The British Society of Cinematographers has announced the nominees for its landmark 70th annual awards, recognizing outstanding cinematography across film and television. This year’s selections include four projects supported by Company 3 artists, reflecting continued collaboration with cinematographers whose work is being honored across multiple categories.

Two Company 3–finished films continue to earn attention this awards season with nominations in the Feature Film category. Frankenstein, shot by Dan Laustsen ASC, DFF, was nominated for cinematography, with Company 3 Senior Colorist Stefan Sonnenfeld shaping the film’s look and Senior Re-Recording Mixer Christian Cooke and Re-Recording Mixer Brad Zoern handling sound. Marty Supreme, photographed by Darius Khondji ASC AFC, also earned a cinematography nomination, with grading by Company 3 Senior Colorist Yvan Lucas.

In television, Severance was recognized in the International and Streaming category for Suzie Lavelle BSC ISC’s cinematography on the episode “Goodbye, Mrs. Selvig,” graded by Company 3 Senior Colorist Tom Poole. Reunion earned a nomination in the UK Television Drama category for Ollie Downey BSC’s cinematography on “Episode One,” with grading by Company 3 Senior Colorists Gareth Spensley and Gareth Thomas, and sound mixing by Re-Recording Mixer Jamie Selway.

The 70th British Society of Cinematographers Awards will take place on February 7 at London’s Grosvenor House Hotel. Congratulations to the nominated cinematographers and the creative teams whose work continues to shape film and television at the highest level.

Discover BSC’s complete list of nominees and recognized projects here.

Nominees

Frankenstein

Cinematography in a Feature Film

• Color | Stefan Sonnenfeld
• Re-Recording Mixers | Christian Cooke, Brad Zoern
• Additional Color | Dave Muscat
• Finishing Editor | Darren Hinchy
• Dailies | Company 3
• Dailies Production | Gino Carletti, Ella Nicoli-Horne
• Color and Sound Producer | Sarah Riley
• Director | Guillermo del Toro
• DP | Dan Laustsen, ASC DFF
• Editor | Evan Schiff, ACE
• Production Design | Tamara Deverell, Shane Vieau

Marty Supreme

Cinematography in a Feature Film

• Supervising Color | Yvan Lucas
• Additional Color | Diego Orkiz
• Finishing Editor | Gina Kalim
• Editorial Services | Brandon Rosser, Gregory Caligiuri
• Dailies | Rich Flores
• Dailies Producer | Matt Riera
• Color Producer | Laura Hickerson
• Director | Josh Safdie
• DP | Darius Khondji ASC AFC
• Editors | Ronald Bronstein, Josh Safdie
• Production Design | Jack Fisk

Reunion “Episode One”

Cinematography in a Television Drama (UK Terrestrial)

• Color | Gareth Spensley, Gareth Thomas
• Re-Recording Mixer | Jamie Selway
• Finishing Editor | Clyde Kellett
• Color and Sound Production | Pei Sze Wong, Joanna Burt, Alexandra Piatek, Ana Quiroga
• Director | Luke Snellin
• DP | Ollie Downey BSC
• Editors | Johnny Rayner, Emily Morrison
• Production Design | Antonia Lowe

Severance | Season 2 “Goodbye, Mrs. Selvig“

Cinematography in a Television Drama (International/Streaming)

• Color | Tom Poole
• Additional Color | Dustin Wadsworth
• Finishing Editor | Nicholas Figueroa
• Dailies | Alex Kaufman
• Color Producer | Ray Stanton
• Trailers | Joe Pestana, Lenny Fohrer, Igor Darbo, Aaron Dorn
• VFX | Curated
• Supporting VFX | SDFX Studios
• Directors | Ben Stiller, Sam Donovan, Uta Briesewitz, Jess Gagné
• DPs | Jessica Lee Gagné, Suzie Lavelle BSC, David Lanzenberg
• Editors | Geoff Richman ACE, Joe Landauer, Keith Fraase
• Production Design | Jeremy Hindle