Company 3 is proud to have our work distinguished once again at the prestigious FilmLight Awards, earning five nominations across four major categories: Theatrical Feature, TV Series/Episodic, Commercial, and Music Video.

Our nominated projects and the talented colorists behind them are:

• Theatrical Feature: Senior Colorist Gareth Spensley  is up for an award for his work on Wes Anderson’s The Phoenician Scheme.
• TV Series/Episodic: Senior Colorist Tom Poole  received a nod for Season 2 of Severance, and Senior Colorist Jean-Clément Soret  is among the selections for Season 2 of Disney’s Andor.
• Commercials: Senior Colorist Tim Masick  is nominated for Gucci’s ‘We Will Always Have London.’
• Music Video: Colorist Jake White  is featured on the shortlist for Maggie Rogers’ ‘In the Living Room.’

The FilmLight Awards, organized in partnership with EnergaCAMERIMAGE and supported by industry leaders, celebrate exceptional global talent in color grading. Winners will be determined by a panel of esteemed professionals and celebrated at the renowned EnergaCAMERIMAGE cinematography festival later this year.

Congratulations to the nominees; these nominations spotlight the remarkable talent of Company 3’s colorists across diverse genres.

You can find out more about the awards and view the complete list of nominations here.

The Phoenician Scheme

– Theatrical Feature

• Color | Gareth Spensley
• Additional Color | Gareth Thomas  
• Dailies | Doug Garside 
• Color Production | Joanna Burt, Hannah Perkins, Christopher Nundy, Alexandra Piatek 
• Director | Wes Anderson 
• DP | Bruno Delbonnel 
• Editor | Barney Pilling ACE 
• Production Design | Adam Stockhausen 

Andor | Season 2

– TV Series/Episodic

• Color | Jean-Clément Soret 
• Finishing Editor | Thomas Crews
• Color Production | Christopher Foster, Ellora Soret
• Showrunner | Tony Gilroy
• Directors | Ariel Kleiman, Janus Metz, Alonso Ruizpalacios
• DPs | Christophe Nuyens SBC, Mark Patten BSC, Damián García
• Editors | John Gilroy ACE, Craig Ferreira, Matthew Cannings, Morten Højbjerg
• Production Designer | Luke Hull
• Supporting VFX | SDFX Studios

Severance | Season 2

– TV Series/Episodic

• Color | Tom Poole
• Additional Color | Dustin Wadsworth
• Finishing Editor | Nicholas Figueroa
• Dailies | Alex Kaufman
• Color Producer | Ray Stanton
• Trailers | Joe Pestana, Lenny Fohrer, Igor Darbo, Aaron Dorn
• VFX | Powerhouse VFX
• Supporting VFX | SDFX Studios
• Directors | Ben Stiller, Sam Donovan, Uta Briesewitz, Jess Gagné
• DPs | Jessica Lee Gagné, Suzie Lavelle BSC, David Lanzenberg
• Editors | Geoff Richman ACE, Joe Landauer, Keith Fraase
• Production Design | Jeremy Hindle

Gucci ‘We Will Always Have London’

– Commercial

• Color | Tim Masick 
• Director | Nan Goldin + Benoit Delhomme
• DP | Benoit Delhomme
• Production Company | CROCKETT
• Edit | Will Town

Maggie Rogers ‘In the Living Room’

– Music Video

• Color | Jake White 
• Color Producer | Zac Gobetz
• Director | Grant Singer
• DP | Pat Scola
• Edit | Claudius Ansah