Company 3 was recently featured in British Cinematographer’s ‘Set to Post,’ spotlighting some of the most talked about feature films and TV series of the year. Our global teams have collaborated with leading filmmakers on major releases, delivering expert colour grading. Here are the highlights:

Company 3 LA Senior Colorist Stephen Nakamura returned to grade the second season of HBO’s The Last of Us, once again bringing his flair to a series known for its raw, atmospheric look. In the article, Nakamura shares that the show’s cinematographers are “really pushing the way they use colour for the series. They are definitely making bold choices on set, and then we can make refinements in the grade, but the results are perfect for the mood of the show.”

Additionally, Company 3 New York Senior Colorist Tom Poole oversaw grading for the latest season of HBO’s The White Lotus. The third installment, filmed in Bangkok, Phuket, and Koh Samui, brought a new tone and visual identity to the evolving series. Director and creator Mike White set a different palette for cinematographer Xavier Grobet, giving Poole a unique approach to the grade. Senior Colorist Yvan Lucas also worked with filmmakers on Disney’s live-action Snow White, delivering a visually rich reimagining of the classic tale.

British Cinematographer is a leading publication spotlighting the craft of cinematography across film, TV, and commercials. It covers the creative and technical work of DPs, colorists, and post teams, with interviews, behind-the-scenes features, and insights into lighting, camera, and grading workflows.

You can read the full feature in British Cinematographer here.