Christian Cooke Leads Frankenstein Sound Team to EE BAFTA Nomination

January 27, 2026 Jan. 27, 2026

Company 3 continues its standout awards-season run as the EE BAFTA Film Awards recognize Guillermo del Toro’s Frankenstein, marking the fifth major awards nomination this year for the film’s sound team, led by Company 3 Senior Re-Recording Mixer Christian T. Cooke, following recognition from the Critics Choice Awards, AMPS, CAS, and the Academy Awards.

The Netflix feature earned eight EE BAFTA nominations overall, including a Supporting Actor nod for Jacob Elordi. The Sound nomination honors Christian, Re-Recording Mixer Brad Zoern, Greg Chapman, Nathan Robitallie, and Nelson Ferreira, who worked together to craft the film’s immersive audio experience. Graded by Senior Colorist Stefan Sonnenfeld, Frankenstein continues to showcase the combined creativity and technical excellence behind the film.

In addition to Frankenstein, eight other Company 3–supported projects received nominations this year. Marty Supreme, graded by Senior Colorist Yvan Lucas, earned 11 nominations, including Lead Actor for Timothée Chalamet. 28 Years Later, graded by Senior Colorist Jean-Clément Soret, received a nod for Outstanding British Film. Bugonia, graded by Senior Colorist Greg Fisher, earned five nominations, including Director and Lead Actor and Actress recognition.

Other recognized projects include F1, graded by Senior Colorist Stefan Sonnenfeld, nominated for Cinematography, Editing, and Special Visual Effects; A House of Dynamite, graded by Senior Colorist Stephen Nakamura, nominated for Editing; and The Lost Bus, graded by Stephen Nakamura with additional color by Colorist James Slattery, nominated for Special Visual Effects.

The EE BAFTA Film Awards take place on February 22 at London’s Royal Festival Hall, hosted by Alan Cumming. Congratulations to all the nominees and artists whose work continues to shape the awards conversation. You can view the complete list of BAFTA nominees here.

 

Nominations

 

Frankenstein

Sound

Cinematography

Production Design

Special Visual Effects

+ 4 Other Nominations

  • Color | Stefan Sonnenfeld
  • Re-Recording Mixers | Christian Cooke, Brad Zoern
  • Additional Color | Dave Muscat
  • Finishing Editor | Darren Hinchy
  • Dailies | Company 3
  • Dailies Production | Gino Carletti, Ella Nicoli-Horne
  • Color and Sound Producer | Sarah Riley
  • Director | Guillermo del Toro
  • DP | Dan Laustsen, ASC DFF
  • Editor | Evan Schiff, ACE
  • Production Design | Tamara Deverell, Shane Vieau

 

Marty Supreme

Best Film

Director

Cinematography

Editing

Production Design

+ 6 Other Nominations

  • Supervising Color | Yvan Lucas
  • Additional Color | Diego Orkiz
  • Finishing Editor | Gina Kalim
  • Editorial Services | Brandon Rosser, Gregory Caligiuri
  • Dailies | Rich Flores
  • Dailies Producer | Matt Riera
  • Color Producer | Laura Hickerson
  • Director | Josh Safdie
  • DP | Darius Khondji ASC AFC
  • Editors | Ronald Bronstein, Josh Safdie
  • Production Design | Jack Fisk

 

Bugonia

Director

+ 4 Other Nominations

  • Color | Greg Fisher
  • Finishing Editors | Thomas Lambert, Julien Mathus
  • Dailies | Company 3
  • Dailies Producer | Louis Zimmer
  • Color Production | Christopher Nundy, Marie Ånestad
  • Director | Yorgos Lanthimos
  • DP | Robbie Ryan BSC ISC
  • Editor | Yorgos Mavropsaridis
  • Production Design | James Price

 

F1

Special Visual Effects

Editing

+ 1 Other Nomination

 

Wicked: For Good

2 Nominations

  • Supervising Color | Jill Bogdanowicz
  • Additional Color | Jared Pecht
  • Finishing Editor | Joe Ken
  • Dailies | Lucie Barbier
  • Dailies Producer | Jonathan Mann
  • Color Producer | Erik Rogers, Karlie Gochnour
  • Trailers | Jennifer Raymond, Matt Hull
  • 3D Immersive VFX | SDFX Studios
  • VFX | Framestore
  • Director | Jon M. Chu
  • DP | Alice Brooks ASC
  • Editor | Myron Kerstein ACE
  • Production Design | Nathan Crowley

 

28 Years Later

Outstanding British Film

  • Color | Jean-Clément Soret
  • Finishing Editors | Thomas Lambert, Jeremy Crichton
  • Dailies | Doug Garside
  • Dailies Producer | Louis Zimmer
  • Executive Color Producer | Ellora Soret
  • Color Production | Leigh Myers, Ann Dawson, Marie Ånestad
  • Director | Danny Boyle
  • DP | Anthony Dod Mantle
  • Editor | Jon Harris
  • Production Design | Mark Tildesley

 

A House of Dynamite

Editing

  • Supervising Color | Stephen Nakamura
  • Additional Color | Patrick Devine
  • Finishing Editor | Pat Kelleher
  • Editorial Services | Brandon Rosser, Gregory Caligiuri
  • Dailies | Alex Kaufman
  • Dailies Producer | Marissa Chen
  • Color Producer | Laura Hickerson
  • Director | Kathryn Bigelow
  • DP | Barry Ackroyd BSC
  • Editor | Kirk Baxter ACE
  • Production Design | Jeremy Hindle

 

The Lost Bus

Special Visual Effects

  • Supervising Color | Stephen Nakamura
  • Color | James Slattery
  • Additional Color | Nick Nassif
  • Finishing Editors | Thomas Lambert, Jeremy Crichton, Julien Mathus
  • Dailies | Jack Tashdjian
  • Dailies Producer | Alexis Ross
  • Color Production | Hannah Perkins, Leigh Myers, Miles Gibbons
  • Supporting VFX | SDFX Studios
  • Director | Paul Greengrass
  • DP | Pål Ulvik Rokseth
  • Editor | William Goldenberg ACE
  • Production Design | David Crank

 

Song Sung Blue

1 Nomination

  • Supervising Color | Tom Poole
  • Additional Color | Dustin Wadsworth
  • Finishing Editor | Patrick Kelleher
  • Editorial Services | Brandon Rosser, Greg Caligiuri
  • Dailies | Patrick Devine
  • Dailies Producer | Daniel Fishman
  • Color Producer | Kate Albers
  • Director | Craig Brewer
  • DP | Amy Vincent ASC
  • Editor | Billy Fox ACE
  • Production Design | Clay A. Griffith