Work > Features

Luckiest Girl Alive

  • Colorist: Tim Masick
  • Director: Mike Barker
  • Director of Photography: Colin Watkinson
  • Editor: Nancy Richardson

TÁR

  • Colorist: Tim Masick
  • Director: Todd Field
  • Director of Photography: Florian Hoffmeister
  • Editor: Monika Willi

Goodnight Mommy

  • Colorist: Tim Masick
  • Director: Matt Sobel
  • Director of Photography: Alexander Dynan
  • Editor: Maya Maffioli & Michael Taylor

Slumberland

  • Colorist: Dave Hussey
  • Company 3 Producer: Erik Rogers + Ricardo Ramirez
  • Director: Francis Lawrence
  • Director of Photography: Jo Willems
  • Editor: Mark Yoshikawa
Netflix

Violent Night

  • Colorist: Dave Hussey
  • Additional Colorist: Matt Wells
  • Finishing Editor: Matthew Shuttleworth + Roger Wang
  • Dailies Colorist: Richard Cordes
  • Company 3 Producer: Andras Toth
  • Director: Tommy Wirkola
  • Director of Photography: Matthew Weston
  • Editor: James Page

Nanny

  • Colorist: Joseph Bicknell
  • Finishing Editor: Gina Kalim
  • Director: Nikyatu Jusu
  • Director of Photography: Rina Yang
  • Editor: Robert Mead

Babylon

  • Colorist: Matt Wallach
  • Finishing Editor: Chris Doerr
  • Dailies Colorist: Jack Tashdjian
  • Company 3 Producer: Loan Phan
  • Director: Damien Chazelle
  • Director of Photography: Linus Sandgren
  • Editor: Tom Cross

Disenchanted

  • Colorist: Siggy Ferstl
  • Finishing Editor: Joe Ken
  • Dailies Colorist: Gerard McCullagh
  • Company 3 Producer: Ray Horta
  • Director: Adam Shankman
  • Director of Photography: Simon Duggan
  • Editor: Emma Burford Hickox

Living

  • Colorist: Joseph Bicknell
  • Director: Oliver Hermanus
  • Director of Photography: Jamie D. Ramsay
  • Editor: Chris Wyatt
Lionsgate

Empire of Light

  • Colorist: James Slattery
  • Finishing Editor: Thomas Lambert
  • Dailies Colorist: James Slattery
  • Director: Sam Mendes
  • Director of Photography: Roger Deakins
  • Editor: Lee Smith

Katrina Babies

  • Colorist: Jaime O’Bradovich
  • Company 3 Producer: Kate Albers
  • Director: Edward Buckles Jr.
  • Director of Photography: Edward Buckles Jr.
  • Editor: Luther Clement Lam + Fiona Otway
HBO Max

Minions: The Rise of Gru

  • Colorist: Jason Hanel
  • Finishing Editor: Patrick Clancey
  • Company 3 Producer: Loan Phan
  • Creative Director: Brad Ableson, Kyle Balda + Jonathan del Val
  • Editor: Claire Dodgson
  • Production Company: Illumination Animation

Moonage Daydream

  • Colorist: Tyler Roth
  • Finishing Editor: Jason Saulog
  • Company 3 Producer: Erik Rogers + Ricardo Ramirez
  • Director: Brett Morgen
  • Editor: Brett Morgen
  • Production Company: Neon Rated

Hocus Pocus 2

  • Colorist: Natasha Leonnet
  • Finishing Editor: Patrick Clancey
  • Dailies Colorist: Tim Hedden
  • Company 3 Producer: Loan Phan
  • Director: Anne Fletcher
  • Director of Photography: Elliot Davis

Thor: Love and Thunder

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Jared Pecht, Adam Nazarenko, Alan Gordon + Andre Rivas
  • Finishing Editor: Paul Carlin, Chad Schermerhorn
  • Company 3 Producer: Laura Holeman
  • Director: Taika Watiti
  • Director of Photography: Barry Baz Idoine
  • Editor: Peter S Elliot, Tim Roche, Matthew Schmidt, Jennifer Vecchiarello

Bros

  • Colorist: Natasha Leonnet
  • Finishing Editor: Patrick Clancey
  • Director: Nicholas Stoller
  • Director of Photography: Brandon Trost
  • Editor: Daniel Gabbe
Universal Pictures

Blonde

  • Colorist: Jake White, Tom Poole + Andrew Geary
  • Finishing Editor: Gina Kalim + John Diesso
  • Dailies Colorist: Ben Estrada
  • Company 3 Producer: Mike Maida
  • Director: Andrew Dominik
  • Director of Photography: Chayse Irvin
  • Editor: Adam Robinson
Netflix

Hello, Goodbye, and Everything In Between

  • Colorist: Parker Jarvie
  • Company 3 Producer: Ray Horta
  • Director: Michael Lewen
  • Director of Photography: Bryce Fortner, Andrew Gordon
  • Editor: Joe Landauer
  • Finishing: John Diesso
  • Supervising Colorist: Jill Bogdanowicz

The Gray Man

  • Colorist: Steve Scott
  • Finishing Editor: John Diesso
  • Dailies Colorist: Shane O'Connor
  • Director: Anthony Russo, Joe Russo
  • Director of Photography: Stephen F. Windon
  • Editor: Jeff Groth and Pietro Scalia
Netflix

Bullet Train Trailer 2

  • Colorist: Dave Hussey
  • Dailies Colorist: Matt Wallach
  • Director: David Leitch
  • Director of Photography: Jonathan Sela
  • Editor: Elísabet Ronaldsdóttir
  • Finishing: Matthew Johnson
Sony Pictures

Watcher

  • Colorist: Stephen Nakamura
  • Finishing Editor: Hunter Furnish

  • Director: Chloe Okuno
  • Director of Photography: Benjamin Kirk Nielsen
  • Editor: Michael Block
IFC Films

Prey

  • Colorist: Cody Baker
  • Finishing Editor: Jason Saulog
  • Dailies Colorist: David Koval
  • Company 3 Producer: Ray Horta
  • Director: Dan Trachtenberg
  • Director of Photography: Jeff Cutter
  • Editor: Claudia Castello, Angela M. Catanzaro
Hulu

The Man From Toronto

  • Colorist: Stefan Sonnenfeld
  • Finishing Editor: Jason Saulog
  • Dailies Colorist: Evan Spicer
  • Director: Patrick Hughes
  • Director of Photography: Rob Hardy, ASC, BSC
  • Editor: Craig Alpert
Netflix

Pinocchio

  • Colorist: Jill Bogdanowicz
  • Finishing Editor: Matthew Johnson
  • Company 3 Producer: Erik Rogers
  • Director: Robert Zemeckis
  • Director of Photography: Don Burgess
  • Editor: Jesse Goldsmith
Disney+

Beast

  • Colorist: Stefan Sonnenfeld
  • Finishing Editor: Stuart Nippard
  • Director: Baltasar Kormákur
  • Director of Photography: Philippe Rousselot
  • Editor: Jay Rabinowitz
  • VFX: Framestore
Universal Pictures

Moonage Daydream

  • Colorist: Tyler Roth
  • Finishing Editor: Jason Saulog
  • Company 3 Producer: Erik Rogers / Ricardo Ramirez
  • Director: Brett Morgen
  • Editor: Brett Morgen
Neon

Wolf Hound

  • Colorist: Tyler Roth
  • Director: Michael B. Chait
  • Director of Photography: Westley Gathright
  • Production Company: TMU Pictures

Where The Crawdads Sing

  • Colorist: Natasha Leonnet
  • Finishing Editor: Patrick Clancey
  • Dailies Colorist: Matt Wallach
  • Company 3 Producer: Loan Phan
  • Director: Olivia Newman
  • Director of Photography: Polly Morgan
  • Editor: Alan Edward Bell

Spiderhead

  • Colorist: Stefan Sonnenfeld
  • Finishing Editor: Paul Carlin
  • Director: Joseph Kosinski
  • Director of Photography: Claudio Miranda
  • Editor: Stephen Mirrione

Luck

  • Colorist: Jason Hanel
  • Finishing Editor: Patrick Clancey
  • Director: Peggy Holmes
  • Editor: William J. Caparella

Father of the Bride

  • Colorist: Natasha Leonnet
  • Finishing Editor: Patrick Clancey
  • Dailies Colorist: Marc Lulkin
  • Director: Gary Alazraki
  • Director of Photography: Igor Jadue-Lillo
  • Editor: Jon Poll

Jurassic World: Dominion

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie, Matt Osborne, Alan Louis Gordon
  • Finishing Editor: Joe Ken + Matthew Johnson
  • Dailies Colorist: James Slattery
  • Director: Colin Trevorrow
  • Director of Photography: John Schwartzman
  • Editor: Mark Sanger

Watcher

  • Colorist: Stephen Nakamura
  • Finishing Editor: Hunter Furnish
  • Director: Chloe Okuno
  • Director of Photography: Benjamin Kirk Nielsen
  • Editor: Michael Block
Focus Features

Minions: The Rise Of Gru

  • Colorist: Jason Hanel
  • Director: Kyle Balda, Brad Ableson, Jonathan del Val
  • Editor: Claire Dodgson
  • Finishing: Patrick Clancey

Top Gun: Maverick

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Adam Nazarenko
  • Dailies Colorist: Richard Flores Jr.
  • Director: Joseph Kosinski
  • Director of Photography: Claudio Miranda
  • Editor: Eddie Hamilton, Chris Lebenzon
  • VFX: Method Studios
  • Finishing: Joe Ken

Ambulance

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Tyler Roth
  • Dailies Colorist: Shane O'Connor
  • Director: Michael Bay
  • Director of Photography: Roberto De Angelis
  • Editor: Pietro Scalia, Calvin Wimmer, Doug Brandt
  • Finishing: Matthew Johnson

The Survivor

  • Colorist: Tom Poole
  • Additional Colorist: Jenny Montgomery
  • Dailies Colorist: Brian Wilkowski
  • Director: Barry Levinson
  • Director of Photography: George Steel
  • Editor: Douglas Crise
  • Finishing: John Diesso

Return To Space

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Andrew Geary
  • Director: Jimmy Chin, Chai Vasarhelyi
  • Director of Photography: Kevin Garrison, Shana Hagan
  • Editor: Daniel Koehler
  • Finishing: Gina Kalim

Sonic The Hedgehog 2

  • Colorist: Stephen Nakamura
  • Finishing Editor: Joe Ken
  • Director: Jeff Fowler
  • Director of Photography: Brandon Trost
  • Editorial: Jim May, ACE

Bullet Train

  • Colorist: Dave Hussey
  • Finishing Editor: Matthew Johnson
  • Dailies Colorist: Matt Wallach
  • Director: David Leitch
  • Director of Photography: Jonathan Sela
  • Editorial: Elísabet Ronaldsdóttir

The Adam Project

  • Colorist: Skip Kimball
  • Dailies Colorist: Matt Wells
  • Director: Shawn Levy
  • Director of Photography: Tobias A. Schliessler
  • Editor: Jonathan Corn, Dean Zimmerman
  • Finishing: Ray Ruotolo

Morbius

  • Colorist: Stephen Nakamura
  • Director: Daniel Espinosa
  • Director of Photography: Oliver Wood
  • Editor: Pietro Scalia
  • Finishing: Matthew Johnson

Phoenix Rising

  • Colorist: Andrew Geary
  • Director: Amy Berg
  • Director of Photography: Jenna Rosher, Curren Sheldon
  • Editor: Miranda Yousef, Veronica Pinkham 
  • Finishing: Pat Kelleher

Dog

  • Colorist: Stephen Nakamura
  • Finishing Editor: Joe Ken
  • Director: Reid Carolin + Channing Tatum
  • Director of Photography: Newton Thomas Sigel
  • Editor: Leslie Jones
Metro-Goldwyn-Mayer

Downton Abbey: A New Era

  • Colorist: Gareth Spensley
  • Additional Colorist: Chris Francis
  • Director: Simon Curtis
  • Director of Photography: Andrew Dunn
  • Editor: Adam Recht
  • Finishing: Stuart Nippard

Windfall

  • Colorist: Matt Wallach
  • Director: Charlie McDowell
  • Director of Photography: Isiah Donté Lee
  • Editorial: David Marks
  • Client: Netflix

Nope

  • Colorist: Greg Fisher
  • Director: Jordan Peele
  • Director of Photography: Hoyte Van Hoytema
  • Finishing: Jennifer Raymond

Doctor Strange In The Multiverse Of Madness

  • Colorist: Stephen Nakamura
  • Additional Colorist: Adam Nazarenko, Jared Pecht, Alan Gordon
  • Director: Sam Raimi
  • Director of Photography: John Mathieson
  • Editor: Bob Murawski
  • VFX: Framestore
  • Finishing: Paul Carlin, Chad Schermerhorn

Father Stu

  • Colorist: Stefan Sonnenfeld
  • Director: Rosalind Ross
  • Director of Photography: Jacques Jouffret
  • Editorial: Jeffrey M. Werner

Uncharted

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Director: Ruben Fleischer
  • Director of Photography: Chung-hoon Chung
  • Editorial: Chris Lebenzon
Columbia Pictures

Scream

  • Colorist: Skip Kimball
  • Director: Matt Bettinelli-Olpin, Tyler Gillet
  • Director of Photography: Brett Jutkiewicz
  • Editor: Michel Aller
  • Finishing: Ray Ruotolo

Moonfall

  • Colorist: Walter Volpatto
  • Director: Roland Emmerich
  • Director of Photography: Robby Baumgartner
  • Editor: Ryan Stevens Harris, Adam Wolfe
  • VFX: Framestore
  • Finishing: Chris Doerr

The Lost City

  • Colorist: Dave Hussey
  • Director: Aaron Nee, Adam Nee
  • Director of Photography: Jonathan Sela
  • Editorial: Craig Alpert

The Flash

  • Colorist: Stefan Sonnenfeld
  • Director: Andy Muschietti
  • Director of Photography: Henry Braham
  • Editorial: Jason Ballantine + Paul Machliss

King Richard

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Dailies Colorist: Ben Estrada
  • Director: Reinaldo Marcus Green
  • Director of Photography: Robert Elswit
  • Editorial: Pamela Martin + Jason Saulog

Nightmare Alley

  • Colorist: Stefan Sonnenfeld
  • Director: Guillermo del Toro
  • Director of Photography: Dan Laustsen
  • Editorial: Cam McLauchlin + Adrian Saywell
  • Sound Designer/Mixer: Chris Cooke + Brad Zoern

Spider-Man: Across The Spider-Verse (Part One) – First Look

  • Colorist: Natasha Leonnet
  • Director: Joaquim Dos Santos, Kemp Poweres, Justin K. Thompson

Jurassic World: Dominion | The Prologue

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie, Matt Osborne, Alan Louis Gordon
  • Dailies Colorist: James Slattery
  • Director: Colin Trevorrow
  • Director of Photography: John Schwartzman
  • Editorial: Mark Sanger, Joe Ken, & Matthew W. Johnson

Ghostbusters: Afterlife

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Dailies Colorist: Jon Mendenhall
  • Director: Jason Reitman
  • Director of Photography: Eric Steelberg
  • Editorial: Dana Glauberman, Nathan Orloff, & Matthew Johnson

Spider-Man: No Way Home

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Adam Nazarenko, Jared Pecht
  • 3D Conversion: Stereo D
  • Director: Jon Watts
  • Director of Photography: Mauro Fiore
  • Editor: Jeff Ford, Leigh Folsom Boyd
  • Finishing: Paul Carlin, Chad Schermerhorn

Don’t Look Up

  • Colorist: Matt Wallach
  • Director: Adam McKay
  • Director of Photography: Linus Sandgren
  • Editorial: Hank Corwin
  • VFX: Framestore
  • Client: Netflix

Red Notice

  • Colorist: Walter Volpatto
  • Dailies Colorist: Nicholas Winkelmann
  • Director: Rawson Marshall Thurber
  • Director of Photography: Markus Forderer
  • Editor: Michael L. Sale
  • Finishing: Chris Doerr

Honey Girls

  • Colorist: Laura Jans Fazio
  • Director: Trey Fanjoy
  • Director of Photography: Stirling Bancroft
  • Editor: Charles Robichaud

The Tender Bar

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Dailies Colorist: Matthew Dorris
  • Director: George Clooney
  • Director of Photography: Martin Ruhe
  • Editor: Tanya Swerling
  • Finishing: Matthew Johnson

Madame X

  • Colorist: Jaime O'Bradovich
  • Additional Colorist: Laura Jans Fazio
  • Director: Ricardo Gomes | SKNX
  • Director of Photography: Robert Patzelt
  • Editorial: Nuno Xico + Sasha Kasiuha
Paramount+

Tick, Tick… Boom!

  • Colorist: Stephen Nakamura
  • Finishing Editor: Gina Kalim
  • Dailies Colorist: Dustin Wadsworth
  • Director: Lin-Manuel Miranda
  • Director of Photography: Alice Brooks
  • Editor: Myron Kerstein + Andrew Weisblum
Netflix

The Harder They Fall

  • Colorist: Tim Stipan
  • Dailies Colorist: Alex Kaufman
  • Director: Jeymes Samuel
  • Director of Photography: Mihai Malaimare Jr.
  • Editor: Tom Eagles
  • Finishing: Joe Ken

Blue Bayou

  • Colorist: Tom Poole
  • Finishing Editor: Matthew Johnson
  • Director: Justin Chon
  • Director of Photography: Ante Cheng + Matthew Chuang
  • Editor: Reynolds Barney

The Guilty

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Adam Nazarenko
  • Dailies Colorist: Jon Mendenhall
  • Director: Antoine Fuqua
  • Director of Photography: Maz Makhani
  • Editorial: Jason Ballantine + Matt Johnson
Netflix

No Time To Die | 007

  • Colorist: Matt Wallach
  • Director: Cary Joji Fukunaga
  • Director of Photography: Linus Sandgren
  • Editorial: Tom Cross, Elliot Graham

Happier Than Ever: A Love Letter to LA

  • Colorist: Natasha Leonnet
  • Director: Robert Rodriguez
  • Director of Photography: Pablo Berron

The Eternals

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Jared Pecht, Adam Nazenrenko
  • Director: Chloé Zhao
  • Director of Photography: Ben Davis
  • Editor: Dylan Tichenor, Craig Wood
  • Finishing: Chad Schermerhorn, Paul Carlin

Everybody’s Talking About Jamie

  • Colorist: Stephen Nakamura
  • Director: Jonathan Butterell
  • Director of Photography: Christopher Ross
  • Editor: Mark Everson
  • Finishing: Joe Ken

House Of Gucci

  • Colorist: Stephen Nakamura
  • Director: Ridley Scott
  • Director of Photography: Dariusz Wolski
  • Editor: Claire Simpson
  • Finishing: Tom Sugden

The Card Counter

  • Colorist: Tim Masick
  • Additional Colorist: Melina Smith
  • Director: Paul Schrader
  • Director of Photography: Alexander Dynan
  • Editor: Benjamin Rodriguez Jr.

The Last Duel

  • Colorist: Stephen Nakamura
  • Director: Ridley Scott
  • Director of Photography: Dariusz Wolski
  • Editor: Claire Simpson
  • Finishing: Joe Ken

Snake Eyes

  • Colorist: Stephen Nakamura
  • Dailies Colorist: Matt Wells
  • Director: Robert Schwentke
  • Director of Photography: Bojan Bazelli
  • Editor: Stuart Levy
  • Finishing: Joe Ken

Shang-Chi and the Legend of the Ten Rings

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Jared Pecht, Charles Bunnag
  • Dailies Colorist: John St Laurent
  • 3D Conversion: Stereo D
  • Director: Destin Daniel Cretton
  • Director of Photography: Bill Pope
  • Editor: Elísabet Ronaldsdóttir, Nat Sanders, Harry Yoon
  • VFX: Method Studios
  • Finishing: Chad Schermerhorn, Paul Carlin

Halloween Kills

  • Colorist: Tom Poole
  • Director: David Gordon Green
  • Director of Photography: Michael Simmonds
  • Editor: Timothy Alverson
  • Finishing: John Diesso

Candyman

  • Colorist: Natasha Leonnet
  • Director: Nia DaCosta
  • Director of Photography: John Guleserian
  • Editor: Catrin Hedström
  • VFX: Method Studios
  • Finishing: Patrick Clancey

Joe Bell

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Director: Reinaldo Marcus Green
  • Director of Photography: Jacques Jouffret
  • Editor: Mark Sanger
  • Finishing: Angelica Lopez

Free Guy

  • Colorist: Skip Kimball
  • Additional Colorist: Tashi Trieu
  • Dailies Colorist: Ben Estrada
  • Director: Shawn Levy
  • Director of Photography: George Richmond
  • Editor: Dean Zimmerman