Company 3 is proud to celebrate this year’s Creative Arts Emmy Award winners, honoring the remarkable achievements of artists and craftspeople who elevate the art of television. Seven series graded at Company 3 were recognized across multiple categories, highlighting the talent and dedication behind the small screen’s most acclaimed projects.

Company 3’s Chief Revenue Officer Jackie Lee + Senior Colorist Jean-Clément Soret

One of the evening’s most notable honors went to Senior Colorist Jean-Clément Soret, who won his first Emmy for his work on Andor Season 2. Soret had previously been nominated for Season 1, and this year’s recognition is a testament to his outstanding contributions to the series’ distinctive cinematic look.

Photo by Michael Buckner/Variety via Getty Images

Pictured above are Mohen Leo, Joseph Kasparian, Luke Murphy, Sue Rowe, Neal Scanlan, Paolo D’Arco, Jean-Clément Soret, and Scott Pritchard—winners of Outstanding Special Visual Effects in a Season or a Movie for Andor at the 2025 Creative Arts Emmy Awards, held at the Peacock Theater in Los Angeles.

History was made when Severance cinematographer Jessica Lee Gagné became the first woman to be awarded the Emmy for Outstanding Cinematography for a Series (One Hour). The series, graded by Senior Colorist Tom Poole, led this year’s nominations with 27, cementing its place as one of television’s most acclaimed dramas.

In the documentary categories, 100 Foot Wave, graded by Parker Jarvie, won Outstanding Documentary or Nonfiction Series, further underscoring the breadth of Company 3’s collaborations across genres.

The Creative Arts Emmys, held over two ceremonies at the Peacock Theater, will air as an edited presentation on Saturday, Sept. 13, at 8 p.m. PT on FXX and will be available to stream on Hulu through Oct. 7.

A complete list of winners is available here.

Winners

Andor

– Outstanding Special Visual Effects in a Season or a Movie

Jean-Clément Soret, Mohen Leo, TJ Falls, Luke Murphy, Neal Scanlan, Scott Pritchard, Joseph Kasparian, Sue Rowe, Paolo D’Arco

– Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)

Luke Hull, Toby Britton, Rebecca Alleway

– Outstanding Picture Editing for a Drama Series

Yan Miles, ACE

+  1 Other Win

• Color | Jean-Clément Soret (Winner)
• Finishing Editor | Thomas Crews 
• Color Production | Christopher Foster, Ellora Soret
• Showrunner | Tony Gilroy
• Directors | Ariel Kleiman, Janus Metz, Alonso Ruizpalacios
• DPs | Christophe Nuyens SBC, Mark Patten BSC, Damián García
• Editors | Yan Miles ACE BFE, John Gilroy ACE, Craig Ferreira, Matthew Cannings, Morten Højbjerg
• Production Designer | Luke Hull

Severance

– Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)

Jeremy Hindle, Chris Shriver, Ann Bartek, David Schlesinger

– Outstanding Cinematography for a Series (One Hour)

Jessica Lee Gagné

+ 4 Other Wins

• Color | Tom Poole
• Additional Color | Dustin Wadsworth
• Finishing Editor | Nicholas Figueroa
• Dailies | Alex Kaufman
• Color Producer | Ray Stanton
• Trailers | Joe Pestana, Lenny Fohrer, Igor Darbo, Aaron Dorn
• Directors | Ben Stiller, Sam Donovan, Uta Briesewitz, Jess Gagné
• DPs | Jessica Lee Gagné, Suzie Lavelle BSC, David Lanzenberg
• Editors | Geoff Richman ACE, Joe Landauer, Keith Fraase
• Production Design | Jeremy Hindle

100 Foot Wave

– Outstanding Cinematography for a Nonfiction Program

Michael Darrigade, Vincent Kardasik, Alexandre Lesbats, Laurent Pujol, Karl Sandrock, Chris Smith

– Outstanding Documentary or Nonfiction Series

• Color | Parker Jarvie 
• Additional Color | Stratton Farrar, Billy Landry 
• Finishing Editor | Angelica Lopez 
• Finishing Production | Alexis French, Charlie Schroeter, Jamie De Cesare, Jovanny Benitez
• Director | Chris Smith
• DPs | Antoine Chicoye, Michael Darrigade, Vincent Kardasik, Alexandre Lesbats, Jonathan Nelson, Ricardo Pina, Karl Sandrock, Chris Smith
• Water Photography | Laurent Pujol
• Aerial Photography | Ricardo Santos
• Editors | Alex Bayer, Keith Fraase ACE, Alex Keipper, Julie Bernard, Connor Culhane, Ben Keller, Dylan Hansen-Fliedner, Katrina Pastore

The Boys

3 Wins

• Color | Siggy Ferstl
• Additional Color | Erik Ventura
• Finishing Editor | Heydar Adel 
• Color Production | Eric Weiher, Trent Anderson, Kristine Dueno
• Directors | Eric Kripke, Phil Sgriccia, Karen Gaviola, Fred Toye, Shana Stein, Catriona McKenzie
• DPs | Dylan MaCleod, Jonathon Cliff
• Editors | David Kaldor, Ian Kezsbom, Tom Wilson, John Fitzpatrick
• Production Design | Mark Steel 

The White Lotus

 1 Win

• Supervising Color | Tom Poole
• Color | Dustin Wadsworth
• Finishing Editor | Jason Keehne 
• Finishing Production | Sean Holland, Deb Gutierrez, S. Curtis Smith, Chadwick Williams, Younis Shabeb
• Director | Mike White
• DP | Ben Kutchins ASC
• Editor | John M. Valerio ACE, Scott Turner
• Production Design | Cristina Onori

The Last of Us

1 Win

• Color | Stephen Nakamura
• Additional Color | Clayton Hunt
• Finishing Editor | Heydar Adel 
• Dailies | Richard Cordes
• Finishing Production | Eric Weiher, Rose Alsander, Kristine Dueno, Clayton Hunt, Seamus Finnegan, Rosalynn Martinez
• Directors | Craig Mazin, Mark Mylod, Peter Hoar, Kate Herron, Stephen Williams, Neil Druckmann, Nina Lopez-Corrado
• DPs | Ksenia Sereda, Catherine Goldschmidt BSC
• Editors | Timothy Good ACE BFE, Simon Smith, Emily Mendez
• Production Design | Don Macaulay

The Righteous Gemstones

1 Win

• Color | Andrew Geary
• Finishing Editor | Pat Kelleher 
• Color Production | Zac Gobetz, Krystle Annand
• Director | Danny McBride
• DPs | Paul Daley, Michael Simmonds
• Editors | Justin Bourret ACE, Todd Zelin, Joseph Ettinger, Dean Pollack
• Production Design | Richard A. Wright