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Features
Gladiator II
Colorist:
Stephen Nakamura
Finishing Editor:
Stuart London, Jeremy Crichton
Company 3, Production:
Leigh Myers, Gemma Saunders
Director:
Ridley Scott
Director of Photography:
John Mathieson
Editor:
Claire Simpson, Sam Restivo
Production Design:
Arthur Max
VFX:
Framestore
Paramount Pictures
Paddington in Peru
Colorist:
Jean-Clément Soret
Additional Colorist:
Yoomin Lee
Finishing Editor:
Jeremy Crichton
Dailies:
Doug Garside
Company 3, Production:
Gemma Saunders, Hannah Perkins
Director:
Dougal Wilson
Director of Photography:
Erik Wilson
Editor:
Úna Ní Dhonghaíle, ACE BFE
Production Design:
Andy Kelly
VFX:
Framestore
Sony Pictures
Girl Haunts Boy
Colorist:
Aurora Shannon
Finishing Editor:
Yoon Hee Hwang
Dailies:
Richard Cordes
Company 3, Production:
Addison Pauli, Melissa Lee
Executive Producer:
Aaron Parry
Director:
Emily Ting
Editor:
Matthew Diezel, Lisa Binkley, CCE
Production Design:
Kaet McAnneny
Netflix
Heretic
Colorist:
Stephen Nakamura
Additional Colorist:
Thor Roos
Finishing Editor:
Matthew Shuttleworth, William Romines IV
Dailies:
Jaan Spirka
Company 3, Producer:
Andras Toth
Director:
Scott Beck, Bryan Woods
Director of Photography:
Chung–hoon Chung, ASC
Editor:
Justin Li
Production Design:
Philip Messina
A24
Den of Thieves: Pantera
Colorist:
Tony Dustin
Re-Recording Mixer:
Christian T. Cooke, Mark Zsifkovits
Finishing Editor:
Darren Hinchy
Company 3, Producer:
Chris Dewolde
Director:
Christian Gudegast
Director of Photography:
Terry Stacey, ASC
Editor:
Roberth Nordh
Production Design:
Sébastien Inizan
Lionsgate
Transformers One
Supervising Colorist:
Mitch Paulson
3D Colorist:
Joel McWilliams
Finishing Editor:
Jennifer Raymond
Trailers Marketing:
Jim Eberle, Michael Bryant
Company 3, Producer:
Vanessa Galvez-Morez
Director:
Josh Cooley
Editor:
Lynn Hobson
Production Design:
Jason William Scheier
Immersive 3D VFX:
SDFX Studios
Stereographer:
Jeremy Carroll
Paramount Pictures
Venom: The Last Dance
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Adam Nazarenko, Joel McWilliams
Finishing Editor:
Matt Johnson, John Diesso
Trailers Marketing:
Carl McKay, Levi Hawkinson, Behnood Behjoo
Company 3, Production:
Erik Rogers, Jack Molitor
Director:
Kelly Marcel
Director of Photography:
Fabian Wagner, ASC BSC
Editor:
Mark Sanger, ACE BFE
Production Design:
Sean Haworth, Chris Lowe
Sony Pictures
The Fire Inside
Colorist:
Joseph Bicknell
Finishing Editor:
Jennifer Raymond
Dailies:
Company 3
Company 3, Producer:
Vanessa Galvez-Morez
Director:
Rachel Morrison
Director of Photography:
Rina Yang BSC
Editor:
Harry Yoon
Production Design:
Zosia Mackenzie
Amazon MGM Studios
Lonely Planet
Colorist:
Siggy Ferstl
Additional Colorist:
Erik Ventura
Finishing Editor:
Matt Johnson
Company 3, Producer:
Aaron Miller
Director:
Susannah Grant
Director of Photography:
Ben Smithard
Editor:
Kevin Tent, ACE
Production Design:
Annie Beauchamp
Netflix
Your Monster
Colorist:
Joseph Bicknell
Finishing Editor:
Josh Perault
Company 3, Producer:
Laura Hickerson
Director:
Caroline Lindy
Director of Photography:
Will Stone
Editor:
Daysha Broadway, Jon Higgins
Production Design:
Brielle Hubert
Vertical Entertainment
House of Spoils
Colorist:
Walter Volpatto
Finishing Editor:
Chris Doerr
Company 3, Producer:
Vanessa Galvez-Morez
Director:
Bridget Savage Cole, Danielle Krudy
Director of Photography:
Eric Lin
Editor:
Marc Vives
Production Design:
Alexandra Schaller
Prime Video
The Apprentice
Supervising Colorist:
Tyler Roth
Dailies:
Company 3
Company 3, Producer:
Clay Woods
Director:
Ali Abbasi
Director of Photography:
Kasper Tuxen
Editor:
Olivier Bugge Coutté, Olivia Neergaard-Holm
Production Design:
Aleksandra Marinkovich
Briarcliff Entertainment
Hold Your Breath
Colorist:
Tim Masick
Finishing Editor:
Nicholas Figueroa
Dailies:
Company 3
Director:
Karrie Crouse, Will Joines
Director of Photography:
Zoë White, ACS
Editor:
Luke Ciarrocchi
Production Design:
Tim Grimes
Searchlight Pictures
Wicked: Part I
Colorist:
Jill Bogdanowicz
Additional Colorist:
Jared Pecht
Finishing Editor:
Joe Ken
Dailies:
Lucie Barbier
Trailers Marketing:
Jim Eberle, Matthew Hull
Company 3, Production:
Erik Rogers, Zach Watkins
Director:
Jon M. Chu
Director of Photography:
Alice Brooks
Editor:
Myron Kerstein, ACE
Production Design:
Nathan Crowley
VFX:
Framestore
Immersive 3D VFX:
SDFX Studios
Universal Pictures
Under the Volcano
Colorist:
Joseph Bicknell
Company 3, Producer:
Kate Albers
Director:
Damian Kocur
Director of Photography:
Nikita Kuzmenco
Editor:
Alan Zejer
Production Design:
Aleksandra Markowska
MGM
Blink
Colorist:
Tony Dustin
Finishing Editor:
Darren Hinchy
Company 3, Producer:
Chris Dewolde
Director:
Daniel Roher, Edmund Stenson
Director of Photography:
Jean-Sébastien Francoeur
Editor:
Ryan Mullins, Miranda Yousef, ACE
National Geographic
Happyend
Colorist:
Tim Masick
Company 3, Producer:
Zac Gobetz
Director:
Neo Sora
Director of Photography:
Bill Kirstein
Editor:
Albert Tholen
Production Design:
Norifumi Ataka
Metrograph Pictures
In The Summers
Colorist:
Kath Raisch
Company 3, Producer:
Ray Stanton
Director:
Alessandra Lacorazza
Director of Photography:
Alejandro Mejia
Editor:
Adam Dicterow
Production Design:
Estefania Larrain
Bluestone Entertainment
Goodrich
Colorist:
Joseph Bicknell
Finishing Editor:
Ray Ruotolo
Dailies:
Tom Klane
Company 3, Producer:
Vanessa Galvez-Morez
Director:
Hallie Meyers-Shyer
Director of Photography:
Jamie Ramsay
Editor:
Lisa Zeno Churgin
Production Design:
Richard Bloom
Ketchup Entertainment
Lee
Colorist:
Jean-Clément Soret
Additional Colorist:
Yoomin Lee
Finishing Editor:
Thomas Lambert, Jeremy Crichton
Company 3, Producer:
Cody Cardarelli
Director:
Ellen Kuras, ASC
Director of Photography:
Pawel Edelman
Editor:
Mikkel E. G. Nielsen, ACE
Production Design:
Gemma Jackson
Sky Originals + Roadside Attractions
Uglies
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Adam Nazarenko
Finishing Editor:
John Diesso, Jennifer Raymond
Director:
McG
Director of Photography:
Xiaolong Liu
Editor:
Bernfeld, Brad Besser
Production Design:
John Collins
Netflix
Saturday Night
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Parker Jarvie
Finishing Editor:
Chad Schermerhorn
Dailies:
Karli Windischmann
Company 3, Producer:
Clay Woods
Director:
Jason Reitman
Director of Photography:
Eric Steelberg, ASC
Editor:
Nathan Orloff, Shane Reid
Production Design:
Jess Gonchor
Sony Pictures
The Thicket
Colorist:
Joseph Bicknell
Finishing Editor:
Yoon Hee Hwang, Roger Wang
Company 3, Production:
Andras Toth, Sergio Corena Alvarez
Director:
Elliott Lester
Director of Photography:
Guillermo Garza
Editor:
Jean-Christophe Bouzy
Production Design:
Justin Ludwig
Tubi
Incoming
Supervising Colorist:
Mitch Paulson
Additional Colorist:
Joel McWilliams
Finishing Editor:
Jennifer Raymond
Company 3, Producer:
Kelsea Williams
Director:
Dave Chernin, John Chernin
Editor:
Josh Crockett, Elizabeth Praino
Netflix
Deaner ’89
Colorist:
Aurora Shannon
Finishing Editor:
Yoon Hee Hwang
Company 3, Producer:
Michael Gorlick
Director:
Sam McGlynn
Director of Photography:
Samy Inayeh, CSC
Editor:
Dean Harkema
Production Design:
Richard Simpson
Mongrel Media
My Old Ass
Colorist:
Sean Coleman
Finishing Editor:
Darren Hinchy
Company 3, Producer:
Chris Dewolde
Director:
Megan Park
Director of Photography:
Kristen Correll
Editor:
Jennifer Lee
Production Design:
Zazu Myers
Jackpot!
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Yoomin Lee
Finishing Editor:
Stuart London, Julien Mathus
Dailies:
Ben Estrada
Director:
Paul Feig
Director of Photography:
John Schwartzman
Editor:
Brent White
Prime Video
Memes & Nightmares
Colorist:
Jake White
Company 3, Producer:
Michael Maida
Director:
Charles Todd, Matt Mitchener
Director of Photography:
Jared Levy
Editor:
Matt Mitchener
Dead Whisper
Colorist:
Tyler Roth
Company 3, Producer:
Megan White
Director:
Conor Soucy
Director of Photography:
Ben Grant
Editor:
Conor Soucy
Vertical Entertainment
Beverly Hills Cop: Axel F
Supervising Colorist:
Tom Poole
Colorist:
Dustin Wadsworth
Finishing Editor:
Chad Schermerhorn
Dailies Colorist:
Jack Tashdjian
Company 3, Producer:
Dawn Landon
Director:
Mark Molloy
Director of Photography:
Eduard Grau
Editor:
Dan Lebental
Production Design:
Jahmin Assa
Netflix
The Great Lilian Hall
Colorist:
Dustin Wadsworth
Finishing Editor:
Gina Kalim
Dailies:
Company 3
Company 3, Producer:
Laura Hickerson
Director:
Michael Cristofer
Director of Photography:
Simon Dennis
Editor:
Joseph Krings
Production Design:
Ina Mayhew
HBO
Harold and the Purple Crayon
Supervising Colorist:
Jill Bogdanowicz
Additional Colorist:
Jared Pecht
Finishing Editor:
John Diesso
Dailies Colorist:
Karli Windischmann
Company 3, Producer:
Aaron Miller
Director:
Carlos Saldanha
Director of Photography:
Gabriel Beristain
Editor:
Tia Nolan, Mark Helfrich
Production Design:
Shepherd Frankel
Sony Pictures
Trigger Warning
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Matt Osborne
Finishing Editor:
Chad Schermerhorn
Dailies:
Conrad Moreno
Company 3, Production:
Dawn Landon, Gina Martin
Director:
Mouly Surya
Director of Photography:
Zoe White, ACS
Editor:
Chris Tonick, Robert Grigsby Wilson
Production Design:
Natasha Gerasimova
Netflix
Bad Boys: Ride or Die
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Adam Nazarenko, Siggy Ferstl, Bryan Smaller
Finishing Editor:
Matthew Johnson, John Diesso
Dailies Colorist:
Karli Windischmann
Director:
Adil El Arbi, Bilall Fallah
Director of Photography:
Robrecht Heyvaert
Editor:
Dan Lebental, Asaf Eisenberg
Editorial:
Brandon Rosser, Greg Caliguri
Production Design:
Jon Billington
VFX:
Framestore
Sony Pictures
It Ends With Us
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Parker Jarvie
Finishing Editor:
Chris Doerr + Chad Schermerhorn
Dailies Colorist:
Alex Kaufman
Director:
Justin Baldoni
Director of Photography:
Barry Peterson
Editor:
Robb Sullivan
Production Design:
Russell Barnes, Annie Simeone
Sony Pictures
A Quiet Place: Day One
Supervising Colorist:
Tom Poole
Finishing Editor:
Josh Perault
Dailies:
Jake White
Director:
Michael Sarnoski
Director of Photography:
Pat Scola
Production Design:
Simon Bowles
Paramount Pictures
Twisters
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Parker Jarvie, Adam Nazarenko
Finishing Editor:
John Diesso
Company 3, Producer:
Erik Rogers, Taravet Yazdan Panah
Director:
Lee Isaac Chung
Director of Photography:
Dan Mindel ASC, BSC, SASC
Editor:
Terilyn A. Shropshire
Production Design:
Patrick M. Sullivan Jr.
Universal Pictures
Despicable Me 4
Colorist:
Jason Hanel
Finishing Editor:
Chris Doerr
Company 3, Producer:
Kelsea Williams
Director:
Chris Renaud, Patrick Delage
Universal Pictures
Cyndi Lauper: Let the Canary Sing
Colorist:
Joanne Rourke
Re-Recording Mixer:
Mike Baskerville
Finishing Editor:
Eric Myles
Company 3, Producer:
Gino Carletti
Director:
Alison Ellwood
Director of Photography:
Michelle McCabe
Editor:
Juli Vizza
Paramount+
Summer Camp
Colorist:
Dave Hussey
Company 3, Producer:
Jared Arkulary
Director:
Castille Landon
Director of Photography:
Karsten "Crash" Gopinath
Editor:
Morgan Halsey
Roadside Attractions
Atlas
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Adam Nazarenko
Finishing Editor:
Chad Schermerhorn
Company 3, Producer:
Loan Phan
Director:
Brad Peyton
Director of Photography:
John Schwartzman
Editor:
Bob Ducsay
Production Design:
Barry Chusid
Netflix
MaXXXine
Colorist:
Tom Poole
Additional Colorist:
Dustin Wadsworth
Finishing Editor:
Chad Schermerhorn
Dailies:
Jack Tashdjian
Company 3, Producer:
Vanessa Galvez
Director:
Ti West
Director of Photography:
Eliot Rockett
Editor:
Ti West
Production Design:
Jason Kisvarday
A24
Deadpool & Wolverine
Colorist:
Skip Kimball
Additional Colorist:
Adam Nazarenko
Finishing Editor:
John Diesso, Chris Doerr
Company 3, Production:
Laura Holeman, Jessica Stone, Megan White
Director:
Shawn Levy
Director of Photography:
George Richmond, BSC
Editor:
Dean Zimmerman ACE, Shane Reid
Production Design:
Ray Chan
Marvel Studios
Transformers: One
Supervising Colorist:
Mitch Paulson
Finishing Editor:
Jennifer Raymond
Company 3, Producer:
Vanessa Galvez-Morez
Director:
Josh Cooley
Editor:
Lynn Hobson
Production Design:
Jason William Scheier
Immersive 3D VFX:
SDFX Studios
Stereographer:
Jeremy Carroll
Paramount Animation
Daddio
Colorist:
Skip Kimball
Finishing Editor:
Raymond Ruotolo, Craig C. Price
Company 3, Producer:
Jared Arkulary
Director:
Christy Hall
Director of Photography:
Phedon Papamichael
Editor:
Lisa Zeno Churgin
Production Design:
Kristi Zea
Sony Pictures Classic
Young Woman & The Sea
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Yoomin Lee
Finishing Editor:
Stuart London, Julien Mathus
Dailies:
Company 3
Company 3, Producer:
Gemma Saunders
Director:
Joachim Rønning
Director of Photography:
Oscar Faura
Editor:
Úna Ní Dhonghaíle ACE BFE
Production Design:
Nora Takacs Ekberg
Walt Disney Studios
Joker: Folie À Deux
Supervising Colorist:
Jill Bogdanowicz
Additional Colorist:
Jared Pecht
Finishing Editor:
Matthew W. Johnson
Dailies:
Ben Estrada
Company 3, Production:
Erik Rogers, Taravat Yazdan Panah
Director:
Todd Phillips
Director of Photography:
Lawrence Sher
Editor:
Jeff Groth
Production Design:
Mark Friedberg
Warner Bros.
Fly Me to the Moon
Colorist:
Stephen Nakamura
Finishing Editor:
Chad Schermerhorn
Dailies:
Nick Winkelmann
Trailers Marketing:
Jim Eberle, Levi Hawkinson, Behnood Behjoo
Company 3, Producer:
Clay Woods
Director:
Greg Berlanti
Director of Photography:
Dariusz Wolski
Editor:
Harry Jierjian
Production Design:
Shane Valentino
Sony Pictures
Unsung Hero
Colorist:
Cody Baker
Finishing Editor:
Eric Myles
Company 3, Producer:
Gino Carletti
Director:
Joel Smallbone, Richard L. Ramsey
Director of Photography:
Johnny Derango
Editor:
Parker Adams
Production Design:
Katherine Tucker
Lionsgate
Mother of the Bride
Colorist:
Matt Osborne
Additional Colorist:
Nick Nassif
Finishing Editor:
Joe Ken
Company 3, Production:
Dawn Landon, Gina Martin
Director:
Mark Waters
Director of Photography:
Ed Wu
Editor:
Travis Sittard
Production Design:
Helen O’Loan
Netflix
Abigail
Supervising Colorist:
Mitch Paulson
Finishing Editor:
Jennifer Raymond
Company 3, Production:
Vanessa Galvez
Director:
Matt Bettinelli-Olpin, Tyler Gillett
Director of Photography:
Aaron Morton
Editor:
Michael Shawver
Production Design:
Susie Cullen
Universal Pictures
Turtles All The Way Down
Colorist:
Tim Stipan
Finishing Editor:
Chris Doerr
Company 3, Producer:
Christine Dougherty
Director:
Hannah Marks
Director of Photography:
Bryan Burgoyne
Editor:
Andrea Bottigliero
Production Design:
Jennifer Klide
Max
Unfrosted
Supervising Colorist:
Stephen Nakamura
Additional Colorist:
Nick Nassif
Finishing Editor:
Ian Passy
Dailies:
Jack Tashdjian
Company 3, Producer:
Aaron Miller
Director:
Jerry Seinfeld
Director of Photography:
Bill Pope, ASC
Editor:
Evan Henke
Production Design:
Clayton Hartley
Netflix
Kinds of Kindness
Colorist:
Greg Fisher
Finishing Editor:
Thomas Lambert
Company 3, Production:
Christopher Nundy, Laura Metcalfe
Director:
Yorgos Lanthimos
Director of Photography:
Robbie Ryan, BSC ISC
Editor:
Yorgos Mavropsaridis, ACE
Production Design:
Anthony Gasparro
Searchlight Pictures
The Fall Guy
Colorist:
Dave Hussey
Finishing Editor:
Joe Ken
Dailies Colorist:
Kent Pritchett
Company 3, Producer:
Aaron Miller
Director:
David Leitch
Director of Photography:
Jonathan Sela
Editor:
Elísabet Ronaldsdóttir
Production Design:
David Scheunemann
Universal Pictures
Alien: Romulus
Supervising Colorist:
Mitch Paulson
Finishing Editor:
Jennifer Raymond
Company 3, Producer:
Vanessa Galvez
Director:
Fede Alvarez
Director of Photography:
Galo Olivares
Editor:
Jake Roberts, ACE
Production Design:
Naaman Marshall
20th Century Studios
The Greatest Hits
Colorist:
Tom Poole
Finishing Editor:
John Diesso
Dailies:
Tom Klane
Company 3, Producer:
Aaron Miller
Director:
Ned Benson
Director of Photography:
Chung-Hoon Chung
Editor:
Saira Haider
Production Design:
N.C. Page Buckner
Searchlight Pictures
The Crow
Colorist:
Greg Fisher
Additional Colorist:
James Slattery
Finishing Editor:
Stuart London
Finishing Producer:
Gemma Saunders
Director:
Rupert Sanders
Director of Photography:
Steven Annis
Production Design:
Robin Brown
Lionsgate
Wildcat
Colorist:
Bill Ferwerda
Finishing Editor:
Eric Myles
Company 3, Producer:
Chris Dewolde
Director:
Ethan Hawke
Director of Photography:
Steve Cosens
Editor:
Barry Poltermann
Production Design:
Sarah Young
Oscilloscope Laboratories
Ripple
Colorist:
Jaime O'Bradovich
Company 3, Producer:
Nick Krasnic
Director:
Michael C. McCourt
Director of Photography:
Daniel Stewart
Editor:
Michael C. McCourt
The Verso
Arcadian
Colorist:
Sean Coleman
Company 3, Producer:
Clay Woods
Director:
Ben Brewer
Director of Photography:
Frank Mobilio
Editor:
Kristi Shimek
Production Design:
Shane McEnroe
Highland Film Group
Parachute
Colorist:
Sean Coleman
Company 3, Production:
Carl Moore, James Levine
Director:
Brittany Snow
Director of Photography:
Kristen KII Correll
Editor:
Henry Hayes
Production Design:
Michael Mizrahi
Vertical Enterntainment
The Neon Highway
Colorist:
Billy Gabor
Finishing Editor:
Hunter Furnish
Company 3, Producer:
Scott Salamon
Director:
William Wages
Director of Photography:
Paul Krumper
Editor:
Cindy Parisotto
Production Design:
Rob Howeth
Mountain Movies
The Lionheart
Colorist:
Sean Coleman
Finishing Editor:
Hunter Furnish
Company 3, Producer:
Scott Salamon
Executive Producer:
Chapman Way, Maclain Way
Director:
Laura Brownson
Editor:
Jonathan Sutak
Max
IF
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Drew Geary
Finishing Editor:
Nick Figueroa
Dailies:
John Vladic
Company 3, Producer:
Zac Gobetz
Director:
John Krasinski
Director of Photography:
Janusz Kaminski
Editor:
Chris Rouse, Andy Canny
Production Design:
Jess Gonchor
Paramount Pictures
Dogman
Colorist:
Yvan Lucas
Director:
Luc Besson
Director of Photography:
Colin Wandersman
Editor:
Julien Rey
Production Design:
Hugues Tissandier
Luc Besson Production
Shirley
Colorist:
Kath Raisch
Additional Colorist:
Jake White
Finishing Editor:
Gina Kalim
Company 3, Producer:
Kate Albers
Director:
John Ridley
Director of Photography:
Ramsey Nickell
Editor:
JoAnne Yarrow, ACE
Production Design:
Dina Goldman
Netflix
Damsel
Colorist:
Greg Fisher
Finishing Editor:
Stuart London
Dailies:
Doychin Margoevski
Company 3, Producer:
Gemma Saunders
Director:
Juan Carlos Fresnadillo
Director of Photography:
Larry Fong, ASC
Editor:
John Gilbert
Production Design:
Patrick Tatopoulos
Netflix
Madame Web
Supervising Colorist:
Jill Bogdanowicz
Additional Colorist:
Dustin Wadsworth
Finishing Editor:
Joshua Perault
Dailies:
Rich Flores, Mike Grasela, Alex Kaufman
Company 3, Producer:
Kate Albers
Director:
S.J. Clarkson
Director of Photography:
Mauro Fiore
Editor:
Leigh Folsom Boyd
Production Design:
Ethan Tobman
Columbia Pictures
Accidental Texan
Colorist:
Jaime O'Bradovich
Finishing Editor:
Josh Perault
Company 3, Producer:
Alexandra P. Garcia
Director:
Mark Bristol
Director of Photography:
Matt Wise
Editor:
James Crouch
Production Design:
Scott Daniel
Roadside Attractions
The Underdoggs
Supervising Colorist:
Mitch Paulson
Additional Colorist:
Joel McWilliams
Finishing Editor:
Jennifer Raymond
Company 3, Producer:
Vanessa Galvez
Director:
Charles Stone III
Director of Photography:
Mitch Amundsen
Editor:
Paul Millspaugh ACE
Production Design:
Mark Garner
MGM Studios
Tarot
Colorist:
Tyler Roth
Company 3, Producer:
Dawn Landon
Director:
Spenser Cohen, Anna Halberg
Director of Photography:
Elie Smolkin
Editor:
Tom Elkins
Production Design:
Felicity Abbott
Sony Pictures Entertainment
Ghostbusters: Frozen Empire
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Adam Nazarenko
Finishing Editor:
Matthew Johnson
Dailies Colorist:
Doychin Margoevski
Company 3, Production:
Erik Rogers, Zach Watkins
Director:
Gil Kenan
Director of Photography:
Eric Steelberg
Editor:
Nathan Orloff, Shane Reid
Production Design:
Eve Stewart
Sony Pictures
Lisa Frankenstein
Colorist:
Dave Hussey
Finishing Editor:
Gina Kalim
Dailies:
Ryan Hymel
Company 3, Producer:
Kate Albers
Director:
Zelda Williams
Director of Photography:
Paula Huidobro
Editor:
Brad Turner
Production Design:
Mark Worthington
Focus Features
Road House
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Drew Geary
Finishing Editor:
Nicholas Figueroa, Angelica Lopez
Company 3, Producer:
Zac Gobetz
Director:
Doug Liman
Director of Photography:
Henry Braham
Editor:
Doc Crotzer
Production Design:
Greg Berry
Prime Video
Origin
Colorist:
Tom Poole
Finishing Editor:
Raymond Ruotolo
Dailies:
Karli Windischmann
Company 3, Producer:
Vanessa Galvez-Morez
Director:
Ava DuVernay
Director of Photography:
Mathew J. Lloyd, ASC
Editor:
Spencer Averick
Production Design:
Ina Mayhew
Neon
The Tiger’s Apprentice
Colorist:
Jason Hanel
Finishing Editor:
Jennifer Raymond
Company 3, Producer:
Vanessa Galvez-Morez
Director:
Raman Hui, Yong Duk Jhun, Paul Watling
Director of Photography:
Christopher Batty
Editor:
Wayne Wahrman
Production Design:
Christophe Lautrette
Paramount+
Spaceman
Colorist:
Jean-Clément Soret
Finishing Editor:
Gina Kalim
Dailies:
Company 3
Company 3, Production:
Michael Maida, Cody Cardarelli
Director:
Johan Renck
Director of Photography:
Jakob Ihre
Editor:
John Axelrad ACE
Production Design:
Jan Houllevigue
Netflix
VESELKA | The Rainbow on the Corner at the Center of the World
Colorist:
Jaime O’Bradovich
Company 3, Producer:
Krystle Annand
Director:
Michael Fiore
Director of Photography:
Bill Winters
Editor:
Michael Fiore
Fiore Media Group
The First Omen
Colorist:
Stephen Nakamura
Finishing Editor:
Joe Ken
Company 3, Production:
Phillip Marvin, James Levine
Director:
Bob Murawski
Director of Photography:
Aaron Morton
Editor:
Amy E. Duddleston, Bob Murawski
20th Century Studios
Kung Fu Panda 4
Colorist:
Jason Hanel (3D)
Finishing Editor:
Patrick Perron
Company 3, Production:
Jacob Blum, Jared Arkulary
Director:
Mike Mitchell, Stephanie Ma Stine
Editor:
Christopher Knights
Production Design:
Raymond Zibach
Immersive 3D VFX:
SDFX Studios
Stereographer:
Jeremy Carroll
Universal Pictures
Miller’s Girl
Colorist:
Joel McWilliams
Finishing Editor:
Chris Doerr, Patrick Clancey
Company 3, Producer:
Kelsea Williams
Director:
Jade Halley Bartlett
Director of Photography:
Daniel Brothers
Editor:
Vanara Taing
Production Design:
Cheyenne Ford
Lionsgate
Which Brings Me to You
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Drew Geary
Finishing Editor:
Nicholas Figueroa
Company 3, Production:
Zac Gobetz, Michael Maida
Director:
Peter Hutchings
Director of Photography:
Karina Silva
Editor:
Jason Nicholson
Production Design:
Adri Siriwatt
Decal Releasing
Bob Marley: One Love
Colorist:
Stefan Sonnenfeld
Additional Colorist:
James Slattery
Finishing Editor:
Stuart London, Julien Mathus
Company 3, Production:
Erik Rodgers, Zach Watkins, Taravat Yazdan Panah
Director:
Antoine Fuqua
Director of Photography:
Robert Richardson
Editor:
Conrad Buff IV
Production Design:
Naomi Shohan
Finishing:
Paul Carlin
Paramount Pictures
The Book of Clarence
Colorist:
Greg Fisher
Finishing Editor:
Thomas Lambert
Company 3, Producer:
Christopher Nundy
Director:
Jeymes Samuel
Director of Photography:
Rob Hardy
Editor:
Tom Eagles
Production Design:
Peter Walpole
Sony Pictures
Femme
Colorist:
Joseph Bicknell
Finishing Editor:
Thomas Lambert, Jeremy Crichton
Company 3, Production:
Christopher Nundy, Cody Cardarelli
Director:
Sam H. Freeman, Ng Choon Ping
Director of Photography:
James Rhodes
Editor:
Selina Macarthur
Production Design:
Christopher Melgram
BBC Film
Fitting In
Colorist:
Dave Muscat
Finishing Editor:
Darren Hinchy
Company 3, Producer:
Chris Dewolde
Director:
Molly McGlynn
Director of Photography:
Nina Djacic
Editor:
Maureen Grant
Production Design:
Thea Hollatz
Elevation Pictures
Imaginary
Colorist:
Andrew Geary
Finishing Editor:
Nicholas Figueroa
Company 3, Producer:
Ray Stanton
Director:
Jeff Wadlow
Director of Photography:
James McMillian
Editor:
Sean Albertson ACE
Editorial:
Brandon Rosser, Gregory Caligiuri
Production Design:
Meghan C. Rogers
Blumhouse Pictures
Arthur the King
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Parker Jarvie
Re-Recording Mixer:
Christian Cooke, J.R. Fountain
Finishing Editor:
Adrian Saywell
Dailies:
Company 3
Company 3, Production:
Amanda Champion, Tatianna Kroha
Director:
Simon Cellan Jones
Director of Photography:
Jacques Jouffret ASC
Editor:
Gary Roach ACE
Production Design:
Mailara Santana
Lionsgate
The Marvels
Supervising Colorist:
Tom Poole
Additional Colorist:
Adam Nazarenko
Finishing Editor:
Paul Carlin, John Diesso
Company 3, Production:
Jessica Stone, Megan White
Director:
Nia DaCosta
Director of Photography:
Sean Bobbitt
Editor:
Evan Schiff, Catrin Hedstrom
Production Design:
Cara Brower
Immersive 3D VFX:
SDFX Studios
Stereographer:
Jason Bomstein
Marvel Studios
Lift
Colorist:
Stephen Nakamura
Finishing Editor:
Chad Schermerhorn
Dailies Colorist:
Mal Campbell
Company 3, Producer:
Aaron Miller
Director:
F. Gary Gray
Director of Photography:
Bernhard Jasper
Editor:
William Yeh, Richard Pearson ACE, Adoma Ananeh-Firempong
Production Design:
Dominic Watkins
Netflix
Finestkind
Colorist:
Sofie Borup
Finishing Editor:
Nicholas Figueroa
Company 3, Production:
Laura Hickerson, Julia Ward
Director:
Brian Helgeland
Director of Photography:
Crille Forsberg
Editor:
Stuart Levy
Production Design:
Richard Hoover
Paramount Plus
Family Switch
Supervising Colorist:
Tom Reiser
Colorist:
Jason Hanel
Finishing Editor:
Chris Doerr
Dailies Colorist:
Tom Klane
Company 3, Producer:
Kelsea Williams
Director:
McG
Director of Photography:
Marc Spicer
Editor:
Brian Scott Olds
Production Design:
Jennifer Spence
Netflix
Dashing Through the Snow
Colorist:
Dave Hussey
Additional Colorist:
Nick Nassif
Finishing Editor:
Chad Schermerhorn
Company 3, Producer:
Philip Marvin
Director:
Tim Story
Director of Photography:
Christopher Duskin
Editor:
David S. Clark, David Rennie ACE
Production Design:
Danielle Osborne
Disney+
Maestro
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Drew Geary
Finishing Editor:
Nick Figueroa, Gina Kalim
Dailies:
Benny Estrada
Company 3, Producer:
Margaret Lewis, Gregory Caligiuri
Director:
Bradley Cooper
Director of Photography:
Matthew Libatique
Editor:
Michelle Tesoro
Production Design:
Kevin Thompson
Netflix
Under the Boardwalk
Supervising Colorist:
Mitch Paulson
Finishing Editor:
Jennifer Raymond
Company 3, Producer:
Vanessa Galvez
Director:
David Soren
Director of Photography:
Scott McGinley
Editor:
David Ian Salter, ACE
Production Design:
Shannon Jeffries, Christopher Zibach
Paramount Pictures
Leave the World Behind
Colorist:
Tom Poole
Finishing Editor:
Chad Schermerhorn, Josh Perault
Dailies Colorist:
Alex Kaufman
Company 3, Producer:
Michael Maida
Director:
Sam Esmail
Director of Photography:
Tod Campbell
Editor:
Lisa Lassek
Production Design:
Anastasia White
Netflix
The Boys in the Boat
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Parker Jarvie
Finishing Editor:
Thomas Lambert
Company 3, Production:
Cody Cardarelli, James Levine
Director:
George Clooney
Director of Photography:
Martin Ruhe
Editor:
Tanya M. Swerling
Production Design:
Kalina Ivanov
Amazon MGM Studios
If You Were the Last
Supervising Colorist:
Tom Poole
Colorist:
Dustin Wadsworth
Finishing Editor:
Josh Perault
Company 3, Producer:
Michael Maida
Director:
Kristian Mercado
Director of Photography:
Alex Disenhof
Editor:
Henry Hayes
Production Design:
Christopher Stull
Peacock
Please Don’t Destroy: The Treasure of Foggy Mountain
Colorist:
Matt Wallach
Finishing Editor:
Patrick Clancey
Company 3, Producer:
Kelsea Williams
Director:
Paul Briganti
Director of Photography:
Isiah Donté Lee
Editor:
Daniel Gabbe
Production Design:
Bruce Curtis
Peacock
Candy Cane Lane
Supervising Colorist:
Jill Bogdanowicz
Additional Colorist:
Jared Pecht
Finishing Editor:
Paul Carlin
Dailies:
Rich Flores
Company 3, Producer:
Philip Marvin
Director:
Reginald Hudlin
Director of Photography:
Tom Sigel
Editor:
Jim May
Production Design:
Aaron Osborne
Amazon Prime
The Iron Claw
Colorist:
Sofie Borup
Finishing Editor:
Pat Kelleher
Dailies Colorist:
Rich Flores
Company 3, Producer:
Kate Albers
Director:
Sean Durkin
Director of Photography:
Mátyás Erdély
Editor:
Matthew Hannam
A24
The Color Purple
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Adam Nazarenko (Film), Adrian Delude (Trailer)
Finishing Editor:
Joe Ken
Dailies Colorist:
Nicholas Winkleman
Company 3, Production:
Dawn Landon (Film), Michael Bryant (Trailer)
Director:
Blitz Bazawule
Director of Photography:
Dan Laustsen
Editor:
Jon Poll
Production Design:
Paul D. Austerberry
Warner Bros.
The Beekeeper
Supervising Colorist:
Jill Bogdanowicz
Colorist:
Jared Pecht
Additional Colorist:
Duncan Byrnes
Finishing Editor:
Paul Carlin
Company 3, Producer:
Philip Marvin
Director:
David Ayer
Director of Photography:
Gabriel Beristain
Editor:
Geoffrey O'Brien
Production Design:
Ben Munro
MGM
All The Light We Cannot See
Colorist:
Skip Kimball
Finishing Editor:
Craig C. Price, Raymond Ruotolo
Company 3, Producer:
Jared Arkulary
Director:
Shawn Levy
Director of Photography:
Tobias A. Schliessler
Editor:
Dean Zimmerman, Casey Cichocki
Production Design:
Simon Elliott
Netflix
Priscilla
Re-Recording Mixer:
Steve Foster, Stephen Barden
Dailies:
Company 3
Company 3, Producer:
Shane Allan
Director:
Sofia Coppola
Director of Photography:
Philippe Le Sourd
Editor:
Sarah Flack
Production Design:
Tamara Deverell
A24
All of Us Strangers
Colorist:
Joseph Bicknell
Finishing Editor:
Stuart London, Julien Mathus
Company 3, Producer:
Gemma Saunders
Director:
Andrew Haigh
Director of Photography:
Jamie Ramsay
Editor:
Jonathan Alberts
Production Design:
Sarah Finlay
Searchlight Pictures
The Wonderful Story of Henry Sugar
Colorist:
Gareth Spensley
Additional Colorist:
Gareth Thomas
Finishing Editor:
Justin Eely
Dailies:
Doychin Margoevski
Company 3, Producer:
Joanna Burt, Hannah Perkins
Director:
Wes Anderson
Director of Photography:
Robert D. Yeoman, ASC
Editor:
Barney Pilling, Andrew Weisblum
Production Design:
Adam Stockhausen
Netflix
Dark Harvest
Colorist:
Jean-Clément Soret
Additional Colorist:
Yoomin Lee, Theresa Crooks
Finishing Editor:
Gareth Thomas
Company 3, Production:
Laura Metcalfe, Cody Cardarelli
Director:
David Slade
Director of Photography:
Larry Smith
Editor:
Art Jones
Production Design:
Patti Podesta
MGM
How To Have Sex
Colorist:
Joseph Bicknell
Finishing Editor:
Stuart London
Company 3, Producer:
Gemma Saunders
Director:
Molly Manning Walker
Director of Photography:
Nicolas Canniccioni
Editor:
Fin Oates
Production Design:
Luke Moran Morris
Film4
Pet Sematary: Bloodlines
Supervising Colorist:
Mirch Paulson
Additional Colorist:
Tom Reiser
Finishing Editor:
Jennifer Raymond
Dailies:
Company 3
Company 3, Executive Producer:
Vanessa Galvez-Morez
Director:
Lindsey Beer
Director of Photography:
Benjamin Kirk Nielsen
Editor:
Ken Blackwell, Jan Kovác
Production Design:
Adam Scher
Paramount Pictures
Totally Killer | Season 1
Colorist:
Siggy Ferstl
Finishing Editor:
Yoon Hee Hwang
Dailies Colorist:
Jaan Spirka
Company 3, Production:
Melissa Lee, Chris Ward
Director:
Nahnatchka Khan
Director of Photography:
Judd Overton
Editor:
Jeremy Cohen
Production Design:
Elizabeth Kay
Prime Video
Quiz Lady
Colorist:
Walter Volpatto
Finishing Editor:
Chris Doerr
Company 3, Producer:
Loan Phan
Director:
Jessica Yu
Director of Photography:
Adrian Peng Correia
Editor:
Nat Sanders, Susan Vaill
Production Design:
Jeff Mann
20th Century Studios | Hulu
Nyad
Colorist:
Stephen Nakamura
Additional Colorist:
Andrew Geary
Finishing Editor:
Josh Perault
Company 3, Producer:
Kate Albers
Director:
Elizabeth Chai Vasarhelyi, Jimmy Chin
Director of Photography:
Claudio Miranda
Editor:
Christopher Tellefsen
Netflix
The Burial
Colorist:
Tim Stipan
Finishing Editor:
Nicholas Figueroa
Company 3, Production:
Zac Gobetz, Julia Ward
Director:
Maggie Betts
Director of Photography:
Maryse Albertii
Editor:
Lee Percy, Jay Cassidy
Production Design:
Kay Lee
Prime Video
The Bikeriders
Supervising Colorist:
Mitch Paulson
Finishing Editor:
Jennifer Raymond
Dailies:
Rich Flores
Company 3, Producer:
Vanessa Galvez
Director:
Jeff Nichols
Director of Photography:
Adam T. Stone
Editor:
Julie Monroe
Production Design:
Chad Keith
20th Century Studios
No One Will Save You
Colorist:
Stephen Nakamura
Finishing Editor:
Chad Schermerhorn
Dailies Colorist:
Ryan Hymel
Company 3, Producer:
Clay Woods
Director:
Brian Duffield
Director of Photography:
Aaron Morton
Editor:
Gabriel Fleming
Production Design:
Ramsey Avery
20th Century Studios
Saltburn
Colorist:
Matt Wallach
Finishing Editor:
Thomas Lambert, Jeremy Crichton
Dailies:
Doychin Margoevski
Company 3, Production:
Leigh Meyers, Ann Dawson
Director:
Emerald Fennell
Director of Photography:
Linus Sandgren
Editor:
Victoria Boydell
Amazon MGM Studios
Ferrari
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Adam Nazarenko
Finishing Editor:
Joe Ken
Company 3, Production:
Erik Rogers, Zach Watkins
Director:
Michael Mann
Director of Photography:
Erik Messerschmidt
Editor:
Pietro Scalia
Production Design:
Maria Djurkovic
Neon
Ordinary Angels
Colorist:
Joel McWilliams
Finishing Editor:
Jennifer Raymond
Company 3, Producer:
Kelsea Williams
Director:
Jon Gunn
Director of Photography:
Maya Bankovic
Editor:
Parker Adams
Production Design:
Nazgol Goshtasbpour
Lionsgate
Rustin
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Andrew Geary
Finishing Editor:
Josh Perault
Dailies Colorist:
Alex Kaufman
Director:
George C. Wolfe
Director of Photography:
Tobias A. Schliessler
Editor:
Andrew Mondshein
Production Design:
Mark Ricker
Netflix
Rebel Moon Part 1: A Child of Fire
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Adam Nazarenko
Finishing Editor:
Matthew W. Johnson
Dailies Colorist:
Shane O’Connor
Company 3, Production:
Erik Rogers, Zach Watkins, Taravat Yazdan Panah
Director:
Zack Snyder
Director of Photography:
Zack Snyder
Editor:
Dody Dorn
Production Design:
Stefan Dechant, Stephen Swain
VFX:
Framestore
Netflix
Zombie Town
Colorist:
Dave Muscat
Finishing Editor:
Darren Hinchy
Company 3, Producer:
Gino Carletti
Director:
Peter Lepeniotis
Director of Photography:
Rudolf Blahacek
Editor:
Brian Noon, Marc Roussel
Production Design:
Mark Kowalsky
Viva Pictures
Untold: Walk of Shame
Colorist:
Sean Coleman
Finishing Editor:
Hunter Furnish
Company 3, Producer:
Scott Salamon
Director:
Bryan Storkel
Director of Photography:
Michael Latham
Editor:
Evan Vetter
Netflix
You Are So Not Invited To My Bat Mitzvah
Colorist:
Tyler Roth
Finishing Editor:
Aaron Bennett
Dailies Colorist:
Kelly Milligan
Company 3, Producer:
Philip Marvin
Director:
Sammi Cohen
Director of Photography:
Ben Hardwicke
Editor:
Brian Robinson, Jamie Keeney
Production Design:
Perry Andelin Blake
Netflix
When Morning Comes
Colorist:
Ian Passy
Re-Recording Mixer:
Lana Marie Hattar, Mark Zsifkovits
Finishing Editor:
Patrick Perron
Company 3, Producer:
Lindsay Adam
Director:
Kelly Fyffe-Marshall
Director of Photography:
Jordan Oram
Editor:
Nicole Sison
Production Design:
Rachelle Williams
Photon Films + Media
Untold: Johnny Football
Colorist:
Sean Coleman
Finishing Editor:
Hunter Furnish
Company 3, Producer:
Scott Salamon
Director:
Ryan Duffy
Director of Photography:
Matthew Chavez, David Bolen
Editor:
Freddie DeLaVega
Netflix
Dicks: The Musical
Colorist:
Dave Hussey
Finishing Editor:
John Diesso
Company 3, Producer:
Dawn Landon
Director:
Larry Charles
Director of Photography:
Michelle Lawler
Editor:
Al LeVine
Production Design:
Steven Wolff
A24
Untold: Jake Paul the Problem Child
Colorist:
Sean Coleman
Finishing Editor:
Hunter Furnish
Company 3, Producer:
Scott Salamon
Director:
Andrew Renzi
Director of Photography:
Jeff Louis Peterman
Editor:
Taylor Alexander Ward
Netflix
Haunted Mansion
Colorist:
Jill Bogdanowicz
Additional Colorist:
Jared Pecht
Finishing Editor:
Matthew Johnson
Dailies Colorist:
Ryan Hymel, Gabriele McIntyre, Nicholas Winkelmann
Company 3, Production:
Erik Rogers, Zach Watkins, Taravat Yazdan Panah
Director:
Justin Simien
Director of Photography:
Jeffrey Waldron
Editor:
Phillip J. Bartell
Production Design:
Darren Gilford
Walt Disney Studios
Migration
Colorist:
Jason Hanel
Finishing Editor:
Chris Doerr
Company 3, Producer:
Loan Phan
Director:
Benjamin Renner, Guylo Homsy
Editor:
Christian Gazal
Production Design:
Colin Stimpson
Universal Pictures
Dreamin’ Wild
Colorist:
Tom Poole
Finishing Editor:
Nicholas Figueroa
Company 3, Producer:
Zac Gobetz
Director:
Bill Pohlad
Director of Photography:
Arnaud Potier
Editor:
Annette Davey
Roadside Attractions
Corner Office
Colorist:
Jean-Clément Soret
Finishing Editor:
Jay Harada
Company 3, Production:
Ellora Soret, Caroline Simpson
Director:
Joachim Back
Director of Photography:
Pawel Edelman
Editor:
James Norris
Production Design:
Troy Hansen
Lionsgate
Five Nights at Freddy’s
Colorist:
Mitch Paulson
Finishing Editor:
Jennifer Raymond
Dailies Colorist:
Ryan Hymel
Company 3, Producer:
Vanessa Galvez
Director:
Emma Tammi
Director of Photography:
Lyn Moncrief
Editor:
Andrew Wesman
Production Design:
Marc Fisichella
Universal Pictures
Name Me Lawand
Colorist:
Matthieu Toullet
Director:
Edward Lovelace
Director of Photography:
Ben Fordesman
BFI
Retribution
Supervising Colorist:
Mitch Paulson
Finishing Editor:
Jennifer Raymond
Company 3, Producer:
Vanessa Galvez
Director:
Nimród Antal
Director of Photography:
Flavio Martínez Labiano
Editor:
Steve Mirkovich
Roadside Attractions
The Slumber Party
Colorist:
Jake White
Finishing Editor:
Gina Kalim
Dailies:
Marc Lulkin
Company 3, Producer:
Michael Maida
Director:
Veronica Rodriguez
Director of Photography:
Michelle Lawler
Editor:
Jesse Gordon
Production Design:
Timothy O'Brien
Disney+
Dumb Money
Colorist:
Tom Poole
Additional Colorist:
Dustin Wadsworth
Finishing Editor:
Nicholas Figueroa, Gina Kalim
Dailies Colorist:
Company 3
Company 3, Producer:
Zac Gobetz
Director:
Craig Gillespie
Director of Photography:
Nicolas Karakatsanis
Editor:
Kirk Baxter
Production Design:
Scott Kuzio
Sony Pictures
The Blind
Colorist:
Anne Boyle
Additional Colorist:
Michael Marr
Finishing Editor:
Matthew Shuttleworth, William Romines IV
Company 3, Production:
Michael Gorlick, Jack Morin
Studio:
Tread Lively
Director:
Andrew Hyatt
Director of Photography:
Chris Stacey
Editor:
John Lange
Production Design:
Christian Snell
Tread Lively
Joy Ride
Colorist:
Anne Boyle
Finishing Editor:
Yoon Hee Hwang & Roger Wang
Dailies:
Mykel Thuncher
Company 3, Producer:
Andras Toth
Director:
Adele Lim
Editor:
Nena Erb
Production Design:
Michael Norman Wong
Lionsgate
WHAM!
Supervising Colorist:
Stefan Sonnenfeld
Colorist:
James Slattery
Company 3, Producer:
Christopher Nundy
Director:
Chris Smith
Editor:
Gregor Lyon
Netflix
PAW Patrol: The Mighty Movie
Colorist:
Bill Ferwerda
Re-Recording Mixer:
Bernard Gariépy Strobl, J.R. Fountain
Finishing Editor:
Adrian Saywell
Company 3, Producer:
Lindsay Adam
Director:
Cal Brunker
Editor:
Ed Fuller
Paramount Pictures
The Crusades
Colorist:
Matt Wallach
Company 3, Producer:
Caroline Chabourne
Director:
Leo Milano
Director of Photography:
Dillon Schneider
Editor:
Brent McReynolds
Production Design:
Rachel Cole
VMI Worldwide
Take Care of Maya
Colorist:
Tyler Roth
Finishing Editor:
Hunter Furnish
Company 3, Production:
Scott Salamon, Aaron Miller
Director:
Henry Roosevelt
Director of Photography:
Patrick Ginnetty
Editor:
Jawad Metni, Pax Wassermann
Netflix
The Out-Laws
Colorist:
Stefan Sonnenfeld
Additional Colorist:
Adam Nazarenko
Finishing Editor:
John Diesso
Dailies:
Marc Lulkin
Company 3, Producer:
Eric Rogers + Zach Watkins
Director:
Tyler Spindel
Director of Photography:
Michael Bonvillain, ASC
Editor:
Ian Kezsbom + Phillip Kimsey
Production Design:
Jon Billington
Netflix
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