American Cinema Editors has announced the nominees for the 76th Annual ACE Eddie Awards, honoring outstanding achievement in editing across film, television, documentary, animation, and short-form storytelling. This year, 11 projects featuring work by Company 3 artists received a total of 12 nominations, reflecting a wide range of creative formats recognized by ACE.

Among the theatrical features earning recognition, F1 received a nomination for Best Edited Feature Film (Drama, Theatrical), honoring editor Stephen Mirrione, ACE, with color by Senior Colorist Stefan Sonnenfeld. Comedy features were also strongly represented, with Bugonia, edited by Yorgos Mavropsaridis, ACE, BFE, and graded by Senior Colorist Greg Fisher, earning a nomination for Best Edited Feature Film (Comedy, Theatrical), alongside Marty Supreme, edited by Ronald Bronstein and Josh Safdie, with color work by Senior Colorist Yvan Lucas. Wicked: For Good, edited by Myron Kerstein, ACE, with color by Senior Colorist Jill Bogdanowicz, also received a nomination in the category. The Gorge, edited by Frédéric Thoraval, ACE, graded by Senior Colorist Stefan Sonnenfeld, was recognized with a nomination for Best Edited Feature Film (Non-Theatrical).

In television, Andor Season 2 received a nomination for Best Edited Drama Series for the episode “Who Are You?”, edited by Yan Miles, ACE, with color by Senior Colorist Jean-Clément Soret. Severance Season 2 earned two nominations in the same category for the episodes “Chikhai Bardo,” edited by Keith Fraase, ACE, and “Cold Harbor,” edited by Geoffrey Richman, ACE, with color by Senior Colorist Tom Poole across both episodes.

Additional nominations span animation, documentary, and short-form categories. The Bad Guys 2, with 3D color work by Senior Colorist Jason Hanel, received a nomination for Best Edited Animated Feature Film. Documentary recognition includes Sean Combs: The Reckoning for the episode “Official Girl,” with color work by Senior Colorist Jaime O’Bradovich, nominated for Best Edited Documentary Series. Meanwhile, All The Empty Rooms, with color by Senior Colorist Kath Raisch, earned a nomination for Best Edited Short.

Congratulations to our clients and the creative teams behind these nominated projects, and to the Company 3 artists whose work contributed across each category. Winners for the 76th Annual ACE Eddie Awards will be announced on Friday, February 27, at UCLA’s Royce Hall in Los Angeles.

You can view the full list of ACE Eddie Awards nominees here.

Nominations

F1

Best Edited Feature Film (Drama, Theatrical)

• Color | Stefan Sonnenfeld
• Additional Color | Parker Jarvie
• Finishing Editor | Chad Schermerhorn
• Dailies | Doychin Margoevsky
• Dailies Producer | Jonathan Mann
• Color Producers | Erik Rogers, Kristin Graham, Karlie Gochnour
• Trailers | Aaron Dorn, Carl McKay, Behnood Behjoo, Levi Hawkinson, Jennifer Raymond, Adam Nazarenko, Chris Doerr, Igor Darbo, Joe Pestana, Parker Jarvie, Ben Cheskis
• VFX | Framestore
• Director | Joseph Kosinski
• DP | Claudio Miranda
• Editor | Stephen Mirrione
• Production Design | Ben Munro, Mark Tildesley

Bugonia

Best Edited Feature Film (Comedy, Theatrical)

• Color | Greg Fisher
• Finishing Editors | Thomas Lambert, Julien Mathus
• Dailies | Company 3
• Dailies Producer | Louis Zimmer
• Color Production | Christopher Nundy, Marie Ånestad
• Director | Yorgos Lanthimos
• DP | Robbie Ryan BSC ISC
• Editor | Yorgos Mavropsaridis
• Production Design | James Price

Marty Supreme

Best Edited Feature Film (Comedy, Theatrical)

• Supervising Color | Yvan Lucas
• Additional Color | Diego Orkiz
• Finishing Editor | Gina Kalim
• Editorial Services | Brandon Rosser, Gregory Caligiuri
• Dailies | Rich Flores
• Dailies Producer | Matt Riera
• Color Producer | Laura Hickerson
• Director | Josh Safdie
• DP | Darius Khondji ASC AFC
• Editors | Ronald Bronstein, Josh Safdie
• Production Design | Jack Fisk

Wicked: For Good

Best Edited Feature Film (Comedy, Theatrical)

• Supervising Color | Jill Bogdanowicz
• Additional Color | Jared Pecht
• Finishing Editor | Joe Ken
• Dailies | Lucie Barbier
• Dailies Producer | Jonathan Mann
• Color Production | Erik Rogers, Karlie Gochnour
• Trailers | Jennifer Raymond, Matt Hull
• 3D Immersive VFX | SDFX Studios
• VFX | Framestore
• Director | Jon M. Chu
• DP | Alice Brooks ASC
• Editor | Myron Kerstein ACE
• Production Design | Nathan Crowley

The Bad Guys 2

Best Edited Animated Feature Film

• 3D Color | Jason Hanel
• 3D Finishing Editor | Patrick Perron
• 3D Color Producer | Gino Carletti
• 3D Immersive VFX | SDFX Studios
• Directors | Pierre Perifel, JP Sans
• Editor | Jesse Averna ACE
• Production Design | Luc Desmarchelier

Sean Combs: The Reckoning – “Official Girl”

Best Edited Documentary Series

• Color | Jaime O’Bradovich
• Additional Color | Jenny Montgomery
• Finishing Producer | Krystle Annand
• Director | Alex Stapleton
• DP | Cameron Roberts
• Editors | Jack Gravina, Adam Goldstein, Jonathan Miller

Andor | Season 2 – “Who Are You?”

Best Edited Drama Series

• Color | Jean-Clément Soret
• Finishing Editor | Thomas Crews
• Color Production | Christopher Foster, Ellora Soret
• Supporting VFX | SDFX Studios
• Showrunner | Tony Gilroy
• Directors | Ariel Kleiman, Janus Metz, Alonso Ruizpalacios
• DPs | Christophe Nuyens SBC, Mark Patten BSC, Damián García
• Editors | Yan Miles ACE BFE, John Gilroy ACE, Craig Ferreira, Matthew Cannings, Morten Højbjerg
• Production Designer | Luke Hull

Severance | Season 2 – “Chikhai Bardo” & “Cold Harbor”

Best Edited Drama Series

• Color | Tom Poole
• Additional Color | Dustin Wadsworth
• Finishing Editor | Nicholas Figueroa
• Dailies | Alex Kaufman
• Color Producer | Ray Stanton
• Trailers | Joe Pestana, Lenny Fohrer, Igor Darbo, Aaron Dorn
• VFX | Curated
• Supporting VFX | SDFX Studios
• Directors | Ben Stiller, Sam Donovan, Uta Briesewitz, Jess Gagné
• DPs | Jessica Lee Gagné, Suzie Lavelle BSC, David Lanzenberg
• Editors | Geoff Richman ACE, Joe Landauer, Keith Fraase
• Production Design | Jeremy Hindle

The Gorge

Best Edited Feature Film (Non-Theatrical)

• Color | Stefan Sonnenfeld
• Additional Color | Parker Jarvie
• Finishing Editor | Joe Ken
• Color Producer | Philip Marvin
• VFX | Framestore
• Director | Scott Derrickson
• DP | Dan Laustsen ASC, DFF
• Editor | Frédéric Thoraval
• Production Design | Rick Heinrichs

All The Empty Rooms

Best Edited Short

• Color | Kath Raisch
• Additional Color | Jake White
• Color Producer | Krystle Annand
• Director | Joshua Seftel
• DP | Matt Porwoll
• Editors | Erin Casper, Stephen Maing, Jeremy Medoff

It’s Never Over, Jeff Buckley

Best Edited Documentary Feature

• Color | Drew Geary
• Finishing Editor | Gina Kalim
• Color Production | Zac Gobetz, Mike Maida
• Director | Amy Berg
• Editors | Brian A. Kates, Stacy Goldate