Work > Features

Small Axe | Mangrove

  • Colorist: Tom Poole
  • Director: Steve McQueen
  • Director of Photography: Shabier Kirchner
BBC

Showbiz Kids

  • Colorist: Bob Festa
  • Director: Alex Winter
  • Director of Photography: Anghel Decca, E.J. Enriquez, Jon Hokanson, Kristy Tully
  • Editorial: Weston Cadwell
  • Client: HBO
HBO

The Old Guard

  • Colorist: Walter Volpatto
  • Director: Gina Prince-Bythewood
  • Director of Photography: Barry Ackroyd & Tami Reiker
  • Editorial: Terilyn A. Shropshire
Netflix

Scare Me

  • Colorist: Jaime O'Bradovich
  • Director: Josh Ruben
  • Director of Photography: Brendan H. Banks
  • Editorial: Patrick Lawrence

Respect

  • Colorist: Mitch Paulson
  • Director: Liesl Tommy
  • Director of Photography: Kramer Morgenthau

Wheels

  • Colorist: Tim Masick
  • Director: Paul Starkman
  • Director of Photography: Ariel Boles
  • Editorial: Neal Usatin

Minions: The Rise of Gru

  • Colorist: Jason Hanel
  • Director: Kyle Balda, Brad Ableson + Jonathan del Val
  • Editorial: Claire Dodgson

Mulan

  • Colorist: Natasha Leonnet
  • Director: Niki Caro
  • Director of Photography: Mandy Walker
  • Editorial: David Coulson

Ford V Ferrari

  • Colorist: Skip Kimball
  • Director: James Mangold
  • Director of Photography: Phedon Papamichael
  • Editorial: Andrew Buckland, Michael McCusker + Dirk Wes

K-12

  • Colorist: Bryan Smaller
  • Director: Melanie Martinez
  • Director of Photography: Auden Bui
  • Editorial: Julian Conner

Lucky Grandma

  • Colorist: Sam Daley
  • Director: Sasie Sealy
  • Director of Photography: Eduardo Enrique Mayén
  • Editorial: Hye Mee Na

Da 5 Bloods

  • Colorist: Stephen Nakamura
  • Director: Spike Lee
  • Director of Photography: Newton Thomas Sigel
  • Editorial: Adam Gough
Netflix

The King of Staten Island

  • Colorist: Stefan Sonnenfeld
  • Director: Judd Apatow
  • Director of Photography: Robert Elswit
  • Editorial: William Kerr & Brian Scott Olds

Charm City Kings

  • Colorist: Sam Daley
  • Director: Angel Manuel Soto
  • Director of Photography: Katelin Arizmendi
  • Editorial: Luis Carballar

Capone

  • Colorist: Stephen Nakamura
  • Director: Josh Trank
  • Director of Photography: Peter Deming
  • Editorial: Josh Trank

Jojo Rabbit

  • Colorist: Tim Stipan
  • Director: Taika Waititi
  • Director of Photography: Mihai Malaimare Jr.
  • Editorial: Tom Eagles

Morbius

  • Colorist: Stephen Nakamura
  • Director: Daniel Espinosa
  • Director of Photography: Oliver Wood

Share

  • Colorist: Sofie Borup
  • Director: Pippa Bianco
  • Director of Photography: Ava Berkofsky
  • Editorial: Shelby Siegel
HBO

The Assistant

  • Colorist: Sofie Borup
  • Director: Kitty Green
  • Director of Photography: Michael Latham
  • Editorial: Kitty Green & Blair McClendon

A Quiet Place Part II

  • Colorist: Stefan Sonnenfeld
  • Director: John Krasinski
  • Director of Photography: Polly Morgan

Togo

  • Colorist: Siggy Ferstl
  • Director: Ericson Core
  • Director of Photography: Ericson Core
  • Editorial: Martin Pensa
Disney+

1917

  • Colorist: Greg Fisher
  • Director: Sam Mendes
  • Director of Photography: Roger Deakins
  • Editorial: Lee Smith

In the Heights

  • Colorist: Stephen Nakamura
  • Director: Jon M. Chu
  • Director of Photography: Alice Brooks
  • Editorial: Myron Kerstein

Cuck

  • Colorist: Kath Raisch
  • Director: Rob Lambert
  • Director of Photography: Nicholas Matthews
Trailer

Sleeping in Plastic

  • Colorist: Kath Raisch
  • Director: Van Ditthavong
  • Director of Photography: Spenser T. Nottage
Trailer

Dolittle

  • Colorist: Stephen Nakamura
  • Director: Stephen Gaghan
  • Director of Photography: Guillermo Navarro
  • Editorial: Craig Alpert

Drowning

  • Colorist: Sean Coleman
  • Director: Melora Walters
  • Director of Photography: Christopher Soos
  • Editorial: Alexis Evelyn

Black and Blue

  • Colorist: Sean Coleman
  • Director: Deon Taylor
  • Director of Photography: Dante Spinotti
  • Editorial: Peck Prior

Antlers

  • Sound Designer/Mixer: Chris Cooke
  • Colorist: Tom Poole
  • Director: Scott Cooper
  • Director of Photography: Florian Hoffmeister
  • Editorial: Dylan Tichenor

The King

  • Colorist: Tom Poole
  • Director: David Michôd
  • Director of Photography: Adam Arkapaw
  • Editorial: Peter Sciberras
Netflix

Fractured

  • Colorist: Andrew Geary
  • Supervising Colorist: Tom Poole
  • Director: Brad Anderson
  • Director of Photography: Björn Charpentier
  • Editorial: Robert Mead
Netflix

Top Gun: Maverick

  • Colorist: Stefan Sonnenfeld
  • Director: Joseph Kosinski
  • Director of Photography: Claudio Miranda
  • Editorial: Chris Lebenzon

Bad Boys for Life

  • Colorist: Stefan Sonnenfeld
  • Director: Adil El Arbi & Bilall Fallah
  • Director of Photography: Robrecht Heyvaert

6 Underground

  • Director: Michael Bay
  • Director of Photography: Bojan Bazelli
  • Editorial: Roger Barton, William Goldenberg & Calvin Wimmer

Birds of Prey:

  • Colorist: Stefan Sonnenfeld
  • Director: Cathy Yan
  • Director of Photography: Matthew Libatique
  • Editorial: Jay Cassidy & Evan Schiff
And the Fantabulous Emancipation of One Harley Quinn

Doctor Sleep

  • Colorist: Jill Bogdanowicz
  • Director: Mike Flanagan
  • Director of Photography: Michael Fimognari
  • Editorial: Mike Flanagan

Strive

  • Colorist: Jared Pecht
  • Director: Robert Rippberger
  • Director of Photography: Dominick Sivilli

Moffie

  • Colorist: Joseph Bicknell
  • Director: Oliver Hermanus
  • Director of Photography: Jamie Ramsay
  • Editorial: Alain Dessauvage

Zombieland: Double Tap

  • Colorist: Stephen Nakamura
  • Director: Ruben Fleischer
  • Director of Photography: Chung-hoon Chung
  • Editorial: Dirk Westervelt

Terminator: Dark Fate

  • Colorist: Tim Stipan
  • Director: Tim Miller
  • Director of Photography: Ken Seng
  • Editorial: Julian Clarke

Jacob’s Ladder

  • Colorist: Tim Stipan
  • Director: David M. Rosenthal
  • Director of Photography: Pedro Luque
  • Editorial: Richard Mettler

The Unicorn

  • Colorist: Jared Pecht
  • Director: Robert Schwartzman
  • Director of Photography: Michael Rizzi & John Schwartzman
  • Editorial: Christopher Donlon

The Current War

  • Colorist: Stephen Nakamura
  • Director: Alfonso Gomez-Rejon
  • Director of Photography: Chung-hoon Chung
  • Editorial: Justin Krohn & David Trachtenberg

Underwater

  • Colorist: Stephen Nakamura
  • Director: William Eubank
  • Director of Photography: Bojan Bazelli
  • Editorial: Brian Berdan, William Hoy &Todd E. Miller

Killerman

  • Colorist: Tim Stipan
  • Director: Malik Bader
  • Director of Photography: Ken Seng
  • Editorial: Rick Grayson

The Good Liar

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Andrew Geary
  • Director: Bill Condon
  • Director of Photography: Tobias A. Schliessler
  • Editorial: Virginia Katz

The Righteous Gemstones

  • Colorist: Andrew Geary
  • Supervising Colorist: Tom Poole
  • Director: Danny McBride
  • Director of Photography: Brandon Trost
  • Editorial: Justin Bourret
HBO

Fyre

  • Colorist: Andrew Geary
  • Supervising Colorist: Stefan Sonnenfeld
  • Director: Chris Smith
  • Director of Photography: Jake Burghart, Cory Fraiman-Lott & Henry Zaballos
  • Editorial: Jon Karmen & Daniel Koehler
Netflix

The Highwaymen

  • Colorist: Stefan Sonnenfeld
  • Director: John Lee Hancock
  • Director of Photography: John Schwartzman
  • Editorial: Robert Frazen
Netflix

What’s My Name: Muhammad Ali

  • Colorist: Stefan Sonnenfeld
  • Director: Antoine Fuqua
  • Director of Photography: Maz Makhani
  • Editorial: Jake Pushinsky
HBO

21 Bridges

  • Colorist: Tom Poole
  • Director: Brian Kirk
  • Director of Photography: Paul Cameron
  • Editorial: Tim Murrell

Men in Black: International

  • Colorist: Stephen Nakamura
  • Director: F. Gary Gray
  • Director of Photography: Stuart Dryburgh

Beats

  • Colorist: Dave Hussey
  • Director: Chris Robinson
  • Director of Photography: Joshua Reis
  • Editorial: David Blackburn
Netflix

Charlie’s Angels

  • Colorist: Stephen Nakamura
  • Director: Elizabeth Banks
  • Director of Photography: Bill Pope

Spider-Man: Far from Home

  • Colorist: Jill Bogdanowicz
  • Director: Jon Watts
  • Director of Photography: Matthew J. Lloyd
  • Editorial: Leigh Folsom Boyd & Dan Lebental

It: Chapter Two

  • Colorist: Stephen Nakamura
  • Director: Andy Muschietti
  • Director of Photography: Checco Varese
  • Editorial: Jason Ballantine

Bird Box

  • Colorist: Sean Coleman
  • Director: Susanne Bier
  • Director of Photography: Salvatore Totino
  • Editorial: Ben Lester
  • Client: Netflix
Netflix

Homecoming

  • Colorist: Jaime O'Bradovich
  • Director: Beyoncé & Ed Burke
  • Director of Photography: Mark Ritchie
  • Editorial: Alexander Hammer & Andrew Morrow
  • Client: Beyoncé
A Film by Beyoncé

Star Wars: The Rise of Skywalker

  • Colorist: Stefan Sonnenfeld
  • Director: J.J. Abrams
  • Director of Photography: Dan Mindel
  • Editorial: Maryann Brandon & Stefan Grube

The Clovehitch Killer

  • Colorist: Jaime O'Bradovich
  • Director: Duncan Skiles
  • Director of Photography: Luke McCoubrey
  • Editorial: Megan Brooks & Andrew Hasse

Let Me Make You a Martyr

  • Colorist: Jaime O'Bradovich
  • Director: Corey Asraf & John Swab
  • Director of Photography: Jeff Melanson
  • Editorial: Corey Asraf & Dylan Quirt