The British Academy of Film and Television Arts (BAFTA) has announced the nominations for the 2026 TV Craft and Television Awards, recognizing outstanding creative and technical achievements across television. This year, Company 3 provided post-production support for 10 nominated projects spanning a broad range of categories.

Highlighting Company 3’s talent, Senior Colorist Jean-Clément Soret received a BAFTA TV Craft Award nomination in the Special, Visual, and Graphic Effects category for his work on Lucasfilm’s Andor Season 2, alongside Luke Murphy, Mohen Leo, and Neal Scanlan. The series also earned five additional TV Craft nominations, including Director: Fiction, Editing: Fiction, and Production Design, underscoring its exceptional production quality.

Other Company 3-supported projects earning recognition include Severance Season 2, graded by Senior Colorist Tom Poole, which received nominations in International, Director: Fiction, and Photography & Lighting: Fiction categories. The White Lotus Season 3, also graded by Tom Poole, earned a nomination in International, while The Last of Us Season 2, graded by Senior Colorist Stephen Nakamura, received nods for Photography & Lighting: Fiction and Editing: Fiction.

Additional recognized titles include Lockerbie: A Search for Truth, Get Millie Black, Reunion, MobLand, Smoke, and Pangolin: Kulu’s Journey, with nominations spanning performance, Costume Design, Original Music, Scripted Casting, and Sound: Fiction.

The BAFTA Television Craft Awards with Samsung OLED take place Sunday, April 26 at The Brewery, hosted by Maisie Adam. The BAFTA Television Awards with P&O Cruises follow on Sunday, May 10 at the Southbank Centre’s Royal Festival Hall, hosted by Greg Davies and broadcast on BBC One and iPlayer.

Congratulations to Jean-Clément Soret and all the Company 3-supported teams on this outstanding recognition.

Explore the full list of nominees and learn more about the BAFTA TV Craft Awards and BAFTA Television Awards on BAFTA’s official website.

 

Nominees

 

Andor | Season 2

Special, Visual & Graphic Effects

Director: Fiction

Editing: Fiction

Production Design

+ 2 Other Nominations

• Color | Jean-Clément Soret
• Finishing Editor | Thomas Crews
• Finishing Production | Ellora Soret, Christopher Foster
• Supporting VFX | SDFX Studios
• Showrunner | Tony Gilroy
• Directors | Ariel Kleiman, Janus Metz, Alonso Ruizpalacios
• DPs | Christophe Nuyens SBC, Mark Patten BSC, Damián García
• Editors | Yan Miles ACE BFE, John Gilroy ACE, Craig Ferreira, Matthew Cannings, Morten Højbjerg
• Production Designer | Luke Hull

 

Severance | Season 2

International

Director: Fiction

Photography & Lighting: Fiction

• Color | Tom Poole
• Additional Color | Dustin Wadsworth
• Finishing Editor | Nicholas Figueroa
• Dailies | Alex Kaufman
• Finishing Producer | Ray Stanton
• Trailers | Joe Pestana, Lenny Fohrer, Igor Darbo, Aaron Dorn
• VFX | Curated
• Supporting VFX | SDFX Studios
• Directors | Ben Stiller, Sam Donovan, Uta Briesewitz, Jess Gagné
• DPs | Jessica Lee Gagné, Suzie Lavelle BSC, David Lanzenberg
• Editors | Geoff Richman ACE, Joe Landauer, Keith Fraase
• Production Design | Jeremy Hindle

 

Lockerbie: A Search for Truth

4 Nominations

• Color | Paul Staples
• Finishing Editors | Andrew Cave, Barney Jordan
• Finishing Production | Pei Sze Wong, Alice Greenland
• Directors | Otto Bathurst, Jim Loach
• DP | Ashley Rowe BSC
• Editors | Dan Roberts, Melanie Viner-Cuneo
• Production Design | Tom Sayer

 

The Last of Us | Season 2

Editing: Fiction

Photography & Lighting: Fiction

• Color | Stephen Nakamura
• Additional Color | Clayton Hunt
• Finishing Editor | Heydar Adel
• Dailies | Richard Cordes
• Finishing Production | Eric Weiher, Rose Alsander, Kristine Dueno, Clayton Hunt, Seamus Finnegan, Rosalynn Martinez
• Directors | Craig Mazin, Mark Mylod, Peter Hoar, Kate Herron, Stephen Williams, Neil Druckmann, Nina Lopez-Corrado
• DPs | Ksenia Sereda, Catherine Goldschmidt BSC
• Editors | Timothy Good ACE BFE, Simon Smith, Emily Mendez
• Production Design | Don Macaulay

 

The White Lotus | Season 3

International

+ 1 Other Nomination

• Supervising Color | Tom Poole
• Color | Dustin Wadsworth
• Finishing Editor | Jason Keehne
• Finishing Production | Sean Holland, Deb Gutierrez, S. Curtis Smith, Chadwick Williams, Younis Shabeb
• Director | Mike White
• DP | Ben Kutchins ASC
• Editor | John M. Valerio ACE, Scott Turner
• Production Design | Cristina Onori

 

Get Millie Black

2 Nominations

• Color | Chris Rodgers, Tom Poole
• Additional Color | Chris Rodgers, Dustin Wadsworth
• Finishing Editors | Rob Cooper, Leon-Ray Ryder-Potter
• Finishing Production | Hannah Perkins, Miles Gibbons
• Directors | Tanya Hamilton, Annetta Laufer, Jean Luc Herbulot
• DPs | Shabier Kirchner, Eduardo Enrique Mayen, Kaname Onoyama, Tony Miller
• Editors | Cecily Rhett, Tania Reddin, Tad Dennis, Mark Hermida
• Production Design | Antonia Lowe

 

Reunion

2 Nominations

• Color | Gareth Spensley, Gareth Thomas
• Re-Recording Mixer | Jamie Selway
• Finishing Editor | Clyde Kellett
• Finishing and Sound Production | Pei Sze Wong, Joanna Burt, Alexandra Piatek, Ana Quiroga
• Director | Luke Snellin
• DP | Ollie Downey BSC
• Editors | Johnny Rayner, Emily Morrison
• Production Design | Antonia Lowe

 

Smoke

1 Nomination

• Supervising Color | Siggy Ferstl
• Additional Color | Miles Kula
• Finishing Editor | Angelica Lopez
• Dailies | Mykel Thuncher
• Finishing Production | Alexis French, Charlie Schroeter, Antonin Deusy, Jamie De Cesare, Jovanny Benitez, Sandra Lena
• Directors | Kari Skogland, Joe Chappelle, Jim McKay
• DPs | Sam McCurdy ASC BSC, Francois Dagenais CSC, Todd McMullen
• Editors | Plummy Tucker ACE, Rob Bonz, John Petaja, Chris Dold, Christopher C. Watkins III, Michael Costello
• Production Design | Jeremy Stanbridge

 

Pangolin: Kulu’s Journey

Original Music: Factual

• Color | Greg Fisher
• Color Production | Leigh Myers, Marie Ånestad
• Director | Pippa Ehrlich
• DPs | Gareth Thomas, Steven Dover, Warren Smart
• Editor | Dan Schwalm

 

MobLand | Season 1

1 Nomination

• Color | Gareth Spensley
• Additional Color | Chris Francis, Gareth Thomas
• Finishing Editors | Barney Jordan, Thomas Crews
• Finishing Production | Joanna Burt, Alexandra Piatek, Carolynne Philpott
• Directors | Guy Ritchie, Anthony Byrne, Daniel Syrkin, Lawrence Gough
• DPs | Stephan Pehrsson, Si Bell BSC, David Katznelson DFF BSC, Baz Irvine BSC ISC
• Editors | Alex Berner, Jo Smyth, Kate Baird, Stuart Gazzard, Adam Green, James Barham, Carly Brown, Emma McCleave
• Production Design | Andrew Purcell