO Atlanta
Georgia Lottery
Office Rap
Agency:
BBDO Atlanta
Georgia Lottery
Squidbillies
Client:
Adult Swim
Adult Swim
Seagulls
Agency:
Made Movement
Client:
Church's
Church's
Pregnancy Test
Agency:
Sapient Nitro
Client:
Regions Bank
Origami
Agency:
22 Squared
Client:
Aaron's
Aaron's
RAV4
Agency:
22 Squared
Client:
Toyota
Toyota
The Phantom
Agency:
!Robot Hand!
Knoxville Horror Film Fest
Agency:
!Robot Hand!
Amazing and True
Agency:
Retail First
Client:
Ford
Ford
Sixer
Agency:
Fitzco
Client:
Coca Cola
Coca Cola
Keno March Madness – Radio
Agency:
BBDO
Client:
Georgia Lottery
Georgia Lottery
Ford Baseball 2014 – Radio
Agency:
Retail First
Client:
Ford
Ford
Hydrocore
Agency:
Nilson Creative
Client:
Bridgestone
Bridgestone
Emilio
Agency:
22 Squared
Client:
Aaron's
Aaron's
Words and Cards
Agency:
Thrust Interactive
Client:
Ayopa Games
Ayopa Games
Murder In the First – TCA Trailer
Client:
TNT Network
TNT Network
Bandwagon
Agency:
22 Squared
Client:
Buffalo Wild Wings
Buffalo Wild Wings
It Doesn’t Matter
Agency:
J. Walter Thompson
Client:
Pennzoil
Pennzoil
Buzzerbeater
Agency:
BBDO
Client:
Georgia Lottery
Georgia Lottery
No Pit Crew / NASCAR
Agency:
Fitzgerald & Company
Client:
Coca-Cola
Coca Cola
From the Children
Agency:
BBDO
Client:
American Red Cross
American Red Cross
Father’s Day
Agency:
Focus Brands
Client:
Carvel
Carvel
Call of Duty: Black Ops 2
Agency:
Treyarch
Client:
Activision
Activision
Black Ops II – Prologue
Agency:
Treyarch
Client:
Activision