Company 3 is thrilled to celebrate an Academy Award nomination for the Frankenstein sound team in the Best Sound category. The nomination recognizes Senior Re-Recording Mixer Christian Cooke, alongside Re-Recording Mixer Brad Zoern, Greg Chapman, Nathan Robitaille, and Nelson Ferreira, marking a major achievement for the team and a standout moment for Company 3.

Oscar nominations for the 98th Academy Awards were announced earlier today by the Academy of Motion Picture Arts and Sciences, honoring films released in 2025. Revealed live by actors Danielle Brooks and Lewis Pullman, the announcement kicked off one of the most anticipated moments of the awards season.

In addition to its Best Sound nomination, Frankenstein earned multiple Oscar nods, including Best Picture, Cinematography, and Production Design. Company 3 supported the film across sound, color, finishing, and dailies, with color by Senior Colorist Stefan Sonnenfeld, as part of an expansive creative collaboration led by director Guillermo del Toro.

In total, seven projects supported by Company 3 artists received Academy Award nominations this year, including Marty Supreme, graded by Senior Colorist Yvan Lucas, which earned nine nominations, including Best Picture. F1 received four nominations, including Best Picture, Film Editing, and Visual Effects, with grading by Senior Colorist Stefan Sonnenfeld. Bugonia earned multiple nominations, including Best Picture, with color finishing led by Senior Colorist Greg Fisher. The documentary short All The Empty Rooms, graded by Senior Colorist Kath Raisch, was also nominated for Best Documentary Short.

The Academy Awards will take place on Sunday, March 15, 2026, at the Dolby Theatre at Ovation Hollywood, with Conan O’Brien returning as host. Congratulations to Christian Cooke, Brad Zoern, Greg Chapman, Nathan Robitaille, and Nelson Ferreira, and to all of the filmmakers, artists, and creative teams whose work is being honored this awards season. To view the full list of Oscar nominations, click here.
 

Feature Nominations

Frankenstein  

Best Picture

Best Cinematography

Best Production Design

Best Sound | Christian Cooke, Brad Zoern, Nathan Robitaille, Nelson Ferreira, Greg Chapman

+ 5 Other Nominations

• Color | Stefan Sonnenfeld
• Re-Recording Mixers | Christian Cooke, Brad Zoern
• Additional Color | Dave Muscat
• Finishing Editor | Darren Hinchy
• Dailies | Company 3
• Dailies Production | Gino Carletti, Ella Nicoli-Horne
• Color and Sound Producer | Sarah Riley
• Director | Guillermo del Toro
• DP | Dan Laustsen, ASC DFF
• Editor | Evan Schiff, ACE
• Production Design | Tamara Deverell

Marty Supreme

Best Picture

Best Director

Best Cinematography

Best Production Design

Best Editing

+ 4 Other Nominations

• Supervising Color | Yvan Lucas
• Additional Color | Diego Orkiz
• Finishing Editor | Gina Kalim
• Editorial Services | Brandon Rosser, Gregory Caligiuri
• Dailies | Rich Flores
• Dailies Producer | Matt Riera
• Color Producer | Laura Hickerson
• Director | Josh Safdie
• DP | Darius Khondji ASC AFC
• Editors | Ronald Bronstein, Josh Safdie
• Production Design | Jack Fisk

F1

Best Picture

Best Film Editing

Best Visual Effects

+ 1 Other Nomination

• Color | Stefan Sonnenfeld
• Additional Color | Parker Jarvie
• Finishing Editor | Chad Schermerhorn
• Dailies | Doychin Margoevsky
• Dailies Producer | Jonathan Mann
• Color Producers | Erik Rogers, Kristin Graham, Karlie Gochnour
• Trailers | Aaron Dorn, Carl McKay, Behnood Behjoo, Levi Hawkinson, Jennifer Raymond, Adam Nazarenko, Chris Doerr, Igor Darbo, Joe Pestana, Parker Jarvie, Ben Cheskis
• VFX | Framestore
• Director | Joseph Kosinski
• DP | Claudio Miranda
• Editor | Stephen Mirrione
• Production Design | Ben Munro, Mark Tildesley

Bugonia

Best Picture

+ 3 Other Nominations

• Color | Greg Fisher
• Finishing Editors | Thomas Lambert, Julien Mathus
• Dailies | Company 3
• Dailies Producer | Louis Zimmer
• Color Production | Christopher Nundy, Marie Ånestad
• Director | Yorgos Lanthimos
• DP | Robbie Ryan BSC ISC
• Editor | Yorgos Mavropsaridis
• Production Design | James Price

The Lost Bus

Visual Effects

• Supervising Color | Stephen Nakamura
• Color | James Slattery
• Additional Color | Nick Nassif
• Finishing Editors | Thomas Lambert, Jeremy Crichton, Julien Mathus
• Dailies | Jack Tashdjian
• Dailies Producer | Alexis Ross
• Color Production | Hannah Perkins, Leigh Myers, Miles Gibbons
• Supporting VFX | SDFX Studios
• Director | Paul Greengrass
• DP | Pål Ulvik Rokseth
• Editor | William Goldenberg ACE
• Production Design | David Crank

Song Sung Blue

1 Nomination

• Color | Tom Poole
• Additional Color | Dustin Wadsworth
• Finishing Editor | Patrick Kelleher
• Editorial Services | Brandon Rosser, Greg Caligiuri
• Dailies | Patrick Devine
• Dailies Producer | Daniel Fishman
• Color Producer | Kate Albers
• Director | Craig Brewer
• DP | Amy Vincent ASC
• Editor | Billy Fox ACE
• Production Design | Clay A. Griffith

All The Empty Rooms

Documentary Short Film

• Color | Kath Raisch
• Additional Color | Jake White
• Color Producer | Krystle Annand
• Director | Joshua Seftel
• DP | Matt Porwoll
• Editors | Erin Casper, Stephen Maing, Jeremy Medoff