Free Diver

• Colorist: Jean-Clément Soret
• Company 3, Producer: Ellora Soret
• Agency: Innocean Worldwide Europe
• Director: Frédéric Planchon
• Director of Photography: Jacques Ballard
• Editor: Sam Rice-Edwards

Enter Ordinary. Exit Extraordinary.

• Colorist: Dave Hussey
• Company 3, Producer: Mario Castro
• Director: Joseph Kahn
• Director of Photography: Jo Willems
• Editor: Chancler Haynes

General Motors + Netflix

• Colorist: Skip Kimball
• Company 3, Producer: Ananda Reavis + Dan Butler
• Director: David Shane
• Production Company: O Positive Films
• Editor: Gavin Cutler
• VFX: Framestore

Camry Opera

• Colorist: Sean Coleman
• Company 3, Producer: Matt Moran
• Agency: Davis Elen Advertising
• Director: Kevin Emmons
• Director of Photography: Kevin Emmons
• Production Company: Zuma Films
• Editor: Evan Halleck

The Shape of Things to Come

• Colorist: Yoomin Lee
• Agency: Spark44
• Editor: Dan Good

WRXout

• Colorist: Tyler Roth
• Director: The Roos Brothers
• Director of Photography: Jared Fadel
• Editor: The Roos Brothers

IONIQ 6

• Colorist: Dave Hussey
• Company 3, Producer: Mario Castro
• Agency: Innocean
• Director: Speck Gordon
• Production Company: Furlined
• Editor: Steve Gandolfi
• Editorial: Cut+Run LA

The All-Electric Volkswagen ID.4 | Marvel Studios’ Ant-Man and The Wasp: Quantumania

• Colorist: Dave Hussey
• Company 3, Producer: Mario Castro
• Agency: Marvel Studio Partnerships
• Director: Anthony Leonardi
• Director of Photography: Ben Kitchens
• Production Company: Bullitt
• Editor: Josh Bodnar
• Editorial: Whitehouse

The Art of Safety

• Colorist: Simon Bourne
• Agency: Anton Berlin
• Director: Dorian & Daniel
• Director of Photography: Giuseppe Favale
• Production Company: Zauberberg Productions
• Editor: Chris Zimmermann + Tim Günther
• Client: Mercedes

Volkswagen ID. Buzz

• Colorist: Siggy Ferstl
• Agency: Scholz & Friends
• Director: Markus Walter
• Director of Photography: Ekkehart Pollack
• Production Company: Markenfilm Hamburg
• Editor: Mischa Meyer
• Editorial: Cabin Edit

Meet the Instructors

• Colorist: Bryan Smaller
• Agency: Conill
• Director: Pascal Heiduk
• Production Company: Contrast Eye Films
• Editorial: Whitehouse Post

Born to Lend a Hand

• Colorist: Siggy Ferstl
• Agency: Conill
• Director: Nicolai Fuglsig | MJZ
• Director of Photography: Matthew Libatique
• Editorial: Graham Chisholm, Cartel
• Client: Toyota

Robo Dog

• Colorist: Jill Bogdanowicz
• Agency: David&Goliath
• Director: Noam Murro | Biscuit Filmworks
• Director of Photography: Eric Schmidt
• Editorial: Damion Clayton (Rock Paper Scissors) + Spinach Editorial
• Client: Kia

Zeus & Hera

• Colorist: Tom Poole
• Agency: Goodby Silverstein & Partners
• Director: Bryan Buckley | Hungry Man
• Director of Photography: Scott Henriksen
• Editorial: Jason MacDonald, NO6
• Client: BMW

The History of Evolution

• Colorist: Dave Hussey
• Agency: Innocean
• Director: Jim Jenkins | O Positive Films
• Director of Photography: Dion Beebe
• Editorial: Cabin Edit

Find Your Groove

• Colorist: Dave Hussey
• Agency: Burrell
• Director: Daniel Azancot | In/Out
• Director of Photography: Federico Cantini
• Editorial: Territory

Volkswagen

• Colorist: Joseph Bicknell
• Director: Leigh Powis
• Director of Photography: Logan Triplett

Breathtaking Performance

• Colorist: Tyler Roth
• Director: Ashton Bingham
• Director of Photography: Timothy Thompson
• Editorial: Ashton Bingham

Mercedes Benz EQS x Riot Games

• Colorist: Tyler Roth
• Agency: Stept Studios
• Director: Gianluigi Carella, Republik Films
• Director of Photography: August Jakobsson IKS
• Editorial: Gianluigi Carella

A New Dimension

• Colorist: Tyler Roth
• Director: Corey Wilson
• Director of Photography: Nash Howe
• Editorial: Pat Hall

Watch This | Olympics 2020

• Colorist: Bob Festa

Made For Ireland

• Colorist: Matthieu Toullet
• Agency: Boys and Girls
• Director: Zak Emerson
• Director of Photography: Joe Cook
• Production Company: Butter

LF30

• Colorist: Matthieu Toullet
• Director: Alan Bibby
• Director of Photography: Tim Green

Sometimes Electric. Always BMW

• Colorist: Matthieu Toullet
• Company 3, Producer: Ellora Soret
• Agency: FCB Inferno
• Director: Rob Chiu
• Director of Photography: Matias Boucard
• Production Company: Iconoclast London

Moving Forward

• Colorist: Bryan Smaller
• Director: Daniel Malikyar | MGX Creative
• Director of Photography: Casey Stolberg
• Editorial: Troy Charbonnet

Scissorhands Free

• Colorist: Tim Masick
• Agency: Leo Burnett
• Director: David Shane
• Director of Photography: Jeff Cronenweth
• Editorial: Gavin Cutler
• VFX: Framestore

More Power for Your Pursuit

• Colorist: Dave Hussey
• Agency: Garage Team Mazda
• Director: Erich Joiner
• Director of Photography: Bob Richardson
• Editorial: Kim Bica

Jessica Long’s Story | Upstream

• Colorist: Jill Bogdanowicz
• Director: Tarsem Singh
• Director of Photography: Paul Meyers
• Editorial: Joe Guest

A New Era

• Colorist: Matt Osborne
• Director: Macgregor | Hype, Repetition, & Overkill
• Director of Photography: Macgregor
• Editorial: James Rosen | Final Cut

Pure Passion

• Colorist: Dave Hussey
• Director: Joseph Kahn
• Director of Photography: Daniel Pearl
• Editorial: Chancler Haynes

Names

• Colorist: Dave Hussey
• Agency: Team One
• Director: Abteen Bagheri
• Director of Photography: Oliver Miller
• Editorial: Isaac Chen

Jerky

• Colorist: Dave Hussey
• Agency: Innocean USA
• Director: Lance Acord
• Director of Photography: Lance Acord
• Editorial: Chan Hatcher

Built Wild

• Colorist: Bryan Smaller
• Director: Nick Martini
• Director of Photography: Cam Riley
• Editorial: Chris Naum

Portraits

• Colorist: Tyler Roth
• Director: Dana Tynan
• Director of Photography: John Pingry
• Editorial: Josh Bodnar

The Parents

• Colorist: Sofie Friis Borup
• Director: Niclas Larsson
• Director of Photography: Linus Sandgren
• Editorial: Carla Luff

Never Stop Arriving

• Colorist: Tyler Roth
• Agency: Leo Burnett Detroit
• Director: Dee Rees
• Director of Photography: Rachel Morrison
• Editorial: Jai Shukla & Jim Ulbrich

Roads I Seek

• Colorist: Tyler Roth
• Director: Corey Wilson + Kyle Bullington
• Director of Photography: Davis DiLillo
• Editorial: Pat Hall

Effortless Adventure

• Colorist: Tyler Roth
• Director: Dean Bradshaw
• Director of Photography: Doug Porter

Family Packing – Exploration

• Colorist: Dave Hussey
• Director: Lance Acord

Unseen Ocean

• Colorist: Matthieu Toullet
• Director: D.A.R.Y.L
• Director of Photography: Ross McLennan
• Production Company: PULSE

Nemo’s Garden

• Colorist: Matthieu Toullet
• Director: D.A.R.Y.L.

Protect the Others

• Colorist: Matthieu Toullet
• Agency: DDB Paris
• Director: Si & Ad
• Director of Photography: Barry Ackroyd
• Production Company: Wanda + Academy Films

This is Option 2

• Colorist: Tom Poole
• Director: Terence Neale
• Editorial: Rich Orrick

Welcome to the Herd

• Colorist: Tom Poole
• Director: Henry Hobson
• Director of Photography: Joost van Gelder
• Editorial: Stewart Reeves

Lingotto Factory

• Colorist: Parker Jarvie
• Director: Mike Schwartz
• Director of Photography: Mike Schwartz

Advanced Solocamp

• Colorist: Parker Jarvie
• Director: Powell Robinson
• Director of Photography: Powell Robinson

Driven By Greatness

• Colorist: Parker Jarvie
• Director: Andrew Schneider
• Director of Photography: Levi Arnold & Mike Koziel
• Editorial: Open Fire Media

Going Away Party

• Colorist: Dave Hussey
• Agency: Innocean
• Director: Neal Brennan
• Director of Photography: Jo Willems
• Editorial: Paul Martinez

Smahht Pahhhk

• Colorist: Dave Hussey
• Director: Bryan Buckley
• Director of Photography: Par Ekberg
• Editorial: Chan Hatcher

In the Long Run

Manifest Destiny

• Colorist: Siggy Ferstl
• Agency: Garage Team Mazda
• Director: Erich Joiner
• Editorial: Paul Martinez

Kona

• Colorist: Joseph Bicknell
• Director: Mike Lee Thomas
• Director of Photography: Rob Hauer

Higher Standards

• Colorist: Dave Hussey
• Director: Andre Stringer
• Director of Photography: Max Goldman
• Editorial: Jim Haygood

Cashew

• Colorist: Tom Poole
• Agency: Venables Bell & Partners
• Director: Ringan Ledwidge
• Director of Photography: Adam Arkapaw
• Editorial: Rich Orrick

When It Rains

• Colorist: Dave Hussey
• Director: The Cronenweths
• Director of Photography: Jeff Cronenweth
• Editorial: John Grojean

Fearless Leader

• Colorist: Dave Hussey
• Director: Andre Stringer
• Director of Photography: Max Goldman
• Editorial: Jim Haygood

Fossil Fuel

• Colorist: Tyler Roth
• Director: Jon Paul Piques

Give It Everything

• Colorist: Tyler Roth
• Director: Nicholas Lam
• Director of Photography: Mike Reyes

America is an Idea, Not A Geography: Cesar

• Colorist: Jenny Montgomery
• Director: Mohammad Gorjestani
• Director of Photography: Logan Triplett

America is an Idea, Not A Geography: Zahraa

• Colorist: Jenny Montgomery
• Director: Mohammad Gorjestani
• Director of Photography: Logan Triplett

70th Anniversary

• Colorist: Parker Jarvie
• Agency: OM Digital
• Director: Chris Stempel
• Director of Photography: Ryan Breitenbach
• Editorial: Megan Stempel

I-Pace

• Colorist: Kath Raisch
• Director: Scott Zacaroli
• Editorial: David Johnston & Troy Mercury
• Client: Jaguar

Moving Forward

• Colorist: Kath Raisch
• Director: Aaron & Winston Tao
• Director of Photography: Jared Fadel

i30 Fastback N – From Rome to Paris

• Colorist: Siggy Ferstl
• Director: Henrik Hansen
• Client: Hyundai

Daydreamer

• Colorist: Dave Hussey
• Agency: Walton Issacson
• Director: Rob Chiu
• Director of Photography: Roman Vasyanov
• Editorial: Tobias Suhm
• Client: Lexus USA

Legacy in the Making

• Colorist: Dave Hussey
• Agency: TeamOne
• Director: Ozan Biron
• Director of Photography: Oliver Millar
• Editorial: Scott Butzer
• Client: Lexus USA

Welcome to Muscleville – Director’s Cut

• Colorist: Siggy Ferstl
• Director: Henrik Hansen
• Director of Photography: Henrik Hansen
• Client: Dodge

Stronger than Gravity

• Colorist: Siggy Ferstl
• Director: Henrik Hansen
• Client: Mercedes-Benz

Dream Bigger

• Colorist: Siggy Ferstl
• Agency: Garage Team Mazda
• Director: John Hillcoat with Serial Pics
• Director of Photography: Philipe LeSourd
• Editorial: Conor O’Neill at Exile Edit
• Client: Mazda

X4M

• Colorist: Sofie Borup
• Director: Oliver Würffell
• Director of Photography: Jann Doeppert
• Client: BMW

One Track Mind

• Colorist: Stephen Nakamura
• Agency: Team One
• Director: Sebastian Strasser
• Director of Photography: Paul Meyers
• Editorial: Mischa Meyer at Spotwelders
• Client: Lexus

Metal

• Colorist: Tyler Roth
• Director: Sam Ciaramitaro
• Director of Photography: Sam Ciaramitaro
• Client: Jaguar

Huracan

• Colorist: Bryan Smaller
• Director: David Holm - Supply & Demand
• Director of Photography: Justin Henning

The Elevator

• Colorist: Dave Hussey
• Director: Jim Jenkins
• Director of Photography: Trent Opaloch

Aviator Director’s Cut

• Colorist: Siggy Ferstl
• Director: Henrik Hansen
• Client: Lincoln

Watchmen

• Colorist: Tom Poole
• Agency: Venables Bell & Partners
• Director: Henry Hobson
• Director of Photography: Steve Annis
• Editorial: Stew Reeves at Work Editorial
• VFX: Blacksmith
• Client: Audi

New Santa

• Colorist: Stefan Sonnenfeld
• Agency: M/H VCCP
• Director: Craig Gillespie
• Director of Photography: Stuart Graham
• Editorial: Joe Guest at Final Cut Edit
• VFX: Eight VFX
• Client: Audi

Big Dog

• Colorist: Sean Coleman
• Agency: Big Block
• Client: Ford Motor Company

Live Loud – Director’s Cut

• Colorist: Sofie Borup
• Agency: JVM
• Director: Julian Acosta
• Director of Photography: Paul Meyer
• Editorial: Julian Acosta
• Client: Hyundai Group

Moving Forward

• Colorist: Sofie Borup
• Agency: Highsnobiety
• Director: Sheila Johansson
• Director of Photography: Katelin Arizmendi
• Editorial: Chris Zimmerman
• Client: Mercedes-Benz

Trackhawk Christmas

• Colorist: Jenny Montgomery
• Client: Jeep

Final Breath

• Colorist: Sofie Borup
• Client: Audi

Not Flying

• Colorist: Dave Hussey
• Agency: Innocean
• Director: Craig Gillespie
• Director of Photography: Stuart Graham
• Editorial: Graham Turner & Chan Hatcher at Cabin Edit
• Client: Hyundai

Dad Look

• Colorist: Dave Hussey
• Agency: Innocean
• Director: Craig Gillespie
• Director of Photography: Stuart Graham
• Editorial: Graham Turner & Chan Hatcher at Cabin Edit
• Client: Hyundai

GTC4

• Colorist: Tyler Roth
• Director: Alessandro Pacciani
• Client: Ferrari

Lap the Planet

• Colorist: Dave Hussey
• Director: Rob Chiu
• Director of Photography: Paul Meyers
• Editorial: Jim Haygood
• Client: Lexus

The Strength of an Ant

• Colorist: Siggy Ferstl
• Agency: Engage M1
• Client: GMC

Boneyard

• Colorist: Bryan Smaller
• Director: David Holm - Supply & Demand

You Do Not Need

• Director: Henrik Hansen
• Director of Photography: Henrik Hansen

Lead (Director’s Cut)

• Agency: IW Group
• Director: Henrik Hansen - RSA Films
• Director of Photography: Dimitri Karakatsanis
• Editorial: Union Edit - Einar

Grand Cherokee

• Agency: Doner
• Director: Henrick Hansen - RSA
• Director of Photography: Henrick Hansen
• Editorial: Union - Einar

Feel Alive

• Colorist: Siggy Ferstl
• Agency: Garage Team Mazda
• Director: Stephan Wever - Stink Films
• Editorial: Jump - David Trachtenberg

Pier

• Agency: Vitro
• Director: Brigg Bloomquist - Brigg & Bob Industries
• Director of Photography: Igor Jadue-Lillo
• Editorial: Cut + Run

Cowgirls – The People of Modern Rodeo

• Colorist: Siggy Ferstl
• Agency: GTB
• Director: Eliot Rausch - Stink
• Editorial: Nomad Editing Co - Jared Coller

We The People

• Agency: GTB
• Editorial: Nomad Editing Co.

Night Ski

• Agency: GTB
• Director: Eliot Rausch - Stink
• Editorial: Nomad Editing Co. - Jared Coller

The Climb

• Agency: David & Goliath
• Director: Henrick Hansen - RSA
• Director of Photography: Dimitri Karakatsanis
• Editorial: Spinach - Einar Thorsteinsson

Santa, The Spokeslistener™

• Colorist: Sean Coleman
• Agency: Camp + King
• Director: Martin Granger – Moxie Pictures
• Director of Photography: Barry Parrell
• Editorial: Cut + Run – Lucas Eskin
• Client: Dish Network

Storm

• Colorist: Sofie Borup
• Agency: Antoni
• Director: Salomon Ligthelm – Stink Films
• Director of Photography: Khalid Mohtaseb
• Editorial: Slaughterhouse – Chris Zimmerman
• Client: Mercedes Benz

Study of Power

• Colorist: Sean Coleman
• Agency: 72 & Sunny
• Director: G–Munk
• Director of Photography: Chris Probst – Tool of North America
• Editorial: Arcade Edit – Graham Chisholm
• Client: Infiniti

Parking Lot

• Colorist: Stefan Sonnenfeld
• Agency: Venables Bell & Partners
• Director: Steve Rogers – Biscuit Filmworks
• Editorial: Exile – Kirk Baxter
• Client: Audi

Birthday

• Colorist: Bryan Smaller
• Director: Adam Neustadter - PF100
• Director of Photography: Logan Triplett
• Editorial: Arcade Edit - Nick Rondeau

Play

• Colorist: Sofie Borup
• Agency: Ferrer
• Director: Rodrigo Valdes
• Director of Photography: Guillermo Garza
• Editorial: Mikkel EG
• Client: Toyota

Whispers

• Colorist: Dave Hussey
• Agency: Team One
• Director: Autumn De Wilde – Anonymous Content1
• Director of Photography: Tim Hudson
• Editorial: Big Sky Edit – Miky Wolf
• Client: Lexus

The World Within

• Colorist: Bryan Smaller
• Director: Chris Leclerc
• Director of Photography: Matthew Rivera
• Editorial: Chris Leclerc
• Client: BMW

The People First Warranty | Volkswagen “Rain”

• Colorist: Tim Masick
• Agency: Deutsch
• Director: Lance Acord – Park Pictures
• Editorial: Rock Paper Scissors – Adam Pertofsky
• Client: Volkswagen

Amazing Machine

• Colorist: Dave Hussey
• Agency: Team One
• Director: Ben Trickebank – Tool of North America
• Director of Photography: Adam Richards
• Editorial: Whitehouse Post – Brandon Porter
• Client: Lexus ES

Raindrops

• Colorist: Stefan Sonnenfeld
• Agency: Venables Bell & Partners
• Director: Tibor Glage – Contrast Eye
• Editorial: Lumberyard – Daniel Figueroa & Regina Rivard
• Client: Audi

Glassworld

• Colorist: Dave Hussey
• Agency: TEAM ONE
• Director: Ben Tricklebank
• Director of Photography: Adam Richards
• Editorial: Whitehouse Post – Brandon Porter
• Client: Lexus

Born This Way | Brotherhood of Muscle

• Colorist: Dave Hussey
• Agency: GSD&M
• Director: Spiro Rasatose – Believe Media
• Editorial: Union Editorial - Einar
• Client: Dodge

Future Classics: Series Trailer

• Colorist: Bryan Smaller
• Director: Elias Ressegatti
• Director of Photography: Daryl Hefti
• Editorial: Travis Moore

Exorcising the Demon

• Colorist: Dave Hussey
• Agency: JWT ATL
• Director: Ozan Biron - Lemonade Films
• Director of Photography: Macgregor
• Editorial: Cycle Media - Matthew Griffiths
• Client: Pennzoil

The Hunt Alone

• Colorist: Jaime OBradovich
• Director: Lloyd Lee Choi
• Director of Photography: Oli Millar

Duel of the Scorpions

• Colorist: Siggy Ferstl
• Agency: Awesomesauce
• Director: Ericson Core
• Director of Photography: Ericson Core
• Editorial: Groove Jones - Mike Hackett
• Client: Fiat

Duet

• Colorist: Dave Hussey
• Agency: Innocean
• Director: Aaron Stoller - Biscuit Filmworks
• Director of Photography: Peter Donahue
• Editorial: NO6 - Chan Hatcher
• Client: Hyundai

Test Drive

• Colorist: Stefan Sonnenfeld
• Agency: Venables Bell Partners
• Director: Salomon Ligthelm - Stink USA
• Director of Photography: Paul Meyer
• Editorial: Final Cut - Rick Russell
• Client: Audi

On the Run

• Colorist: Sean Coleman
• Agency: CP+B Boulder
• Director: Isaiah Seret
• Director of Photography: Claudio Miranda
• Editorial: Cut + Run LA - Frank Effron
• VFX: Method Studios
• Client: Infiniti

How Does It Feel

• Colorist: Tom Poole
• Director: Christian Aeby
• Director of Photography: Rodrigo Prieto
• Client: Mercedes Benz

“Driver’s Test” – Spider-Man: Homecoming

• Colorist: Sean Coleman
• Agency: MUH-TAY-ZIK | HOF-FER
• Director: Jody Hill - Caviar
• Director of Photography: Eric Treml
• Editorial: Union Editorial - Jim Haygood
• VFX: Method Studios
• Client: Audi

Michael Andretti

• Colorist: Sean Coleman
• Director: Mike Million
• Director of Photography: Brian Stansfield
• Editorial: Cameron King
• Client: Volkswagen

A Story

• Colorist: Tyler Roth
• Agency: Digital Garden
• Director: Yoshihiro Mori
• Director of Photography: Akiyoshi Yoshida
• Client: Toyo Tires

Secretariat

• Colorist: Sofie Borup
• Agency: Venables Bell & Partners
• Director: Marc Forster
• Director of Photography: Tool of N. America
• Editorial: Lumberyard - Naomi Goodman
• Client: Audi

Beginnings

• Colorist: Siggy Ferstl
• Agency: McGarry Bowen
• Director: Alessandro Pacciani
• Director of Photography: Paul Meyers
• Editorial: Marco Battiloro
• Client: Acura

New Gig

• Colorist: Sean Coleman
• Agency: Saatchi & Saatchi LA
• Director: Speck + Gordon - Furlined
• Director of Photography: Joost van Gelder
• Editorial: NO6 - Graham Turner
• Client: Toyota

Be the Guardian of Your Galaxy

• Colorist: Stefan Sonnenfeld
• Agency: GTB
• Director: Peyton Reed
• Director of Photography: John Toll
• Editorial: Arcade Edit - Paul Martinez
• VFX: Method Studios
• Client: Ford

The Last Viper

• Colorist: Billy Gabor
• Agency: JWT Atlanta
• Director: Ozan Biron - Lemonade Films
• Director of Photography: Tim Sessler
• Editorial: Cycle Media - Matthew Griffiths
• Client: Pennzoil

Hybrid Blues

• Colorist: Dave Hussey
• Agency: Innocean
• Director: Aaron Stoller - Biscuit Filmworks
• Director of Photography: Peter Donahue
• Editorial: Whitehouse Post - Jim Haygood
• Client: Hyundai

Beauty – Driving Matters

• Colorist: Siggy Ferstl
• Agency: Garage Team Mazda
• Director: Henrik Hansen
• Director of Photography: Claudio Miranda
• Editorial: jumP Editorial - Erwin Fraterman
• Client: Mazda

Xfinity Drive-Out Cinema

• Colorist: Sean Coleman
• Agency: Goodby Silverstein & Partners
• Director: Jeff Tremaine - HeLo
• Editorial: Cut+Run - Pete Koob
• Client: Xfinity

The Decision

• Colorist: Stefan Sonnenfeld
• Agency: Venables Bell & Partners
• Director: Dante Ariola - MJZ
• Director of Photography: Philippe Le Sourd
• Editorial: Final Cut - Rick Russell
• Client: Audi

Luv Bug

• Colorist: Sean Coleman
• Agency: Deutsch
• Director: Andreas Nilsson - Biscuit Filmworks
• Editorial: Cut + Run - Steve Gandolfi
• Client: Volkswagen Atlas

Love Affair

• Colorist: Tyler Roth
• Agency: Doner
• Director: Tim Roper - 59 Films
• Director of Photography: Kentil Dietrichson
• Editorial: The Underground (Doner) - Charlie Brittz
• Client: Fiat Chrysler

Challenge: Vietnam

• Colorist: Siggy Ferstl
• Agency: Saatchi & Saatchi
• Director: Kit Lynch - Robinson
• Editorial: Compadres - Nate Cali
• Client: Toyota

Mercedes‐Benz 2017 GLC Coupe – Peak

• Colorist: Tom Poole
• Agency: Merkley + Partners
• Director: Mark Forster - Tool of N. America
• Editorial: Bug Editorial - Andre Betz
• Client: Mercedes-Benz

Oneness

• Colorist: Siggy Ferstl
• Agency: Garage Team Mazda
• Director: Henrik Hansen
• Director of Photography: Claudio Miranda
• Editorial: jumP
• Client: Mazda

Cadillac – Carry

• Colorist: Tom Poole
• Agency: Publicis
• Editorial: Lost Planet - Jay Rabinowitz
• Client: Cadillac

Cord

• Colorist: Tim Masick
• Agency: Hudson Rouge
• Director: Josh & Xander - Radical Media
• Director of Photography: Paul Meyers
• Editorial: Cosmo Street - Thomas Grove Carter
• Client: Lincoln

Audi – Daughter

• Colorist: Stefan Sonnenfeld
• Agency: Venables Bell & Partners
• Director: Aoife McArdle - Some Such | Anonymous Content
• Director of Photography: Pat Scola
• Editorial: Work Editorial - Stewart Reeves, Arielle Zakowski
• Client: Audi

Porsche – Possession

• Agency: CK
• Director: Phil Morrison - Epoch Films
• Director of Photography: Benoit Debie
• Editorial: Final Cut LA

Toyota Mirai – Daisy

• Colorist: Siggy Ferstl
• Agency: Saatchi & Saatchi
• Director: Todd Mueller - Psyop
• Editorial: Lance Pereira
• Client: Toyota

Audi Rusland A6

• Colorist: Dave Hussey
• Director: Colin Tilley
• Director of Photography: Maz Makhani
• Client: Audi

Wave

• Colorist: Stefan Sonnenfeld
• Agency: Leo Burnett/Digitas
• Director: Douglas Avery - Furlined
• Director of Photography: Justin Brown
• Editorial: Butcher Edit - Dave Henegar
• Client: GMC Sierra

Parallels in the world of sports

• Colorist: Tyler Roth
• Agency: Cramer-Krasselt
• Director: Sam Ciaramitaro
• Editorial: Utopic - Katherine Pryor
• Client: Porsche

Four Means More – Director’s Cut

• Colorist: Siggy Ferstl
• Director: Henrik Hansen

Fire and Ice

• Colorist: Tyler Roth
• Director: Jonny Mass - Abandon Visuals
• Director of Photography: Jared Fadel
• Editorial: Edward Khoma - Abandon Visuals
• Client: Lamborghini

Heavy Metal

• Colorist: Bryan Smaller
• Agency: Saatchi & Saatchi
• Director: Sergio Cilli
• Director of Photography: Tim Hudson
• Editorial: Compadres - Addison Gross
• Client: Toyota

Alaska | AWD Challenger GT

• Colorist: Stefan Sonnenfeld
• Agency: Doner
• Director: Tibor Glage - Contrast Eye
• Director of Photography: Jens Massbol
• Editorial: Teddy Gersten
• Client: Dodge

Chevrolet – Henningsvær

• Colorist: Tyler Roth
• Agency: Commonwealth // McCann
• Director: Martin Rodahl - 71 Degrees North
• Client: Chevrolet

Elegant Edge

• Colorist: Dave Hussey
• Agency: Walton Isaacson
• Director: Rob Chiu
• Director of Photography: Khalid Mohtaseb
• Editorial: Wildchild Post - Richard Cooperman
• VFX: Method Studios
• Client: Lexus

Downhill Challenge Director’s Cut

• Colorist: Siggy Ferstl
• Director: Henrik Hansen
• Client: Range Rover

BMW Films – The Escape Trailer

• Colorist: Stefan Sonnenfeld
• Agency: Geisel Productions
• Director: Neil Blomkamp
• Director of Photography: Manoel Ferreira
• Editorial: Austyn Daines, Julian Clarke, and Devin Maurer
• Client: BMW

Terrarium

• Colorist: Dave Hussey
• Agency: Deutsch
• Director: Guard Brothers
• Editorial: Cut + Run - Jay Nelson + Lucas Eskin
• Client: Volkswagen

Time

• Colorist: Dave Hussey
• Agency: The Richards Group
• Director: Brian Mah
• Director of Photography: Jordan Valenti
• Editorial: Alma Mater - Keith Roberts
• Client: Ram Trucks

Camaro Is Art

• Colorist: Tyler Roth
• Agency: Commonwealth // McCann
• Editorial: Beast Detroit - Adam Pillon
• VFX: Method Studios Detroit
• Client: Chevrolet

Muddy Hillside

• Colorist: Dave Hussey
• Agency: Deutsch
• Director: Sinuhe Xavier
• Director of Photography: Nic Restrepo
• Editorial: Steelhead - Ian Paxton
• Client: Volkswagen

Melodies

• Colorist: Tyler Roth
• Director: Sam Ciaramitaro
• Client: Porsche

Honey

• Colorist: Bob Festa
• Agency: 180LA
• Client: Mitsubishi

Joyride Tundra

• Colorist: Dave Hussey
• Agency: JWT Atlanta
• Director: Ozan Biron
• Director of Photography: MC Gregor
• Editorial: Matthew Griffiths
• Client: Pennzoil

Boss

• Colorist: Siggy Ferstl
• Editorial: ZapBoomBang
• Client: Dodge

Road Trip Anthem

• Colorist: Tyler Roth
• Agency: Leo Burnett Detroit
• Director: Chris Chynoweth
• Director of Photography: Steve Smith
• Editorial: Beast - Chris Chynoweth
• Client: GMC

Masterpiece

• Colorist: Tyler Roth
• Director: Chris Leclerc
• Director of Photography: Paul Theodoroff
• Client: Audi

The Enduring Bond

• Colorist: Tyler Roth
• Agency: CK
• Director: Sam Ciaramitaro
• Editorial: Utopic
• Client: Porsche

Ghost Mode: Lyft x Ghostbusters

• Colorist: Bryan Smaller
• Director: Nicholas Randall
• Director of Photography: Ryan Carmondy
• Editorial: Sunset Edit - Cami Starkman
• Client: Lyft

Rock-A-Bye

• Colorist: Dave Hussey
• Agency: Leo Burnett
• Director: Erich Joiner
• Director of Photography: Bob Richardson
• Editorial: Arcade Editorial - Will Hassell
• Client: Buick Envision

Crafted

• Colorist: Siggy Ferstl
• Agency: Garage Team Mazda
• Director: Malcolm Velville
• Director of Photography: Dion Beebe
• Editorial: Spot Welders - Robert Duffy
• Client: Mazda

2016 Kia Soul Hamsters #ShareSomeSoul

• Colorist: Stefan Sonnenfeld
• Agency: David & Goliath
• Director: Colin Jeffery
• Editorial: Union Editorial - Jim Haygood
• Client: Kia

Harmony Systems

• Colorist: Bob Festa
• Director: John Carey
• Client: TrueCar

Legacy

• Colorist: Stefan Sonnenfeld
• Agency: Crispin Porter Bogusky
• Director: Craig Gillespie
• Director of Photography: Masanobu Takayanagi
• Editorial: No6 - Chan Hatcher
• VFX: Method Studios
• Client: Infiniti

“New – Not Just New. Better”

• Colorist: Dave Hussey
• Agency: Innocean
• Director: Max Malkin
• Editorial: David Checel - Stitch
• Client: Hyundai

Poncho

• Colorist: Sofie Borup
• Agency: La Doble Vida
• Director: RvsR
• Director of Photography: Kenji Katori
• Editorial: The Maestros- Martin Bautista & Mario Monroy

The Chase

• Colorist: Stefan Sonnenfeld
• Agency: Anomaly
• Director: Anthony and Joe Russo
• Director of Photography: Trent Opalach
• Editorial: Crispin Struthers
• Client: Audi

Speechless

• Colorist: Tyler Roth
• Agency: Commonwealth
• Editorial: Beast
• Client: Chevy Camaro

Joyride Circuit

• Colorist: Dave Hussey
• Agency: JWT ATL
• Director: Ozan Birön
• Director of Photography: Miguel De Olaso
• Editorial: Matthew Griffiths
• Client: Pennzoil

Pool Party

• Colorist: Siggy Ferstl
• Agency: Crispin Porter + Bogusky
• Director: Henrik Hansen
• Director of Photography: Henrik Hansen
• Editorial: Rock Paper Scissors
• Client: Infiniti

Don’t You Dare

• Colorist: Tom Poole
• Agency: Publicis
• Director: Mark Romanek
• Editorial: Rock Paper Scissors
• Client: Cadillac

Spin

• Colorist: Tom Poole
• Agency: McGarry Bowen
• Director: Raymond Bark
• Director of Photography: Jeff Cronenweth
• Editorial: Cut + Run
• Client: Maserati

Biker Path

• Colorist: Tyler Roth
• Agency: Team Detroit
• Director: Scott Weintrob
• Editorial: Beast
• VFX: Method Studios
• Client: Ford F-150

Greatness Is Within Reach – Rick Lopez

• Colorist: Dave Hussey
• Agency: RPA
• Director: Todd Selby
• Editorial: Spot Welders
• Client: Honda Civic

The Herd

• Colorist: Stefan Sonnenfeld
• Agency: Publicis
• Director: Janusz Kaminski
• Editorial: Max Koepke
• Client: Cadillac Escalade

Dreams

• Colorist: Siggy Ferstl
• Agency: RPA
• Director: Michael Spiccia
• Director of Photography: Danny Ruhlmann
• Editorial: RPA
• Client: Honda

The Exceptional

• Colorist: Tom Poole
• Agency: Dentsu Bos Canada
• Director: Douglas Avery
• Director of Photography: Max Goldman
• Editorial: Saints Toronto
• Client: Lexus

Road To Victory

• Colorist: Bryan Smaller
• Agency: Kirshenbaum Bond and Partners West
• Director: Keegan Wilcox
• Editorial: Stitch
• Client: BMW

Immaculate Reception

• Colorist: Sean Coleman
• Agency: Saatchi & Saatchi
• Director: Vincent Haycock
• Client: Toyota

Super Dirty

• Colorist: Bob Festa

Rapture

• Colorist: Bob Festa
• Agency: Mullen
• Director: Jeff Zwart
• Client: Acura

Predator

• Colorist: Siggy Fersl
• Agency: Wieden & Kennedy
• Director: Henrik Hansen
• Director of Photography: Benoit Debie
• Client: Dodge

Making Memories

• Colorist: Stefan Sonnenfeld
• Agency: Carmichael Lynch
• Director: Noam Murro
• Director of Photography: Simon Duggan
• Client: Subaru

First Dodge

• Colorist: Siggy Ferstl
• Agency: Wieden + Kennedy
• Director: Adrien Brody
• Director of Photography: Simon Duggan
• Client: Dodge

A Driver’s Life

• Colorist: Siggy Ferstl
• Agency: The Garage/Team Mazda
• Director: Jake Scott
• Director of Photography: Chris Soos
• Client: Mazda

Poetry

• Colorist: Tom Poole
• Agency: Merkley & Partners
• Editorial: Rock Paper Scissors

Words Won’t Do

• Colorist: Bob Festa
• Agency: Innocean
• Client: Hyundai

Snake Bite

• Colorist: Sean Coleman
• Agency: Saatchi & Saatchi
• Director: Jim Jenkins
• Director of Photography: Chris Soos
• Client: Toyota

Ordos

• Colorist: Siggy Ferstl
• Agency: Team Detroit
• Director: Keir McFarlane
• Client: Ford Mustang

Dodge Law Hot Yoga Pursuit

• Colorist: Sean Coleman
• Agency: Doner
• Director: Peter Farrelly
• Director of Photography: Darko Suvak
• Client: Dodge

Better Call Saul pt. 2

• Colorist: Bob Festa
• Agency: Bacon & Sons Film Co.
• Director: Dan Appel
• Client: Acura

Better Call Saul pt. 1

• Colorist: Bob Festa
• Agency: AMC
• Director: Dan Appel
• Client: Acura

Make Some Noise

• Colorist: Dave Hussey
• Agency: Walton Isaacson
• Director: Dave Meyers
• Director of Photography: Chris Probst
• Client: Lexus

Newfangled

• Colorist: Tom Poole
• Agency: Kirshenbaum Bond Senecal & Partners
• Director: Jonathan/Valerie Dayton/Faris
• Director of Photography: Philippe Le Sourd
• Client: BMW

My Bold Dad

• Colorist: Stefan Sonnenfeld
• Agency: Saatchi and Saatchi
• Director: Nicolai Fuglsig
• Director of Photography: Alexis Zabe
• Client: Toyota

XC60 Directors Cut

• Colorist: Siggy Ferstl
• Agency: Grey Advertising
• Director: Henrik Hansen
• Director of Photography: Henrick Hansen

Sunday

• Colorist: Siggy Ferstl
• Agency: Richards Group
• Director: Warren Fisher
• Director of Photography: Jeff Cutter
• Client: Dodge

Swim

• Colorist: Sean Coleman
• Agency: Venables Bell Partners
• Director: Matt Aselton
• Director of Photography: Crille Forsberg
• Client: Audi

Penn & Teller

• Colorist: Siggy Ferstl
• Agency: Garage Team Mazda
• Director: Michael Haussman
• Client: Mazda

Tony Fixes it Again

• Colorist: Siggy Ferstl
• Agency: Wieden + Kennedy
• Director: Jake Szymanski
• Client: Fiat

Sprinter

• Colorist: Bob Festa
• Director: Michael Fitzmaurice
• Director of Photography: Michael Fitzmaurice
• Client: Mercedes

Are We There Yet

• Colorist: Tyler Roth
• Agency: Cramer-Krasselt
• Director: Jody Hill
• Director of Photography: Dimitri Karakatsanis
• Client: Porsche

Are We There Yet?

• Colorist: Tyler Roth
• Agency: Cramer-Krasselt
• Director: Jody Hill
• Director of Photography: Dimitri Karakatsanis
• Client: Porsche

Ahead of Their Time

• Colorist: Siggy Ferstl
• Agency: Wieden + Kennedy
• Director: Noam Murro
• Director of Photography: Simon Duggan
• Client: Dodge

Executive Material

• Colorist: Sean Coleman
• Agency: RPA
• Director: Perlorian Brothers
• Director of Photography: Eric Schmidt
• Client: Honda Civic

Sweden Safety

• Colorist: Siggy Ferstl
• Agency: Wieden + Kennedy
• Director: Andrew Douglas
• Director of Photography: Alwin Kuchler
• Client: Chrysler

Heavy Metal Orchestra

• Colorist: Bryan Smaller
• Agency: Blend
• Director: Anthony Pietromonaco
• Director of Photography: Benji Bakshi
• Client: Porsche

Harrier

• Colorist: Siggy Ferstl
• Agency: Tugboat Tokyo
• Director: Kosai Sekine
• Director of Photography: Ekkehart Pollack
• Client: Toyota

Seize the Moment

• Colorist: Bob Festa
• Agency: Innocean
• Director: Brad Tucker
• Director of Photography: Jordan Valenti
• Client: Hyundai

Intro

• Colorist: Tom Poole
• Agency: Hudson Rouge
• Director: Nicolas Winding Refn
• Director of Photography: Benoit Debie
• Client: Lincoln MKC

Secret’s Out

• Colorist: Brandon Chavez
• Agency: Commonwealth
• Director: Lisa Rubisch
• Director of Photography: Sebastian Wintero
• Editorial: Beast
• Client: Chevrolet

Memory Lane (Extended)

• Colorist: Sean Coleman
• Agency: Carmichael Lynch
• Director: Lance Acord
• Director of Photography: Lance Acord
• Client: Subaru

Kind

• Colorist: Siggy Ferstl
• Agency: Merkley & Partners
• Director: Henrik Hansen
• Director of Photography: Jeff Cronenweth
• Client: Mercedes

Bison

• Colorist: Sean Coleman
• Agency: Carmichael Lynch
• Director: Lance Acord
• Director of Photography: Lance Acord
• Client: Subaru

Go

• Colorist: Sean Coleman
• Agency: Team Detroit
• Director: Matthias Zentner
• Director of Photography: Stefan von Borbely
• Client: Ford

Fountain XV

• Colorist: Sean Coleman
• Agency: Carmichael Lynch
• Director: Lance Acord
• Director of Photography: Lance Acord
• Client: Subaru

Innovations

• Colorist: Sean Coleman
• Agency: KPS
• Director: Michael Haussman
• Director of Photography: Sal Totino
• Client: BMW

Getaway

• Colorist: Bob Festa
• Agency: Bacon & Sons Film Co.
• Director: Dan Appel
• Director of Photography: Eric Haase
• Client: Jeep

Decay

• Colorist: Stefan Sonnenfeld
• Agency: Merkley & Partners
• Director: Janusz Kaminski
• Director of Photography: Janusz Kaminski
• Client: Mercedes-Benz

My Way

• Colorist: Tim Masick
• Agency: Mullen
• Director: Nicolai Fuglsig
• Director of Photography: Greig Fraser
• VFX: Method Studios
• Client: Acura

Garage Mmmm

• Colorist: Siggy Ferstl
• Agency: Wieden + Kennedy
• Director: Jody Hill
• Director of Photography: Mark Williams
• Client: Dodge

Mia Hamm

• Colorist: Bob Festa
• Agency: Garage Team Mazda
• Client: Mazda

Boom

• Colorist: Mike Pethel
• Agency: Innocean
• Director: Aaron Stoller
• Client: Hyundai

Born Makers

• Colorist: Siggy Ferstl
• Agency: Richards Group
• Director: Klaus Obermeyer
• Director of Photography: Bill Ahrens
• Editorial: Lucky Post
• Client: Chrysler

Avoidance

• Colorist: Mike Pethel
• Agency: Innocean
• Director: Aaron Stoller
• Client: Hyundai

Radar

• Colorist: Bob Festa
• Director: Mike Fitzmaurice
• Director of Photography: Mike Fitzmaurice
• Client: Mazda

The Car That Keeps Sweden Rolling

• Colorist: Sofie Borup
• Agency: Forsman & Bodenfors
• Director: Martin De Thurah
• Director of Photography: Martijn van Broekhuizen
• Client: Volvo

Anthem 4 Runner

• Colorist: Siggy Ferstl
• Agency: Saatchi & Saatchi
• Director: Chris Malloy
• Director of Photography: August Thurmer
• Client: Toyota

Odometer

• Colorist: Tim Masick
• Agency: Merkley & Partners
• Director: David Frankham
• Director of Photography: Eric Gauthier
• Editorial: Chris Huth at Lost Planet
• Client: Mercedes

Pick Up

• Colorist: Sofie Borup
• Agency: Leo Burnett
• Director: Lance Acord
• Client: Firestone

Change Makers

• Colorist: Bob Festa
• Agency: Bacon & Sons Film Co.
• Director: Dan Appel
• Director of Photography: Vincent Passeri
• Client: Subaru

Jazz Up My Clock

• Colorist: Bob Festa
• Agency: Bacon & Sons Film Co.
• Director: Dan Appel
• Director of Photography: Vincent Passeri
• Client: Lexus

Suits

• Colorist: Bob Festa
• Agency: USA Networks
• Director: Dan Appel
• Client: Lexus

Hell Yes

• Colorist: Tom Poole
• Agency: The Richards Group
• Director: Derek Cianfrance

Hello Future

• Colorist: Rob Sciarratta
• Agency: Kirshenbaum
• Client: BMW

What He Said

• Colorist: Siggy Ferstl
• Agency: Mullen Lowe
• Director: Joe Wright
• Director of Photography: Ross McLennan
• Editorial: Lost Planet
• Client: Acura

Bringing Down The House

• Colorist: Stefan Sonnenfeld
• Agency: Mark Romanek
• Director: Carl Erik Rinsch
• Director of Photography: John Mathieson

Chevy Silverado

• Colorist: Stefan Sonnenfeld
• Agency: Goodby Silverstein Partners
• Director: Noam Murro
• Director of Photography: Jeff Cutter

Share Some Soul

• Colorist: Stefan Sonnenfeld
• Agency: David & Goliath
• Director: Mark Romanek

Love Is In The Air

• Colorist: Stefan Sonnenfeld
• Agency: BSUR
• Director: Kevin Thomas
• Client: Mini

Wall

• Colorist: Stefan Sonnenfeld
• Agency: Team One
• Director: Daniel Kleinman
• Client: Lexus

Social Networking

• Colorist: Stefan Sonnenfeld
• Agency: Saatchi & Saatchi
• Director: Matt Aselton
• Client: Toyota

Spike

• Colorist: Siggy Ferstl
• Agency: Wieden + Kennedy
• Director: David Gordon Green
• Client: Maserati

The Parkers’

• Colorist: Sean Coleman
• Director: Joachim Back
• Director of Photography: Emmanuel Lubezki
• Client: Honda

Nice

• Colorist: Sean Coleman
• Director: Chris Woods, Jeff Cutter
• Director of Photography: Bojan Bazelli
• Client: Hyundai

What It Was

• Colorist: Tom Poole
• Agency: Hudson Rouge
• Director: Tim Brown
• Director of Photography: Ross McLennen
• Editorial: Hooligan
• Client: Lincoln

Remote

• Colorist: Billy Gabor
• Agency: 22squared
• Editorial: Beast
• VFX: Method Studios
• Client: Toyota

It Doesn’t Matter

• Colorist: Billy Gabor
• Agency: JWT
• Director: Jackson Karinja
• Client: Pennzoil

Vegas Trip

• Colorist: Tyler Roth
• Agency: Cramer-Krasselt
• Editorial: Beast
• VFX: Method Studios
• Client: Porsche

Chameleon

• Colorist: Billy Gabor
• Agency: 22squared
• Editorial: Beast
• VFX: Method Studios
• Client: Toyota

Zero

• Colorist: Siggy Ferstl
• Agency: TBWA Chiat Day
• Director: Malcolm Venville
• Director of Photography: Tobias Schliessler
• Client: Nissan

Better Launch

• Colorist: Mike Pethel
• Agency: Rubin Postaer and Associates
• Director: Ellen Kuras
• Client: Honda

Soul

• Colorist: Stefan Sonnenfeld
• Agency: Merkley & Partners
• Director: Dante Ariola
• Client: Mercedes

Biggest Want

• Colorist: Siggy Ferstl
• Agency: Spark44
• Director: The Cronenweths
• Director of Photography: Jeff Cronenweth
• Client: Jaguar

We Would Be It

• Colorist: Mike Pethel
• Agency: Doner
• Client: Jeep

Talk to My Car

• Colorist: Stefan Sonnenfeld
• Director: Wes Anderson
• Director of Photography: Bob Yeoman
• Editorial: Beast

Faster Acting

• Colorist: Bob Festa
• Agency: Innocean USA
• Director: Alexander Paul
• Client: Hyundai

Chip Away

• Colorist: Siggy Ferstl
• Agency: Global Hue
• Director: Henrik Hansen
• Client: Jeep

How to make a Car for an Unsafe World

• Colorist: Siggy Ferstl
• Agency: Wieden + Kennedy
• Director: Christopher Riggert
• Client: Dodge

Giants

• Colorist: Siggy Ferstl
• Agency: Richards Group
• Director: Jeffrey Plansker
• Director of Photography: Neil Shapiro
• Client: Dodge

Freedom

• Colorist: Mike Pethel
• Agency: Wieden + Kennedy
• Director: Steve Rogers
• Client: Dodge

See Yourself in Chrome

• Colorist: Tyler Roth
• Agency: Leo Burnett
• Director: David Darby
• Director of Photography: David Darby
• VFX: Method Studios
• Client: GMC

Falcon F7

• Colorist: Tyler Roth
• Director: Michael B. Chait
• Director of Photography: Mike Bove
• Client: Falcon Motorsports

Our Night

• Colorist: Tyler Roth
• Director: Alexander Paul
• Editorial: Beast
• VFX: Method Studios
• Client: Harley Davidson

Girls

• Colorist: Jaime O'Bradovich
• Agency: Kirshenbaum
• Director: Max Malkin
• Client: BMW

Love Cars

• Colorist: Mike Pethel
• Agency: Wieden + Kennedy
• Director: Steve Rogers
• Client: Dodge

Halftime in America

• Colorist: Siggy Ferstl
• Agency: Widen + Kennedy
• Director: David Gordon Green
• Director of Photography: Eric Treml
• Client: Chrysler

3Luv

• Colorist: Sofie Borup
• Director: Gustav Johansson
• Director of Photography: Kasper Anderson
• Client: Lexus

Unbox & Attitude by John Varvatos

• Colorist: Mike Pethel
• Agency: Wieden + Kennedy
• Director: Joaquin Baca-Asay
• Client: Chrysler

Honda

• Colorist: Sean Coleman
• Agency: RPA
• Director: Joachim Back
• Client: Honda

Fat Bob

• Colorist: Tyler Roth
• Agency: VSA Partners
• Director: Alexander Paul
• Editorial: Beast
• VFX: Method Studios
• Client: Harley Davidson

Twins

• Colorist: Bob Festa
• Agency: Hill Holiday NY
• Director: Arni Kinski
• Director of Photography: Danny Hiele
• Client: Cadillac

Cut the Cord

• Colorist: Sean Coleman
• Agency: Carmichael Lynch
• Director: Vince Squibb
• Director of Photography: Alwin Kuchler
• Client: Subaru

Psychic Client

• Colorist: Bob Festa
• Agency: Goodby Silverstein Partners
• Director: Matt O'Donnell
• Client: Adobe

Love Snow

• Colorist: Sofie Borup
• Director: Martin Werner
• Director of Photography: Lasse Frank
• Client: Audi

Slalom

• Colorist: Bob Festa
• Agency: Team One
• Director: Mike Fitzmaurice
• Client: Lexus

Everything

• Colorist: Tom Poole
• Agency: Kirshenbaum
• Director: Rad-ish
• Director of Photography: Stuart Graham

Golden Opportunity

• Colorist: Bob Festa
• Agency: Team One
• Client: Lexus

Intro

• Colorist: Mike Pethel
• Agency: The Richards Group
• Director: Ahmet Ahmet
• Director of Photography: Stefan von Borbely
• Client: Dodge

Nowness Fashion Film

• Colorist: Robert Curreri
• Agency: Merkley + Partners
• Director: Alex Prager
• Client: Mercedes Benz

Ahab

• Colorist: Sean Coleman
• Agency: Venables Bell Partners
• Director: Daniel Kleinman
• Director of Photography: Toby Irwin
• Client: Audi

No Sheep – No Sleep

• Colorist: Sofie Borup
• Agency: Try Reklamebyra
• Director: Adam Hashemi
• Director of Photography: Kasper Tuxen
• Client: Volkswagen

Hillclimb

• Colorist: Mike Pethel
• Agency: TBWA Chiat Day
• Director: Baker Smith
• Director of Photography: Baker Smith
• Client: Nissan

Landing Gear

• Colorist: Mike Pethel
• Agency: TBWA Chiat Day
• Director: Baker Smith
• Director of Photography: Baker Smith
• Client: Nissan

Turbo Face

• Colorist: Sean Coleman
• Agency: The Richards Group
• Director: Mark Romanek
• Director of Photography: Jeff Cronenweth
• Client: Hyundai

Veloster Presents

• Colorist: Bob Festa