Congratulations are in order for the cinematographers and creative teams whose work has been recognized among the nominations for the 40th Annual Outstanding Achievement in Cinematography Awards, presented by the American Society of Cinematographers. The ASC Awards celebrate excellence in cinematography, with this year’s ceremony taking place on March 8, 2026, at The Beverly Hilton. This year’s nominations span feature films, television, and music videos, with Company 3 contributing finishing and color services on nine of the honored titles.

In the Theatrical Feature Film category, Darius Khondji, ASC, AFC, is nominated for Marty Supreme, featuring color by Senior Colorist Yvan Lucas, while Dan Laustsen, ASC, DFF, is recognized for Frankenstein, with color by Senior Colorist Stefan Sonnenfeld. Episodic recognition also includes Matthew J. Lloyd’s cinematography on Government Cheese episode “Trial and Error,” also graded by Senior Colorist Stefan Sonnenfeld.

Additional nominations in the One-Hour Series category include Severance, Alien: Earth, The White Lotus, and Andor, with color work by Senior Colorists Tom Poole, Matt Osborne, and Jean-Clément Soret. Company 3’s work is also represented in the ASC Music Video Award category through Jeff Cronenweth, ASC’s cinematography on “Supernatural,” graded by Senior Colorist Stefan Sonnenfeld.

In addition to this year’s nominated projects, the ASC will honor cinematographer Robert Yeoman, ASC, with the Lifetime Achievement Award. Yeoman is widely celebrated for his long-standing collaboration with director Wes Anderson and for a body of work defined by meticulous composition, expressive color, and a distinctive visual language. Company 3 has collaborated with Yeoman on multiple projects, including The Grand Budapest Hotel, colored by Senior Colorist Jill Bogdanowicz, and Asteroid City, graded by Senior Colorist Gareth Spensley.

Congratulations to this year’s nominees and honorees, and to the creative teams whose work continues to elevate the craft of cinematography.

To learn more about the ASC Awards and view the complete list of nominees, click here.

Nominations

Marty Supreme

Theatrical Feature Film

• Supervising Color | Yvan Lucas
• Additional Color | Diego Orkiz
• Finishing Editor | Gina Kalim
• Editorial Services | Brandon Rosser, Gregory Caligiuri
• Dailies | Rich Flores
• Dailies Producer | Matt Riera
• Color Producer | Laura Hickerson
• Director | Josh Safdie
• DP | Darius Khondji ASC AFC
• Editors | Ronald Bronstein, Josh Safdie
• Production Design | Jack Fisk

Frankenstein

Theatrical Feature Film

• Color | Stefan Sonnenfeld
• Re-Recording Mixers | Christian Cooke, Brad Zoern
• Additional Color | Dave Muscat
• Finishing Editor | Darren Hinchy
• Dailies | Company 3
• Dailies Production | Gino Carletti, Ella Nicoli-Horne
• Color and Sound Producer | Sarah Riley
• Director | Guillermo del Toro
• DP | Dan Laustsen, ASC DFF
• Editor | Evan Schiff, ACE
• Production Design | Tamara Deverell

Government Cheese | Season 1 “Trial and Error”

Episode of a Half-Hour Series

• Color | Stefan Sonnenfeld
• Additional Color | Sean Coleman
• Finishing Editor | Matt Purse
• Dailies | Company 3
• Finishing Production | Ivana Martinez, Ryan Tiburcio, Brittney DuFriend, Moskh Chitkara
• Director | Paul Hunter
• DP | Matthew J. Lloyd ASC CSC
• Editor | Joel T. Pashby
• Production Design | Warren Alan Young

Severance | Season 2 “Hello Ms. Cobel”

Episode of a One-Hour Regular Series

• Color | Tom Poole
• Additional Color | Dustin Wadsworth
• Finishing Editor | Nicholas Figueroa
• Dailies | Alex Kaufman
• Finishing Producer | Ray Stanton
• Trailers | Joe Pestana, Lenny Fohrer, Igor Darbo, Aaron Dorn
• VFX | Curated
• Supporting VFX | SDFX Studios
• Directors | Ben Stiller, Sam Donovan, Uta Briesewitz, Jess Gagné
• DPs | Jessica Lee Gagné, Suzie Lavelle BSC, David Lanzenberg
• Editors | Geoff Richman ACE, Joe Landauer, Keith Fraase
• Production Design | Jeremy Hindle

Alien: Earth | Season 1 “Neverland”

Episode of a One-Hour Regular Series

• Supervising Color | Tom Poole
• Color | Matt Osborne
• Finishing Editors | Devin Horch, Rosalynn Martinez
• Dailies | Jack Tashdjian
• Finishing Production | Maya Williams, Cory Willey, Andrew Bode, Aris Chang, Monika Pul, Charlie Schroeter
• Directors | Noah Hawley, Dana Gonzales, Ugla Hauksdóttir
• DPs | Dana Gonzales ASC, David Franco, Bella Gonzales, Colin Watkinson ASC BSC
• Editors | Regis Kimble, Robin August, Curtis Thurber
• Production Design | Andy Nicholson, Jason Knox-Johnston

The White Lotus | Season 3 “Killer Instincts”

Episode of a One-Hour Regular Series

• Supervising Color | Tom Poole
• Color | Dustin Wadsworth
• Finishing Editor | Jason Keehne
• Finishing Production | Sean Holland, Deb Gutierrez, S. Curtis Smith, Chadwick Williams, Younis Shabeb
• Director | Mike White
• DP | Ben Kutchins ASC
• Editor | John M. Valerio ACE, Scott Turner
• Production Design | Cristina Onori

Andor | Season 2 “I Have Friends Everywhere”

Episode of a One-Hour Regular Series

• Color | Jean-Clément Soret
• Finishing Editor | Thomas Crews
• Finishing Production | Ellora Soret, Christopher Foster
• Supporting VFX | SDFX Studios
• Showrunner | Tony Gilroy
• Directors | Ariel Kleiman, Janus Metz, Alonso Ruizpalacios
• DPs | Christophe Nuyens SBC, Mark Patten BSC, Damián García
• Editors | Yan Miles ACE BFE, John Gilroy ACE, Craig Ferreira, Matthew Cannings, Morten Højbjerg
• Production Designer | Luke Hull

The Righteous Gemstones | Season 4 “Prelude”

Episode of a Half-Hour Series

• Color | Andrew Geary
• Finishing Editor | Pat Kelleher
• Finishing Production | Zac Gobetz, Krystle Annand
• Director | Danny McBride
• DPs | Paul Daley, Michael Simmonds
• Editors | Justin Bourret ACE, Todd Zelin, Joseph Ettinger, Dean Pollack
• Production Design | Richard A. Wright

“Supernatural” (Performed by Ariana Grande)

ASC Music Video Award

• Color | Stefan Sonnenfeld
• Color Producer | Wesley Lewis
• DP | Jeff Cronenweth
• Directors | Christian Breslauer, Ariana Grande
• Editor | Luis Caraza
• Production Company | London Alley