Features | Video Categories |

The Mosquito Bowl

Color: Stefan Sonnenfeld
Additional Color: Parker Jarvie, Adam Nazarenko
Finishing Editor: Matthew W. Johnson, Aaron Bennett
Imaging Science: Emily Faw
Company 3, Production: Loan Phan, Zach Watkins, Alex Cohn
Director: Peter Berg
Director of Photography: Jacques Jouffret ASC
Editor: Garret Donnelly, Jon Otazua
Production Design: Philip Ivey
Supporting VFX: SDFX Studios

Netflix

Concessions

Color: Joseph Bicknell
Company 3, Producer: Ray Stanton
Director: Mas Bouzidi
Director of Photography: Derrick Chen
Editor: Erin Dewitt
Production Design: Patrick Cruz Jamadre

Magenta Edge Films

Ray Gunn

Color: Stephen Nakamura
Additional Color: Nick Nassif
Finishing Editor: Chad Schermerhorn, Aaron Bennett
Imaging Science: Emily Faw
Company 3, Production: Kelsea Williams, Cory Willey
Director: Brad Bird
Director of Photography: Erik Smitt
Editor: Karl Armstrong, Darren T. Holmes

Netflix

Paper Tiger

Color: Tim Masick
Finishing Editor: Nicholas Figueroa
Dailies Colorist: Mena Smith
Company 3, Producer: Kate Albers
Editorial Services: Gregory Caligiuri, Brandon Rosser
Director: James Gray
Director of Photography: Joaquin Baca-Asay
Editor: Scott Morris
Production Design: Happy Massee

NEON

Wildwood

Color: Stephen Nakamura
Finishing Editor: John Diesso
Trailers Marketing: Stephen Nakamura, Adrian Delude, Jennifer Raymond, Levi Hawkinson
Imaging Science: Emily Faw, Michael Kannard
Company 3, Production: Erik Rogers, Kristin Graham
Director: Travis Knight
Director of Photography: Caleb Deschanel ASC
Editor: Christopher Murrie-Green ACE
Production Design: Nelson Lowry

LAIKA Studios

The Hunger Games: Sunrise on the Reaping

Color: Dave Hussey
Additional Color: Nick Nassif
Finishing Editor: John Diesso
Company 3, Production: Erik Rogers, Karlie Gochnour, Kristin Graham
Director: Francis Lawrence
Director of Photography: Jo Willems
Editor: Mark Yoshikawa

Lionsgate

How To Rob A Bank

Supervising Color: Dave Hussey
Color: Anne Boyle
Additional Color: Nick Nassif
Finishing Editor: Yoon Hee Hwang, Roger GaoXin Wang
Dailies Colorist: Jaan Spirka
Dailies Producer: Grace Quilligan
Trailers Marketing: Dave Hussey, Nick Nassif, Chris Doerr, Levi Hawkinson
Imaging Science: Emily Faw
Company 3, Production: Grace Quilligan, Hannah Patrick
Director: David Leitch
Director of Photography: Jonathan Sela
Editor: Elísabet Ronaldsdóttir
Production Design: David Scheunemann

Amazon MGM Studios

Mr. Irrelevant

Color: Matt Wallach
Finishing Editor: Matthew Johnson
Dailies Producer: Liam Donaghy
Dailies: The Post Lounge in partnership with Company 3
Trailers Marketing: Brandon Fisher, Jennifer Raymond, Ariane Ackerberg
Company 3, Production: Loan Phan, Zach Watkins
Director: Jonathan Levine
Director of Photography: Frank Lamm
Editor: Jeffrey Groth ACE
Production Design: Derek R. Hill

Paramount Pictures

Tiny Fugitives

Supervising Color: Jill Bogdanowicz
Color: Dave Muscat
Additional Color: Ian Passy
Re-Recording Mixer: Christian Cooke & Alan deGraaf
Finishing Editor: Patrick Perron
Dailies Producer: Gino Carletti
Dailies: Company 3
Company 3, Producer: Shaneixqui Brown
Director: Michael Lewen
Director of Photography: Andy Rydzewski
Editor: Ali Greer ACE, Oona Flaherty
Production Design: Adam Belanger

Inaugural Entertainment

Everest: The Other Side

Supervising Color: Stefan Sonnenfeld
Color: Yoomin Lee
Finishing Editor: Nicholas Figueroa
Company 3, Production: Kate Albers, Anthony Romaguera
Director: Elizabeth Chai Vasarhelyi, Jimmy Chin
Director of Photography: Clair Popkin
Editor: Bob Eisenhardt

National Geographic Documentary Films

INK

Color: Jean-Clément Soret
Finishing Editor: Julien Mathus, Clyde Kellett
Dailies Producer: Louis Zimmer
Dailies: Company 3
Imaging Science: John Quartel PhD, Brett Rayner
Company 3, Production: Ellora Soret, Cody Cardarelli, Christopher Dewolde
Director: Danny Boyle
Director of Photography: Alwin Küchler
Editor: Fin Oates
Production Design: Carson McColl, Gareth Pugh

Netflix

The Social Reckoning

Supervising Color: Stefan Sonnenfeld
Color: Adam Nazarenko
Finishing Editor: Ray Ruotolo, Aaron Bennett
Dailies Colorist: Jaan Spirka
Dailies Producer: Sergio Corena Alvarez
Imaging Science: Michael Kannard
Company 3, Production: Philip Marvin, James Levine
Director: Aaron Sorkin
Director of Photography: Jeff Cronenweth ASC
Production Design: Jon Hutman

Sony Pictures

Whalefall

Color: Stephen Nakamura
Additional Color: Tyler Roth, Nick Nassif, Adam Nazarenko
Finishing Editor: Ray Ruotolo, Aaron Bennett
Dailies Colorist: Jack Tashdjian
Dailies Producer: Matt Riera
Imaging Science: Emily Faw
Company 3, Production: Jared Arkulary, Karlie Gochnour
Director: Brian Duffield
Director of Photography: Aaron Morton NZCS
Editor: Pietro Scalia
Production Design: Ramsey Avery

20th Century Studios

Avengers: Doomsday

Senior Supervising Finishing Artist: Tom Poole
Finishing Artist: Adam Nazarenko
3D Finishing Artist: Jared Pecht, Nick Nassif
Finishing Editor: John Diesso, Thomas Lambert
Dailies Colorist: Doug Garside
Dailies Producer: Louis Zimmer
Trailers Marketing: Carl Mckay, Behnood Behjoo
Imaging Science: John Quartel PhD, Emily Faw
Company 3, Production: Jessica Stone, Sierra Kaczmarek, Hannah Perkins, Frankie Hudson, Lauren Gower, Jaden Reiter, Connor Burns
Director: Anthony Russo, Joe Russo
Director of Photography: Newton Thomas Sigel
Editor: Jeffrey Ford ACE
Production Design: Gavin Bocquet

Marvel Studios

Tyler Perry’s Why Did I Get Married Again?

Color: Parker Jarvie
Additional Color: Justin White
Finishing Editor: Hunter Furnish
Dailies Producer: Chase Commins
Dailies: Company 3
Imaging Science: Emily Faw
Company 3, Producer: Scott Salamon
Director: Tyler Perry
Director of Photography: Justyn Moro
Editor: Nick Coker
Production Design: Ryan Berg

Netflix

Heart of the Beast

Color: Jill Bogdanowicz
Additional Color: Zachary Korpi
Finishing Editor: Aaron Bennett
Trailers Marketing: Jill Bogdanowiz, Jennifer Raymond, Ariane Ackerberg
Imaging Science: Emily Faw
Company 3, Production: Jessica Stone, Sierra Kaczmarek, James Levine, Philip Marvin
Director: David Ayer
Director of Photography: Mauro Fiore
Editor: Dody Dorn
Production Design: Greg Berry
VFX: Framestore

Paramount Pictures

Violent Night 2

Color: Matthieu Toullet
Dailies Colorist: Richard Cordes
Dailies Producer: Sergio Corena Alvarez
Imaging Science: John Quartel PhD, Brett Rayner
Company 3, Production: Chris Dewolde, Marie Ånestad
Director: Tommy Wirkola
Director of Photography: Matthew Weston FNF
Editor: Martin Stoltz
Production Design: Craig Sandells

Universal Pictures

Linkin Park: Unshatter

Supervising Color: Dave Hussey
Additional Color: Nick Nassif
Finishing Editor: Matthew W. Johnson, Aaron Bennett
Imaging Science: Emily Faw
Company 3, Production: Loan Phan, Zach Watkins
Director: Joe Hahn, Mark Ritchie
Director of Photography: Adam Evans, Kenneth Wales
Editor: Igor Kovalik, Erich Wiemer

Trafalgar Releasing

Victorian Psycho

Color: Bryan Smaller
Finishing Editor: Julien Mathus
Imaging Science: Brett Rayner, Dr John Quartel
Company 3, Production: Gemma Saunders, Marie Ånestad
Director: Zachary Wigon
Director of Photography: Nico Aguilar
Production Design: Jeremy Reed

Bleecker Street Media

Jumanji: Open World

Color: Stefan Sonnenfeld
Additional Color: Adam Nazarenko
Finishing Editor: Chad Schermerhorn, Aaron Bennett
Dailies Colorist: Rich Flores
Dailies Producer: Shawna Barbera
Trailers Marketing: Stefan Sonnenfeld, Adam Nazarenko, Jennifer Raymond, Levi Hawkinson
Imaging Science: Michael Kannard
Company 3, Production: Kelsea Williams + Corey Wiley
Director: Jake Kasdan
Director of Photography: Ben Davis BSC
Editor: Steve Edwards, Mark Helfrich ACE
Production Design: Bill Brzeski

Sony Pictures

Resident Evil

Color: Stephen Nakamura
Additional Color: Nick Nassif
Finishing Editor: Ray Ruotolo, Aaron Bennett
Trailers Marketing: Stephen Nakamura, Jared Pecht, Jennifer Raymond, Levi Hawkinson
Imaging Science: Emily Faw
Company 3, Production: Jared Arkulary, Karlie Gochnour
Director: Zach Cregger
Director of Photography: Dariusz Wolski ASC
Editor: Joe Murphy
Production Design: Tom Hammock

Sony Pictures

BEHEMOTH!

Color: Jean-Clément Soret
Finishing Editor: Matthew W. Johnson
Dailies Colorist: Jack Tashdjian
Dailies Producer: Shawna Barbera
Imaging Science: Michael Kannard
Company 3, Production: Loan Phan, Zach Watkins
Director: Tony Gilroy
Director of Photography: Damián García
Editor: John Gilroy ACE
Production Design: Jade Healy

Searchlight Pictures

20th Century Studios

One Night Only

Color: Jaime O'Bradovich
Finishing Editor: Josh Perault
Dailies Colorist: Nick Winkelmann
Dailies Producer: Matt Riera
Trailers Marketing: Matthew Hull, Dom Lampasona
Imaging Science: Amine Boukerrou
Company 3, Producer: Dom Lampasona
Director: Will Gluck
Director of Photography: Yaron Orbach
Editor: Tia Nolan
Production Design: Scott Kuzio

Universal Pictures

Dune: Part Three

Color: Matt Wallach
Finishing Editor: Matthew W. Johnson
Dailies Colorist: Doychin Margoevsky
Dailies Producer: Louis Zimmer
Trailers Marketing: Ariane Ackerberg, Matt Hull, Nick Peterson
Imaging Science: Michael Kannard
Company 3, Producer: Loan Phan
Director: Denis Villeneuve
Director of Photography: Linus Sandgren ASC FSF
Editor: Joe Walker

Warner Bros. Pictures

Pan’s Labyrinth | 20th Anniversary

Supervising Color: Stefan Sonnenfeld
3D Color: Stefan Sonnenfeld, Dave Muscat, Jared Pecht
Additional Color: Adam Nazarenko
Finishing Editor: Mizuho Nakai
Company 3, Production: Lisa Graham
Director: Guillermo Del Toro
Director of Photography: Guillermo Navarro AMC ASC
Editor: Bernat Vilaplana
Production Design: Eugenio Caballero
Immersive 3D VFX: SDFX Studios

Cineverse

Klara and the Sun

Color: Greg Fisher
Additional Color: Christopher Francis
Finishing Editor: Thomas Lambert
Imaging Science: Brett Rayner, John Quartel PhD
Company 3, Production: Christopher Nundy, Marie Ånestad
Director: Taika Waititi
Director of Photography: Mike Berlucchi
Editor: Tom Eagles ACE, Adam Gough ACE BFE
Production Design: Ra Vincent

Sony Pictures

Spider Man: Brand New Day

Senior Supervising Finishing Artist: Tom Poole
3D Color: Jared Pecht, Nick Massif
Additional Color: Adam Nazarenko
Finishing Editor: John Diesso, Chris Doerr
Dailies Colorist: John Maltby
Dailies Producer: Ella Nicoli-Horne
Trailers Marketing: Carl Mckay, Behnood Behjoo
Imaging Science: John Quartel PhD, Emily Faw
Company 3, Production: Jessica Stone, Sierra Kaczmarek, Jessica Dunn, Frankie Hudson, Lauren Gower, Jaden Reiter, Connor Burns
Director: Destin Daniel Cretton
Director of Photography: Brett Pawlak
Editor: Nat Sanders, Gina Sansom, Harry Yoon
Production Design: Charles Wood
VFX: SDFX Studios

Marvel Studios

Stairs

Color: Justin White
Company 3, Producer: Tatiana Torne
Executive Producer: Jessica DiMento
Director: Riley Donigan
Director of Photography: Bart Cortright
Production: Sam Callahan

Color Book

Color: Justin White
Finishing Editor: Hunter Furnish
Dailies: Company 3
Company 3, Producer: Scott Salamon
Director: David Fortune
Director of Photography: Nikolaus Summerer ASC
Editor: Oriana Soddu
Production Design: Jerrod Littlejohn, Mily Moreno

Netflix

Frampton

Color: Dave Hussey
Additional Color: Nick Nassif
Finishing Editor: Ray Ruotolo, Aaron Bennett
Imaging Science: Michael Kannard
Company 3, Production: Philip Marvin, James Levine
Director: Rob Arthur
Director of Photography: Paul Cain, David Thies, Brent Bye, Susanne Salavati BSC
Editor: Mark Staunton

10 Lives Studios

Masters of the Universe

Color: Stephen Nakamura
Finishing Editor: Thomas Lambert
Dailies Colorist: Doug Garside
Dailies Producer: Louis Zimmer
Imaging Science: John Quartel, Brett Rayner
Company 3, Producer: Leigh Myers
Director: Travis Knight
Director of Photography: Fabian Wagner
Editor: Paul Rubell
Production Design: Guy Hendrix Dyas
Supporting VFX: SDFX Studios

Amazon MGM Studios

Miss You, Love You

Supervising Color: Kath Raisch
Color: Nick Nassif
Additional Color: Joshua Yip
Finishing Editor: Chad Schermerhorn
Dailies Producer: Alexis Ross
Dailies: Company 3
Imaging Science: Emily Faw
Company 3, Production: Dawn Landon, Sierra Kaczmerek, Philip Marvin
Director: Jim Rash
Director of Photography: Daniel Moder
Editor: Doc Crotzer ACE
Production Design: Mark Ricker

HBO Max

Stop! That! Train!

Color: Siggy Ferstl
Additional Color: Nick Nassif
Finishing Editor: Mike Delegal, Aaron Bennett
Imaging Science: Michael Kannard
Post VFX: Miles Kula, Erik Ventura
Company 3, Production: Jessica Stone, Sierra Kaczmarek
Director: Adam Shankman
Director of Photography: Luka Bazeli
Editor: Joshua Kirchmer
Production Design: Alessandro Marvelli

Bleecker Street Media

Minions & Monsters

Color: Jason Hanel
Additional Color: Nick Nassif
Finishing Editor: Chad Schermerhorn
Trailers Marketing: Jennifer Raymond, Matt Hull
Company 3, Production: Kelsea Williams, Sapna Samuel
Director: Pierre Coffin
Editor: Gregory Perler ACE

Illumination + Universal

This Tempting Madness

Color: Matt Wallach
Finishing Editor: Ray Ruotolo
Imaging Science: Michael Kannard
Company 3, Production: Kelsea Williams, Emma Escamilla, Kelly Barnhardt
Director: Jennifer E. Montgomery
Director of Photography: Andrew Davis
Editor: Kiran Pallegadda
Production Design: Kevin Bird

Vertical Entertainment

The Last Guest of the Holloway Motel

Color: Justin White
Finishing Editor: Hunter Furnish
Company 3, Producer: Scott Salamon
Director: Ramiel Petros, Nicholas Freeman
Director of Photography: Zayd Ezzeldine, Gabriel Connelly
Editor: Davis Coombe, Alex Jablonski

LD Entertainment

Minions & Monsters

Color: Jason Hanel
Finishing Editor: Chad Schermerhorn
Trailers Marketing: Jennifer Raymond, Matt Hull
Company 3, Production: Kelsea Williams, Kelly Barnhardt
Director: Pierre Coffin

Illumination and Universal Pictures

Office Romance

Color: Gareth Spensley
Additional Color: Gareth Thomas
Finishing Editor: Julien Mathus
Dailies Colorist: John Bonta
Dailies Producer: Matt Riera
Imaging Science: John Quartel PhD, Brett Rayner
Company 3, Production: Joanna Burt, Alexandra Piatek
Director: Ol Parker
Director of Photography: Robert Yeoman ASC
Editor: Peter Lambert
Production Design: Kristi Zea
VFX: Framestore

Netflix

Tom Clancy’s Jack Ryan: Ghost War

Supervising Color: Stefan Sonnenfeld
Color: Yoomin Lee
Finishing Editor: Josh Perault
Dailies Producer: Ella Nicoli-Horne
Dailies: Company 3
Imaging Science: John Quartel PhD, Amine Boukerrou
Company 3, Production: Laura Hickerson, Michael Maida
Editorial Services: Gregory Caligiuri, Brandon Rosser
Director: Andrew Bernstein
Director of Photography: Arnau Valls Colomer
Editor: Jason Ballantine ASE ACE
Production Design: Niall Moroney
VFX: Curated

Prime Video

Focker-In-Law

Supervising Color: Stefan Sonnenfeld
Color: Yoomin Lee
Finishing Editor: Nicholas Figueroa
Dailies Colorist: Patrick Devine
Dailies Producer: Matt Riera
Trailers Marketing: Jennifer Raymond, Matt Hull
Imaging Science: John Quartel PhD, Amine Boukerrou
Company 3, Producer: Ray Stanton
Editorial Services: Gregory Caligiuri, Brandon Rosser
Director: John Hamburg
Director of Photography: Barry Peterson
Editor: Brent White, Tom Eagles ACE
Production Design: Mark Ricker

Universal Pictures

The Brink of War

Color: Siggy Ferstl
Additional Color: Paul Bupte
Finishing Editor: Joe Ken
Imaging Science: Emily Faw
Company 3, Producer: Kristin Graham
Director: Michael Russell Gunn
Director of Photography: Magdalena Gorka ASC PSC
Editor: Michael L. Sale, Laura Yanovich
Production Design: Gunnar Pálsson

Angel Studios

Young Washington

Color: Thor Roos
Finishing Editor: Yoon Hee Hwang, Chase Mair
Company 3, Production: Laura O’Neal, Anna Snizkova
Director: Jon Erwin
Director of Photography: Kristopher Kimlin
Editor: Parker Adams, David de Vos
Production Design: Chad Krowchuk

Angel

Michael

Color: Stefan Sonnenfeld
Additional Color: Adam Nazarenko
Finishing Editor: Matthew Johnson
Dailies Colorist: Benny Estrada
Dailies Producer: Alexis Ross
Trailers Marketing: Ariane Ackerberg, Joe Pestana
Company 3, Production: Loan Phan, Zach Watkins
Director: Antoine Fuqua
Director of Photography: Dione Beebe
Editor: John Ottman, Harry Yoon
Production Design: Barbara Ling

Lionsgate

The Breadwinner

Color: Jill Bogdanowicz
Additional Color: Jared Pecht
Finishing Editor: John Diesso, Aaron Bennett
Dailies Colorist: Karli Windischmann
Dailies Producer: Chase Commins
Imaging Science: Emily Faw
Company 3, Production: Erik Rogers, Kristin Graham
Director: Eric Appel
Director of Photography: Eigil Bryld
Editor: Evan Henke
Production Design: Jon Billington

Sony Pictures

Backrooms

Color: Joseph Bicknell
Finishing Editor: Roger GaoXin Wang
Company 3, Producer: Laura O’Neal
Director: Kane Parsons
Director of Photography: Jeremy Cox
Editor: Greg Ng
Production Design: Danny Vermette

A24

Paw Patrol: The Dino Movie

Color: Bill Ferwerda
Re-Recording Mixer: Bernard Gariépy Strobl, Mike Kennedy
Finishing Editor: Mizuho Nakai
Company 3, Producer: Sarah Riley
Director: Callan Brunker
Editor: Ed Fuller
Production Design: Peter Chan

Paramount Pictures

The Sheep Detectives

Supervising Color: Greg Fisher
Additional Color: Gareth Thomas
Finishing Editor: Jeremy Crichton
Dailies Producer: Louis Zimmer
Dailies: Company 3
Company 3, Production: Christopher Nundy, Ann Dawson
Director: Kyle Balda
Director of Photography: George Steel
Editor: Al LeVine
Production Design: Suzie Davies
VFX: Framestore

Amazon MGM Studios / Sony Pictures UK

Apex

Color: Jill Bogdanowicz
Additional Color: Zachary Korpi
Finishing Editor: Jeremy Crichton
Company 3, Production: Gemma Saunders
Director: Baltasar Kormákur
Director of Photography: Lawrence Sher
Editor: Sigurður Eyþórsson
Production Design: Jean-Vincent Puzos

Netflix

Balls Up

Color: Dave Hussey
Additional Color: Nick Nassif
Dailies Colorist: Justin Heitman
Dailies Producer: Liam Donaghy
Dailies: Dailies by The Post Lounge in partnership with Company 3
Imaging Science: Michael Kannard
Company 3, Production: Kelsea Williams, Kelly Barnhardt
Director: Peter Farrelly
Director of Photography: John Brawley ACS
Editor: Sam Seig ACE
Production Design: Gary Mackay

Prime Video

Thrash

Color: Dave Hussey
Additional Color: Nick Nassif
Finishing Editor: Paul Carlin
Imaging Science: Michael Kanard
Company 3, Producer: Philip Marvin
Director: Tommy Wirkola
Director of Photography: Matthew Weston FNF
Editor: Hank Corwin ACE
Production Design: David Ingram

Netflix

The Super Mario Galaxy Movie

Color: Jason Hanel
Finishing Editor: Chad Schermerhorn
Trailers Marketing: Jennifer Raymond, Matt Hull
Company 3, Production: Kelsea Williams, Kelly Barnhardt
Director: Aaron Horvath, Michael Jelenic
Editor: Eric Osmond

Universal Pictures / Illumination

Fuze

Color: Thor Roos
Finishing Editor: Matthew Shuttleworth
Company 3, Producer: Andras Toth
Director: David Mackenzie
Director of Photography: Giles Nuttgens
Editor: Matt Mayer
Production Design: Amanda McArthur

Roadside Attractions

Obsession

Color: Jake White
Finishing Editor: Nicholas Figueroa
Company 3, Producer: Dom Lampasona
Director: Curry Barker
Director of Photography: Taylor Clemons
Editor: Curry Barker
Production Design: Vivian Gray

Focus Features

Scary Movie 6

Supervising Color: Stefan Sonnenfeld
Color: Yoomin Lee
Finishing Editor: Josh Perault
Dailies Colorist: Karli Windischmann
Dailies Producer: Chase Commins
Company 3, Producer: Kate Albers
Director: Michael Tiddes
Director of Photography: Terry Stacey
Editor: Jonathan Schwartz
Production Design: Nicole Elespuru

Paramount Pictures

Marc by Sofia

Color: Tim Masick
Finishing Editor: Josh Perault, Hunter Furnish
Company 3, Production: Krystle Annand, Scott Salamon
Director: Sofia Coppola
Director of Photography: Roman Coppola, Jenna Rosher, Shane Sigler
Editor: Chad Sipkin

A24

Scream 7

Color: Stephen Nakamura
Additional Color: Nick Nassif
Finishing Editor: Chad Schermerhorn
Company 3, Production: Kelsea Williams, Kelly Barnhardt
Director: Kevin Williamson
Director of Photography: Ramsey Nickell
Editor: Jim Page
Production Design: John Collins

Paramount Pictures

Is God Is

Color: Tim Masick
Finishing Editor: Patrick Kelleher
Dailies Colorist: Ryan Hymel
Dailies Producer: Matt Riera
Trailers Marketing: Igor Darbo, Jennifer Raymond
Imaging Science: Amine Boukerrou
Company 3, Producer: Kate Albers
Editorial Services: Brandon Rosser, Gregory Caligiuri
Director: Aleshea Harris
Director of Photography: Alexander Dynan
Editor: Jay Rabinowitz ACE, Blair McClendon
Production Design: Freyja Bardell

Amazon MGM Studios

Over Your Dead Body

Color: Bill Ferwerda
Re-Recording Mixer: Steve Foster, Mark Zsifkovits
Finishing Editor: Darren Hinchy
Company 3, Producer: Shane Allan
Director: Jorma Taccone
Director of Photography: Matthew Weston FNF
Editor: Jeremy Cohen
Production Design: Joseph A. Hodges

XYZ Films

Slanted

Color: Matt Osborne
Additional Color: Jake White
Finishing Editor: Gina Kalim
Company 3, Producer: Tracey Soast
Director: Amy Wang
Director of Photography: Ed Wu
Editor: Ryan Chan
Production Design: Julie Chen

Bleecker Street Media

My Sister’s Bones

Color: Gareth Spensley
Additional Color: Gareth Thomas
Finishing Editor: Andy Cave
Company 3, Production: Joanna Burt, Alexanda Piatek
Director: Heidi Greensmith
Director of Photography: Joel Devlin
Editor: Adelina Bichiș
Production Design: Alan Gilmore

BK Studios

The History of Sound

Color: Tim Masick
Finishing Editor: Nicholas Figueroa
Company 3, Producer: Michael Maida
Editorial Services: Brandon Rosser, Greg Caligiuri
Director: Oliver Hermanus
Director of Photography: Alexander Dynan
Editor: Chris Wyatt
Production Design: Deborah Jensen

Film4 + Tango Entertainment

Molly vs THE MACHINES

Color: Greg Fisher
Company 3, Producer: Cody Cardarelli
Director: Marc Silver
Director of Photography: Marc Silver
Editor: Emiliano Battista

Cosmic Cat Films

The Bride!

Color: Jill Bogdanowicz
Additional Color: Dustin Wadsworth
Finishing Editor: Gina Kalim
Dailies Colorist: Dustin Wadsworth
Company 3, Producer: Mike Maida
Editorial Services: Gregory Caligiuri, Brandon Rosser
Director: Maggie Gyllenhaal
Director of Photography: Lawrence Sher
Editor: Dylan Tichenor
Production Design: Karen Murphy

Warner Bros. Pictures

The Bluff

Color: Dave Hussey
Additional Color: Nick Nassif
Finishing Editor: Chad Schermerhorn
Company 3, Production: Kelsea Williams, Kelly Barnhardt
Director: Frank E. Flowers
Director of Photography: Greg Baldi
Editor: Lisa Lassek

Amazon MGM Studios

Good Luck, Have Fun, Don’t Die

Color: Stephen Nakamura
Additional Color: Nick Nassif
Finishing Editor: Joe Ken
Company 3, Production: Jared Arkulary, Jenna Ellis
Director: Gore Verbinski
Director of Photography: James Whitaker, ASC
Editor: Craig Wood
Production Design: David Brisbin

Constantin Films

The Death of Robin Hood

Color: Tom Poole
Additional Color: Dustin Wadsworth
Finishing Editor: Josh Perault
Dailies Colorist: Jake White
Company 3, Producer: Michael Maida, Laura Metcalfe
Director: Michael Sarnoski
Director of Photography: Pat Scola ASC
Editor: Andrew Mondshein ACE
Production Design: David Mark Lee

A24

The Rip

Supervising Color: Jill Bogdanowicz
Additional Color: Zachary Korpi
Finishing Editor: Chad Schermerhorn
Dailies Colorist: John Bonta
Company 3, Producer: Philip Marvin
Director: Joe Carnahan
Director of Photography: Juan (Juanmi) Miguel Azpiroz
Editor: Kevin Hale
Production Design: Judy Becker

Netflix

Greenland: Migration

Color: Matt Osborne
Finishing Editor: Stuart London
Dailies Colorist: John Maltby
Dailies Producer: Louis Zimmer
Company 3, Production: Ann Dawson, Hannah Perkins
Director: Ric Roman Waugh
Director of Photography: Martin Ahlgren
Editor: Eric Freidenberg, Colby Parker Jr.
Production Design: Vincent Reynaud

Lionsgate

How to Lose a Popularity Contest

Color: Jimmy Hsu
Finishing Editor: Matthew Shuttleworth, Roger GaoXin Wang
Dailies Colorist: Chad Band, Mykel Thuncher
Dailies Producer: Grace Quilligan
Company 3, Production: Grace Quilligan, Hannah Patrick
Director: Stephen S. Campanelli
Director of Photography: Stephen Maier
Editor: Richard Schwadel
Production Design: John Marcynuk

TUBI

Mercy

3D Color: Jason Hanel
Finishing Editor: Paul Carlin
Company 3, Production: Jessica Stone, Sierra Kaczmarek
Director: Timur Bekmambetov
Director of Photography: Khalid Mohtaseb
Editor: Austin Keeling, Lam T. Nguyen
Production Design: Alex McDowell

Amazon MGM Studios

28 Years Later: The Bone Temple

Color: Tom Poole
Additional Color: Dustin Wadsworth
Finishing Editor: Thomas Lambert
Dailies Colorist: Doychin Margoevski
Dailies Producer: Louis Zimmer
Company 3, Production: Leigh Myers, Marie Anestad
Director: Nia DaCosta
Director of Photography: Sean Bobbitt
Editor: Jake Roberts
Production Design: Gareth Pugh and Carson McColl

Sony Pictures

Ready or Not 2: Here I Come

Color: Tony Dustin
Re-Recording Mixer: Andrew Tay, Scott Hitchon
Finishing Editor: Darren HInchy
Company 3, Producer: Shaneixqui Brown
Director: Matt Bettinelli-Oplpin ,Tyler Gillett
Director of Photography: Brett Jutkiewicz
Editor: Jay Prychidny
Production Design: Andrew Stearn

Searchlight Pictures

Shelter

Color: Matt Osborne
Additional Color: Jake White, James Slattery
Finishing Editor: Julien Mathis
Dailies Colorist: Gabriele McIntyre
Dailies Producer: Louis Zimmer
Company 3, Producer: Ann Dawson
Director: Ric Roman Waugh
Director of Photography: Martin Ahlgren
Editor: Matthew Newman

Black Bear Pictures

Is This Thing On?

Supervising Color: Stefan Sonnenfeld
Color: Yoomin Lee
Finishing Editor: Gina Kalim
Dailies Colorist: Ben Estrada
Dailies Producer: Marissa Chen
Company 3, Producer: Mike Maida
Editorial Services: Brandon Rosser, Gregory Caligiuri
Director: Bradley Cooper
Director of Photography: Matthew Libatique
Editor: Charlie Greene
Production Design: Kevin Thompson

Searchlight Pictures

YOU, ME & TUSCANY

Supervising Color: Jill Bogdanowicz
Additional Color: Jimmy Hsu
Finishing Editor: Yoon Hee Hwang, Roger GaoXin Wang
Company 3, Production: Grace Quilligan, Hannah Patrick
Director: Kat Coiro
Director of Photography: Danny Ruhlmann
Editor: Troy Takaki, Zene Baker
Production Design: Elena Albanese

Universal Pictures

“Wuthering Heights”

Color: Matt Wallach
Finishing Editor: Thomas Lambert, Stuart London
Dailies Colorist: Doychin Margoevski
Dailies Producer: Ella Nicoli-Horne
Trailers Marketing: William Holloway, Chris Doerr, Igor Darbo
Imaging Science: John Quartel, Brett Rayner
Company 3, Producer: Gemma Saunders, Leigh Myers, Chris Dewolde
Director: Emerald Fennell
Director of Photography: Linus Sandgren
Editor: Victoria Boydell
Production Design: Suzie Davies

Warner Bros. Pictures

Goodbye June

Color: Jean-Clément Soret
Finishing Editor: Thomas Lambert
Company 3, Production: Leigh Myers, Cody Cardarelli, Ellora Soret
Director: Kate Winslet
Director of Photography: Alwin Küchler
Editor: Lucia Zucchetti
Production Design: Alison Harvey

Netflix

The Housemaid

Color: Stefan Sonnenfeld
Additional Color: Parker Jarvie
Finishing Editor: Paul Carlin
Dailies: Ben Estrada
Trailers Marketing: Stefan Sonnenfeld, Jennifer Raymond, Ariane Ackerberg
Company 3, Producer: Kelsea Williams
Director: Paul Feig
Director of Photography: John Schwartzman
Editor: Brent White
Production Design: Elizabeth Jones

Lionsgate

Marty Supreme

Supervising Color: Yvan Lucas
Additional Color: Diego Orkiz
Finishing Editor: Gina Kalim
Dailies Colorist: Rich Flores
Dailies Producer: Matt Riera
Company 3, Producer: Laura Hickerson
Editorial Services: Gregory Caligiuri, Brandon Rosser
Director: Josh Safdie
Director of Photography: Darius Khondji
Editor: Ronald Bronstein, Josh Safdie
Production Design: Jack Fisk

A24

A Very Jonas Christmas Movie

Color: Joanne Rourke
Additional Color: Ian Passy
Finishing Editor: Angelica Lopez
Dailies Producer: Gino Carletti
Dailies: Company 3 Toronto
Company 3, Production: Alexis French, Charlie Schroeter, Sandra Lena, Jamie De Cesare, Jovanny Benitez
Director: Jessica Yu
Director of Photography: Brendan Steacy
Editor: Peter Hagan
Production Design: Ian Phillips

Disney+

Messy

Color: Jaime O’Bradovich
Company 3, Producer: Mike Maida
Director: Alexi Wasser
Director of Photography: Barton Cortright
Editor: Brian Kinnes, Angie Rodriguez
Production Design: Grace Lees

Vertical

Frankenstein

Color: Stefan Sonnenfeld
Additional Color: Dave Muscat
Re-Recording Mixer: Christian Cooke, Brad Zoern
Finishing Editor: Darren Hinchy
Company 3, Producer: Sarah Riley
Director: Guillermo del Toro
Director of Photography: Dan Laustsen, ASC DFF
Production Design: Tamara Deverell

Netflix

Christmas Above The Clouds

Color: Anne Boyle
Finishing Editor: Matthew Shuttleworth, Roger Gaoxin Wang
Company 3, Producer: Sergio Corena Alvarez
Director: Peter Benson
Director of Photography: Graham Talbot
Editor: Saeed Vahidi
Production Design: Lloyd Stone

Hallmark Channels

Selena y Los Dinos: A Family’s Legacy

Color: Kath Raisch
Finishing Editor: Nicholas Figueroa
Company 3, Producer: Mike Maida
Director: Isabel Castro
Director of Photography: Lorena Duran
Editor: Carolina Siraqyan

Netflix

Troll 2

Color: Jean-Clément Soret
Finishing Editor: Julien Mathus
Company 3, Production: Cody Cardarelli, Marie Ånestad
Director: Roar Uthaug
Director of Photography: Oskar Dahlsbakken
Editor: Christoffer Heie, Jens Peder Hertzberg
Production Design: Koja Eiving, Tobias Eiving, Ulrika Axén

Netflix

Ella McCay

Color: Stefan Sonnenfeld
Additional Color: Adam Nazarenko
Finishing Editor: Matthew Johnson
Dailies: Company 3
Company 3, Production: Loan Phan, Zach Watkins
Director: James L. Brooks
Director of Photography: Robert Elswit
Editor: Tracey Wadmore-Smith
Production Design: Richard Toyon

20th Century Studios

Reminders of Him

Color: Stephen Nakamura
Additional Color: Nick Nassif
Finishing Editor: Chad Schermerhorn
Dailies Colorist: Richard Cordes
Dailies Producer: Rachel Ware
Company 3, Production: Kelsea Williams, Kelly Barnhardt
Director: Vanessa Caswill
Director of Photography: Tim Ives
Editor: Michelle Harrison
Production Design: Francesca Massariol

Universal Pictures

Send Help

Color: Stephen Nakamura
3D Color: Jared Pecht
Additional Color: Nick Nassif
Finishing Editor: John Diesso
Dailies Colorist: Margaux Hemard
Dailies Producer: Liam Donaghy
Company 3, Production: Philip Marvin, Megan White, Karlie Gochnour
Director: Sam Raimi
Director of Photography: Bill Pope ASC
Editor: Bob Murawski
Production Design: Ian Gracie

20th Century Studios

A Merry Little Ex-Mas

Color: Matt Osborne
Finishing Editor: Patrick Kelleher
Dailies Producer: Gino Carletti
Dailies: Company 3
Company 3, Producer: Kate Albers
Editorial Services: Gregory Caligiuri
Director: Steve Carr
Director of Photography: Adam Santelli
Production Design: Mark Hofeling

Netflix

Playdate

Color: Thor Roos
Company 3, Production: Sergio Corena Alvarez, Mina Takkaci
Director: Luke Greenfield
Director of Photography: Darran Tiernan
Editor: Joe Mitacek
Production Design: Tyler Bishop Harron

Amazon MGM Studios

Nuremberg

Color: Stephen Nakamura
Additional Color: Nick Nassif
Finishing Editor: Chad Schermerhorn
Company 3, Producer: Philip Marvin
Director: James Vanderbilt
Director of Photography: Dariusz Wolski ASC
Editor: Tom Eagles ACE
Production Design: Eve Stewart

Sony Pictures Classics

King Ivory

Color: Joseph Bicknell
Company 3, Producer: Kate Albers
Director: John Swab
Director of Photography: Will Stone
Editor: Andrew Aaronson
Production Design: Miles Rogoish

Saban Films / Roadside Attractions

Bugonia

Color: Greg Fisher
Finishing Editor: Thomas Lambert, Julien Mathus
Dailies Producer: Louis Zimmer
Dailies: Company 3
Company 3, Production: Christopher Nundy, Marie Ånestad
Director: Yorgos Lanthimos
Director of Photography: Robbie Ryan BSC ISC
Editor: Yorgos Lanthimos
Production Design: James Price

Focus Features

Ruth & Boaz

Color: Siggy Ferstl
Additional Color: Paul Bupte
Finishing Editor: Paul Carlin
Dailies: Company 3
Company 3, Production: Clay Woods, Raymond Calderon
Director: Alanna Brown
Director of Photography: Michael Negrin
Editor: Maysie Hoy
Production Design: Sharon Busse

Netflix

A House of Dynamite

Color: Stephen Nakamura
Additional Color: Patrick Devine
Finishing Editor: Pat Kelleher
Dailies Colorist: Alex Kaufman
Company 3, Producer: Laura Hickerson
Editorial Services: Brandon Rosser, Gregory Caligiuri
Director: Kathryn Bigelow
Director of Photography: Barry Ackroyd BSC
Editor: Kirk Baxter ACE
Production Design: Jeremy Hindle

Netflix

Wicked: For Good

Supervising Color: Jill Bogdanowicz
Additional Color: Adam Nazarenko
Finishing Editor: Joe Ken
Dailies Colorist: Lucie Barbier
Trailers Marketing: Jennifer Raymond, Matt Hull
Company 3, Production: Erik Rogers, Karlie Gochnour
Director: Jon M. Chu
Director of Photography: Alice Brooks ASC
Editor: Myron Kerstein ACE
Production Design: Nathan Crowley
VFX: Framestore
Immersive 3D VFX: SDFX Studios

Universal Pictures

Madden

Color: Stephen Nakamura
Additional Color: Nick Nassif
Finishing Editor: Ray Ruotolo, Aaron Bennett
Dailies Colorist: Ben Estrada
Dailies Producer: Chase Commins
Imaging Science: Emily Faw
Company 3, Production: Jared Arkulary, Karlie Gochnour
Director: David O. Russell
Director of Photography: Robert Richardson, ASC
Editor: Jon Poll, Alan Baumgarten, ACE
Production Design: David J. Bomba, Sean Ryan Jennings

Amazon MGM Studios

The Hand That Rocks the Cradle

Color: Dave Hussey
Finishing Editor: Matthew Johnson
Dailies: Rich Flores
Company 3, Production: Loan Phan, Zach Watkins
Director: Michelle Garza Cervera
Director of Photography: Jo Willems ASC, SBC
Editor: Julie Monroe
Production Design: Kay Lee

20th Century Studios

Now You See Me: Now You Don’t

Color: Stefan Sonnenfeld
Additional Color: Adam Nazarenko
Finishing Editor: John Diesso, Chad Schermerhorn
Trailers Marketing: Jennifer Raymond, Ariane Ackerberg
Company 3, Producer: Philip Marvin
Director: Ruben Fleischer
Director of Photography: George Richmond BSC
Editor: Stacey Schroeder
Production Design: David Scheunemann

Lionsgate

I Was a Stranger

Color: Dave Hussey
Finishing Editor: Hunter Furnish
Company 3, Producer: Scott Salamon
Director: Brandt Andersen
Director of Photography: Jonathan Sela
Editor: Jeff Seibeneck
Production Design: Julie Berghoff

Angel

Springsteen: Deliver Me From Nowhere

Color: Tom Poole
Additional Color: Dustin Wadsworth
Finishing Editor: Chad Schermerhorn
Dailies Colorist: Jake White
Company 3, Producer: Kelsea Williams
Director: Scott Cooper
Director of Photography: Masanobu Takayanagi
Editor: Pamela Martin
Production Design: Stefania Cella

20th Century Studios

Lilith Fair: Building a Mystery – The Untold Story

Color: Bill Ferwerda
Re-Recording Mixer: Steve Foster, Lana Marie Hattar
Finishing Editor: Mizuho Nakai
Company 3, Producer: Shane Allan
Director: Ally Pankiw
Director of Photography: Nina Djacic
Editor: Eamonn O’Connor, Navin Harrilal, Omar Majeed, Peter Mishara

Elevation Pictures

The Mannequin

Color: Tyler Roth
Finishing Editor: Aaron Bennett
Company 3, Producer: James Levine
Director: John Berardo
Director of Photography: Jonathan Pope
Editor: Kristina E. Lyons
Production Design: Emily Peters

Five Horizons Media

Song Sung Blue

Supervising Color: Tom Poole
Color: Dustin Wadsworth
Finishing Editor: Patrick Kelleher
Dailies Colorist: Patrick Devine
Company 3, Producer: Kate Albers
Editorial Services: Gregory Caligiuri, Brandon Rosser
Director: Craig Brewer
Director of Photography: Amy Vincent
Editor: Billy Fox
Production Design: Clay A. Griffith

Focus Features

Dust Bunny

Color: Dave Hussey
Additional Color: Nick Nassif
Finishing Editor: Chad Schermerhorn
Company 3, Production: Aaron Miller, Kristin Graham
Director: Bryan Fuller
Director of Photography: Nicole Hirsch Whitaker ASC
Editor: Lisa Lassek
Production Design: Jeremy Reed

Roadside Attractions

The Long Walk

Color: Dave Hussey
Additional Color: Nick Nassif
Finishing Editor: John Diesso
Company 3, Producer: Erik Rogers, Kristin Graham
Director: Francis Lawrence
Director of Photography: Jo Willems ASC SBC
Editor: Mark Yoshikawa
Production Design: Nicolas Lepage

Lionsgate + Vertigo Entertainment

IINNIIWA: THE BLACKFEET BUFFALO STORY

Sound Designer: Shawn Coleman
Director: Robert Baker, Elias Gallegos
Director of Photography: Hunter Robert Baker
Editor: Brett Banks, Stephan Wever

Play Dirty

Supervising Color: Yvan Lucas
Additional Color: Brendon Wilson
Finishing Editor: Aaron Bennett
Dailies Colorist: Lachlan Early
Dailies Producer: Liam Donaghy
Dailies: Company 3 in partnership with The Post Lounge
Director: Shane Black
Director of Photography: Philippe Rousselot ASC AFC
Editor: Chris Lebenzon
Production Design: Owen Paterson

Prime Video

Bone Lake

Color: Bryan Smaller
Company 3, Producer: Clay Woods
Director: Mercedes Bryce Morgan
Director of Photography: Nick Matthews
Editor: Anjoum Agrama
Production Design: Kendra Brandanini

Bleecker Street Media

Hedda

Supervising Color: Tom Poole
Additional Color: Dustin Wadsworth
Finishing Editor: Stuart London, Julien Mathus, Jeremy Crichton
Company 3, Production: Christopher Nundy, Marie Ånestad
Director: Nia DaCosta
Director of Photography: Sean Bobbitt
Editor: Jacob Schulsinger
Production Design: Cara Brower

Prime Video

The Kiss of the Spider Woman

Color: Stefan Sonnenfeld
Additional Color: Drew Geary
Finishing Editor: Josh Perault
Dailies Colorist: Alex Kaufman
Company 3, Producer: Laura Hickerson
Director: Bill Condon
Director of Photography: Tobias A. Schliessler ASC
Editor: Brian A. Kates ACE
Production Design: Scott Chambliss

Roadside Attractions + Lionsgate

Keeper

Color: Joseph Bicknell
Finishing Editor: Yoon Hee Hwang
Company 3, Production: Andras Toth, Laura O'Neal
Director: Osgood Perkins
Director of Photography: Jeremy Cox
Editor: Graham Fortin, Greg Ng
Production Design: Danny Vermette

Elevation Pictures

Nobody 2

Supervising Color: Dave Hussey
Color: Anne Boyle
Finishing Editor: Yoon Hee Hwang, Roger GaoXin Wang
Dailies: Mykel Thuncher
Company 3, Producer: Grace Quilligan, Hannah Patrick, Andras Toth
Director: Timo Tjahjanto
Director of Photography: Callan Green ACS NZCS
Editor: Elísabet Ronaldsdóttir
Production Design: Michael Diner

Universal

The Pickup

Color: Dave Hussey
Finishing Editor: Chad Schermerhorn
Dailies: Nick Winkelmann
Company 3, Producer: Loan Phan, Zach Watkins, Chase Commins
Director: Tim Story
Director of Photography: Larry Blanford
Editor: Craig Alpert
Production Design: Clay A. Griffith

Amazon MGM Studios

The Roses

Color: Tim Masick
Finishing Editor: Matthew Johnson
Dailies: Company 3
Company 3, Producer: Loan Phan
Director: Jay Roach
Director of Photography: Florian Hoffmeister BSC
Editor: Jon Poll
Production Design: Mark Ricker

Searchlight Pictures

Code 3

Color: Sean Coleman
Finishing Editor: Paul Carlin
Company 3, Production: Clay Woods, James Levine
Director: Christopher Leone
Director of Photography: Mark Williams
Editor: Jay Friedkin
Production Design: Jace Ford

Wayfarer Studios

We Strangers

Color: Jaime O'Bradovich
Finishing Editor: Gina Kalim
Company 3, Producer: Michael Maida
Director: Ana Valia
Director of Photography: Charlotte Hornsby
Editor: James Codoyannis
Production Design: Amelia Steely

Wingate Media

Sarah’s Oil

Color: Cody Baker
Additional Color: Paul Bupte
Finishing Editor: Chad Schermerhorn
Company 3, Producer: Philip Marvin
Director: Cyrus Nowrasteh
Director of Photography: Johnny Derango
Editor: Sean Albertson, Paul Seymour
Production Design: Aimee Holmberg

Amazon/MGM

Him

Color: Tom Poole
Additional Color: Jake White
Finishing Editor: Pat Kelleher, Nick Figueroa
Dailies: Jake White
Company 3, Producer: Mike Maida
Editorial Services: Brandon Rosser, Gregory Caligiuri
Director: Justin Tipping
Director of Photography: Kira Kelley ASC
Editor: Taylor Joy Mason ACE
Production Design: Jordan Ferrer

Universal Pictures

Jay Kelly

Color: Matt Wallach
Finishing Editor: Stuart London
Dailies Colorist: Doychin Margoevski
Company 3, Producer: Gemma Saunders
Director: Noah Baumbach
Director of Photography: Linus Sandgren ASC FSF
Editor: Valerio Bonelli, Rachel Durance
Production Design: Mark Tildesley

Netflix

Regretting You

Color: Stephen Nakamura
Finishing Editor: Hunter Furnish
Dailies: Company 3
Company 3, Producer: Scott Salamon
Director: Josh Boone
Director of Photography: Tim Orr
Editor: Robb Sullivan, Marc Clark
Production Design: Brittany Hites

Paramount Pictures

Eddington

Color: Yvan Lucas
Additional Color: Diego Orkiz, Brendon Wilson
Finishing Editor: Gina Kalim
Dailies: Rich Flores
Company 3, Producer: Laura Hickerson
Editorial Services: Brandon Rosser, Gregory Caligiuri
Director: Ari Aster
Director of Photography: Darius Khondji
Editor: Lucian Johnston
Production Design: Elliot Hostetter

HAPPYEND

Color: Tim Masick
Company 3, Producer: Zac Gobetz
Director: Neo Sora
Director of Photography: Bill Kirstein
Editor: Albert Tholen
Production Design: Norifumi Ataka

Film Movement

The Bad Guys 2

3D Color: Jason Hanel
Finishing Editor: Patrick Perron
Company 3, Producer: Gino Carletti
Director: Pierre Perifel, JP Sans
Editor: Jesse Averna ACE
Production Design: Luc Desmarchelier
Immersive 3D VFX: SDFX Studios

Universal Pictures + Dreamworks Animation

Spinal Tap II: The End Continues

Color: Siggy Ferstl
Additional Color: Erik Ventura, Nick Nassif
Finishing Editor: John Diesso
Dailies Colorist: Ryan Hymel
Dailies Producer: Matt Riera
Company 3, Production: Jessica Stone, Sierra Kaczmarek
Director: Rob Reiner
Director of Photography: Lincoln Else
Editor: Bob Joyce
Production Design: Michelle C. Harmon

Bleecker Street Media

The Fantastic Four: First Steps

Senior Supervising Finishing Artist: Tom Poole
3D Color: Jared Pecht, Nick Nassif
Additional Color: Adam Nazarenko
Finishing Editor: John Diesso, Paul Carlin
Trailers Marketing: Carl McKay, Behnood Behjoo, Levi Hawkinson, Ben Cheskis
Company 3, Production: Jessica Stone, Megan White, Sierra Kaczmarek
Director: Matt Shakman
Director of Photography: Jess Hall BSC
Editor: Nona Khodai ACE, Tim Roche
Production Design: Kasra Farahani
VFX: Framestore
Immersive 3D VFX: SDFX Studios

Marvel Studios

Predator: Badlands

Color: Cody Baker
Additional Color: Paul Bupte, Jared Pecht
Finishing Editor: Paul Carlin
Company 3, Production: Clay Woods, Megan White
Director: Dan Trachtenberg
Director of Photography: Jeff Cutter
Editor: Stefan Grube, David Trachtenberg
Production Design: Ra Vincent
Immersive 3D VFX: SDFX Studios

20th Century Studios

Tron: Ares

Color: Stefan Sonnenfeld
3D Color: John Tripp
Additional Color: Adam Nazarenko
Finishing Editor: Joe Ken
Dailies Colorist: Jaan Spirka
Trailers Marketing: Nick Peterson, Jennifer Raymond, Matt Hull, Ariane Ackerberg
Imaging Science: Emily Faw
Company 3, Production: Erik Rogers, Kristin Graham
Director: Joachim Ronning
Director of Photography: Jeff Cronenweth
Editor: Tyler Nelson
Production Design: Darren Gilford