Search for:
Artists
Color
Finishing
Sound
Visual Effects
Work
Commercials
Auto
Beauty
Bev-Alcohol
Bev-Non Alcohol
Brands
Cosmetics
Electronics
Fashion
Financial
Food
Games
Household
Insurance
Music Video
Other
Pharma
Sports
Video Games
Features
Television
Sound
Archive
Services
Picture Finishing + Color Services
Final Color
Editorial Services
Conform
Sound
Virtual
Commercial Finishing
Reels
Diversity
Diversity at Company 3 / Method Inc.
Supplier Diversity
News
Contact
Careers
NExT Pipeline Program
NExT Summer Internship Program
NExT Apprenticeship Program
Search for:
Artists
Senior Colorists
Colorists
Sound
Work
Commercials
Apparel
Auto
Beauty
Bev-Alcohol
Bev-Non Alcohol
Brands
Cosmetics
Electronics
Fashion
Financial
Food
Games
Household
Music Video
Other
Pharma
Short Film
Sports
Video Games
Features
Television
Sound
Archive
Services
Editorial
Picture Finishing + Color
Sound
Virtual
Commercial Finishing
Reels
Diversity
Diversity at Company 3 / Method Inc.
Supplier Diversity
News
Contact
Careers
Careers
NExT Pipeline Program
NExT Apprenticeship Program
NExT Summer Internship Program
Open My Reel
No Items
in My Reel
click a video's
icon to start a reel
Work
>
Sound
Priscilla
Re-Recording Mixer:
Steve Foster, Stephen Barden
Dailies:
Company 3
Company 3, Producer:
Shane Allan
Director:
Sofia Coppola
Director of Photography:
Philippe Le Sourd
Editor:
Sarah Flack
Production Design:
Tamara Deverell
Video Embed Url:
https://player.vimeo.com/video/838405171?h=4c67fc83d1
A24
FUBAR
Colorist:
Tony Dustin
Re-Recording Mixer:
Alan deGraaf + Eric Apps
Finishing Editor:
Darren Hinchy
Company 3, Producer:
Lindsay Adam
Director:
Phil Abraham, Holly Dale, Steve Adelson, Stephen Surjik
Director of Photography:
Craig Wrobleski, Colin Hoult, Michael McMurray
Editor:
J.J. Geiger, Eric Seaburn, Anthony Miller, Sang Han
Production Design:
Andrew Stearn
Video Embed Url:
https://www.youtube.com/embed/aYedxZ6rZHo?si=d4mjOKrQYvJezVpf
Netflix
The Great | Season 3
Colorist:
Paul Staples
Re-Recording Mixer:
Adam Davidson + Mathew Knights
Finishing Editor:
Nick Pratt
Company 3 Production:
Alice Greenland, Carolynne Philpott + Ana Quiroga
Director:
Matthew Moore, Sheree Folkson , Jaffar Mahmood + Tricia Brook
Director of Photography:
Catherine Derry, Caroline Bridges + Sergio Delgado
Editor:
Billy Sneddon, Edel McDonnell + Anthony Boys
Production Design:
Francesca Di Mottola
Video Embed Url:
https://player.vimeo.com/video/819679391?h=8f62815190
Hulu
Sex/Life S2
Colorist:
Joanne Rourke
Re-Recording Mixer:
Steve Foster, Lana-Marie Hattar
Finishing Editor:
Motassem Younes
Company 3, Producer:
Jake Blum
Director:
Jessika Borsiczky, Sheree Folkson, Rachel Raimist
Director of Photography:
David Makin, Kim Derko
Editor:
Scott Wallace
Netflix
The Consultant
Colorist:
Tony Dustin
Re-Recording Mixer:
Christian T. Cooke, Bret Killoran + Mark Zsifkovits
Finishing Editor:
Darren Hinchy
Dailies Colorist:
John St. Laurent
Company 3, Producer:
Chris Dewolde
Director:
Daniel Attias, Charlotte Brändström, Alexis Ostrander, Matt Shakman + Karyn Kusama
Director of Photography:
Jess Hall, Elie Smolkin + Eduardo E. Mayén
Editor:
Dan Briceno, Jonathan Eagan, Lara Johnston + Wendy Hallam Martin
Amazon Prime Video
Wednesday
Colorist:
Siggy Ferstl (Pilot)
Re-Recording Mixer:
Mike Baskerville + Jamie Sulek
Finishing Editor:
Motassem Younes
Company 3, Producer:
Gino Carletti
Director:
Tim Burton
Director of Photography:
David Lanzenberg, Stephan Pehrsson
Editor:
Jay Prychidny, Ana Yavari, Paul G. Day
Netflix
Sex/Life
Colorist:
Joanne Rourke
Re-Recording Mixer:
Steve Foster, Lana Marie Hattar
Finishing Editor:
Motassem Younes
Director:
Jessika Borsiczky, Sheree Folkson, Samira Radsi, Patricia Rozema
Director of Photography:
David A. Makin, CSC, Mike McMurray
Editor:
Janet Weinberg, Rebekah Fridman, Kelly Soll
Netflix
Feel Good
Colorist:
Chris Rodgers
Re-Recording Mixer:
Adam Davidson
Director:
Ally Pankiw
Director of Photography:
Will Hanke
Editorial:
William Webb
Netflix
Silent Witness
Colorist:
Paul Staples
Re-Recording Mixer:
Mathew Knights
Director:
Emma Sullivan
Director of Photography:
Sergio Delgado
Editorial:
Benjamin Gerstein
BBC One | Season 22
Death in Paradise
Colorist:
Chris Rodgers
Re-Recording Mixer:
Adam Davidson
Director:
Ian Barber + Jennie Darnell
Director of Photography:
Rory Taylor
Editorial:
Adam Collins + Louise Pearson
BBC One | Season 7
Diner
Agency:
Translation
Client:
Champs
Champs
Game Warden
Agency:
St. John & Partners
Client:
Zaxby's
Zaxby's
Coffee Trek
Agency:
Tatoo Projects
Client:
Sheetz
Sheetz
Lever
Agency:
Nelson Creative
Client:
Bridgestone Golf
Bridgestone Golf
Ramp
Children's Healthcare of Atlanta
New Life
Agency:
Ferebe Lane & Co.
Caromont Health
Deer Trap
Agency:
BBDO Atlanta
Georgia Lottery
Office Rap
Agency:
BBDO Atlanta
Georgia Lottery
Squidbillies
Client:
Adult Swim
Adult Swim
Seagulls
Agency:
Made Movement
Client:
Church's
Church's
Pregnancy Test
Agency:
Sapient Nitro
Client:
Regions Bank
Origami
Agency:
22 Squared
Client:
Aaron's
Aaron's
RAV4
Agency:
22 Squared
Client:
Toyota
Toyota
The Phantom
Agency:
!Robot Hand!
Knoxville Horror Film Fest
Agency:
!Robot Hand!
Amazing and True
Agency:
Retail First
Client:
Ford
Ford
Sixer
Agency:
Fitzco
Client:
Coca Cola
Coca Cola
Keno March Madness – Radio
Agency:
BBDO
Client:
Georgia Lottery
Georgia Lottery
Ford Baseball 2014 – Radio
Agency:
Retail First
Client:
Ford
Ford
Hydrocore
Agency:
Nilson Creative
Client:
Bridgestone
Bridgestone
Emilio
Agency:
22 Squared
Client:
Aaron's
Aaron's
Words and Cards
Agency:
Thrust Interactive
Client:
Ayopa Games
Ayopa Games
Murder In the First – TCA Trailer
Client:
TNT Network
TNT Network
Bandwagon
Agency:
22 Squared
Client:
Buffalo Wild Wings
Buffalo Wild Wings
It Doesn’t Matter
Agency:
J. Walter Thompson
Client:
Pennzoil
Pennzoil
Buzzerbeater
Agency:
BBDO
Client:
Georgia Lottery
Georgia Lottery
No Pit Crew / NASCAR
Agency:
Fitzgerald & Company
Client:
Coca-Cola
Coca Cola
From the Children
Agency:
BBDO
Client:
American Red Cross
American Red Cross
Father’s Day
Agency:
Focus Brands
Client:
Carvel
Carvel
Call of Duty: Black Ops 2
Agency:
Treyarch
Client:
Activision
Activision
Black Ops II – Prologue
Agency:
Treyarch
Client:
Activision