The nominations for the 77th Emmy® Awards are in, and we’re thrilled to share that Company 3’s own Jean-Clément Soret has been recognized for his work on Andor Season 2 with a nomination for Outstanding Special Visual Effects in a Season or a Movie. Based at Company 3 London, this marks Jean-Clément’s second Emmy nomination, following his first for Andor Season 1, a continued testament to the creative and technical excellence that he brings to the series. The announcements were made on Tuesday from the Wolf Theatre at the Saban Media Center, following the largest voting turnout in Emmy history.

And that’s only the beginning. Twenty-one projects supported by Company 3’s post-production teams earned nominations across multiple categories this year. Severance Season 2, beautifully graded by Senior Colorist Tom Poole, led the Drama field with a standout 27 nominations, more than any other series in its category.

We’re also excited to have collaborated on five of the eight nominees for Best Drama Series, with color by Senior Colorist Tom Poole on both Severance Season 2 and The White Lotus Season 3 ; The Last of Us Season 2 by Senior Colorist Stephen Nakamura; Andor Season 2 by Emmy-nominated Senior Colorist Jean-Clément Soret; and The Diplomat Season 2 , completed by Senior Colorist Gareth Spensley and Colorist Christopher Francis. Working alongside such talented creative teams to help shape the final look of these series has been a true highlight.

A huge congratulations to Jean-Clément and all the nominees! We’re incredibly proud of our artists and collaborators whose work continues to push the bar for excellence in television.

For a complete list of this year’s Emmy nominees, click here.

Nominations

 

Severance | Season 2

– Outstanding Drama Series

– Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)

– Outstanding Picture Editing for a Drama Series X3

– Outstanding Cinematography for a Series (One Hour)

– Outstanding Directing for a Drama Series X2

+ 19 Other Nominations

• Color | Tom Poole
• Additional Color | Dustin Wadsworth
• Finishing Editor | Nicholas Figueroa
• Dailies | Alex Kaufman
• Color Producer | Ray Stanton
• Trailers | Joe Pestana, Lenny Fohrer, Igor Darbo, Aaron Dorn
• VFX | Powerhouse VFX
• Supporting VFX | SDFX Studios
• Directors | Ben Stiller, Sam Donovan, Uta Briesewitz, Jess Gagné
• DPs | Jessica Lee Gagné, Suzie Lavelle BSC, David Lanzenberg
• Editors | Geoff Richman ACE, Joe Landauer, Keith Fraase
• Production Design | Jeremy Hindle

 

The White Lotus | Season 3

– Outstanding Drama Series

– Outstanding Cinematography for a Series (One Hour)

– Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)

– Outstanding Picture Editing for a Drama Series

– Outstanding Directing for a Drama Series

+ 18 Other Nominations

• Supervising Color | Tom Poole
• Color | Dustin Wadsworth
• Finishing Editor | Jason Keehne 
• Finishing Production | Sean Holland, Deb Gutierrez, S. Curtis Smith, Chadwick Williams, Younis Shabeb
• Director | Mike White
• DP | Ben Kutchins ASC
• Editor | John M. Valerio ACE, Scott Turner
• Production Design | Cristina Onori

 

The Last of Us | Season 2

– Outstanding Drama Series

– Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)

– Outstanding Picture Editing for a Drama Series

+ 13 Other Nominations

• Color | Stephen Nakamura
• Additional Color | Clayton Hunt
• Finishing Editor | Heydar Adel 
• Dailies | Richard Cordes
• Finishing Production | Eric Weiher, Rose Alsander, Kristine Dueno, Clayton Hunt, Seamus Finnegan, Rosalynn Martinez
• Directors | Craig Mazin, Mark Mylod, Peter Hoar, Kate Herron, Stephen Williams, Neil Druckmann, Nina Lopez-Corrado
• DPs | Ksenia Sereda, Catherine Goldschmidt BSC
• Editors | Timothy Good ACE BFE, Simon Smith, Emily Mendez
• Production Design | Don Macaulay

 

Andor | Season 2

– Outstanding Special Visual Effects in a Season or a Movie

– Outstanding Drama Series

– Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)

– Outstanding Cinematography for a Series (One Hour)

– Outstanding Directing for a Drama Series

– Outstanding Picture Editing for a Drama Series

+ 8 Other Nominations

• Color | Jean-Clément Soret (Nominee)
• Finishing Editor | Thomas Crews 
• Color Production | Christopher Foster, Ellora Soret
• Showrunner | Tony Gilroy
• Directors | Ariel Kleiman, Janus Metz, Alonso Ruizpalacios
• DPs | Christophe Nuyens SBC, Mark Patten BSC, Damián García
• Editors | John Gilroy ACE, Craig Ferreira, Matthew Cannings, Morten Højbjerg
• Production Designer | Luke Hull
• Supporting VFX | SDFX Studios

 

The Righteous Gemstones | Season 4

– Outstanding Cinematography for a Series (Half-Hour)

+ 5 Other Nominations

• Color | Andrew Geary
• Finishing Editor | Pat Kelleher 
• Color Production | Zac Gobetz, Krystle Annand
• Director | Danny McBride
• DPs | Paul Daley, Michael Simmonds
• Editors | Justin Bourret ACE, Todd Zelin, Joseph Ettinger, Dean Pollack
• Production Design | Richard A. Wright

 

100 Foot Wave | Season 3

– Outstanding Cinematography for a Nonfiction Program

– Outstanding Documentary or Nonfiction Series

+ 2 Other Nominations

• Color | Parker Jarvie 
• Additional Color | Stratton Farrar, Billy Landry 
• Finishing Editor | Angelica Lopez 
• Finishing Production | Alexis French, Charlie Schroeter, Jamie De Cesare, Jovanny Benitez
• Director | Chris Smith
• DPs | Antoine Chicoye, Michael Darrigade, Vincent Kardasik, Alexandre Lesbats, Jonathan Nelson, Ricardo Pina, Karl Sandrock, Chris Smith
• Water Photography | Laurent Pujol
• Aerial Photography | Ricardo Santos
• Editors | Alex Bayer, Keith Fraase ACE, Alex Keipper, Julie Bernard, Connor Culhane, Ben Keller, Dylan Hansen-Fliedner, Katrina Pastore

 

Dune: Prophecy | Season 1

– Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)

+ 3 Other Nominations

• Color | Stefan Sonnenfeld  
• Additional Color | Adam Nazarenko
• Finishing Editor | Paul Carlin
• Color Producer | Loan Phan
• Directors | Anna Foerster, John Cameron, Richard Lewis
• DPs | Pierre Gill, Nik Summerer, Peter Flinckenberg, Richie Donnelly
• Editors | Sarah C. Reeves ACE, Anna Hauger, Mark Hartzell ACE, Amelia Allwarden
• Production Design | Tom Meyer

 

The Boys | Season 4

– 4 Nominations

• Color | Siggy Ferstl
• Additional Color | Erik Ventura
• Finishing Editor | Heydar Adel 
• Color Production | Eric Weiher, Trent Anderson, Kristine Dueno
• Directors | Eric Kripke, Phil Sgriccia, Karen Gaviola, Fred Toye, Shana Stein, Catriona McKenzie
• DPs | Dylan MaCleod, Jonathon Cliff
• Editors | David Kaldor, Ian Kezsbom, Tom Wilson, John Fitzpatrick
• Production Design | Mark Steel

 

The Diplomat | Season 2

– Outstanding Drama Series

+ 1 Other Nomination

• Color | Gareth Spensley (Eps 201, 202, 205, 206), Christopher Francis (Eps 203, 204)
• Finishing Editor | Pat Kelleher 
• Editorial Services | Brandon Rosser, Gregory Caligiuri
• Dailies | Company 3
• Color Production | Joanna Burt, Alexandra Piatek, Zac Gobetz
• Directors | Alex Graves, Tucker Gates
• Executive Producers | Debora Cahn, Janice Williams. Alex Graves
• DPs | Julian Court BSC, Philipp Blaubach BSC
• Editors | Agnès Challe-Grandits ACE, Gary Levy ACE, Ken Eluto ACE
• Production Design | Jeff Tessler

 

American Primeval

– Outstanding Cinematography for a Limited or Anthology Series or Movie

+ 1 Other Nomination

• Supervising Color | Stefan Sonnefeld 
• Color | Parker Jarvie 
• Finishing Editor | Heydar Adel 
• Color Production | Eric Weiher, Rose Alsander, Kristine Dueno
• Director | Peter Berg
• DP | Jacques Jouffret ASC
• Editors | Hugo Diaz, Jon Otazua, Art Jones
• Production Design | Renée Read

 

The Gorge

– Outstanding Television Movie

+ 1 Other Nomination

• Color | Stefan Sonnefeld 
• Additional Color | Parker Jarvie 
• Finishing Editor | Joe Ken
• Color Producer | Philip Marvin
• VFX | Framestore
• Director | Scott Derrickson
• DP | Dan Laustsen ASC, DFF
• Editor | Frédéric Thoraval
• Production Design | Rick Heinrichs

 

The Rookie | Season 7

– 2 Nominations

• Color | Dave Hussey
• Additional Color | Paul Bupte
• Finishing Editor | Mike Delegal
• Dailies | Shawna Barbara
• Finishing Production | Sydney Johnson, Trent Anderson, Beck Houser, Nate Clarke, Monika Pul
• Directors | Bill Roe ASC, Alexi Hawley, Lanre Olabisi, Jennifer Lynch, John Hyams, Tessa Blake, Tara Miele, Michael Goi, Tasha Smith
• DPs | Paul Theriault, Kyle Jewell
• Editors | Jake Cohen, Brett Roach, Alexander Aquino-Kaljakin
• Production Design | Giao-Chau Ly

 

Dope Thief


– 1 Nomination

• Color | Stephen Nakamura 
• Finishing Editor | Matt Purse
• Dailies | Rich Flores
• Finishing Production | Ivana Martinez, Ryan Tiburcio, Brittney DuFriend, Moskh Chitkara
• Directors | Ridley Scott, Peter Craig, Jonathan Van Tulleken, Marcela Said, Tanya Hamilton
• DPs | Erik Messerschmidt, Yaron Orbach, Eduardo Enrique Mayen
• Editors | Billy Rich, Jennifer Barbot ACE, J. Kathleen Gibson ACE, Eric Litman
• Production Design | Chris Seagers, Andrew Boughton

 

Black Mirror | Season 7

– Outstanding Limited or Anthology Series

• Color | Jean-Clément Soret  (Ep 4)
• Finishing Editor | Thomas Crews
• Color Production | Ellora Soret, Cody Cardarelli
• Director | David Slade
• DP | Jo Willems ASC SBC
• Editor | Tony Kearns
• Production Design | Cristina Casali

 

Doctor Who | Season 15

– 1 Nomination

• Color | Gareth Spensley
• Additional Color | Gareth Thomas
• Color Producer | Joanna Burt
• Directors | Peter Hoar, Amanda Brotchie, Makalla McPherson, Ben A Williams, Alex Pillai
• DPs | Sam Care BSC, Nick Dance BSC, Ashley Barron ACS, Dale Elena McCready BSC NZCS, Mika Orasmaa FSC
• Editors | Ben Drury, Ulrika Münch, Carly Brown, Tim Hodges, Meredith Leece
• Production Design | Phil Sims

 

Based on a True Story | Season 2

– 1 Nomination

• Color | Dave Hussey
• Color Producer | Todd Gordon
• Showrunner | Annie Weisman
• Directors | Alex Buono, Anu Valia, Jenée LaMarque
• DPs | Michelle Lawler, Mark Schwartzbard
• Editors | Peter Forslund ACE, Steven Wang
• Production Design | Alec Contestabile

 

The Handmaid’s Tale | Season 6

 – 1 Nomination

• Color | Bill Ferwerda
• Finishing Editor | Patrick Perron
• Dailies | Company 3
• Color Producer | Shane Allan
• Directors | Elisabeth Moss, David Lester, Natalia Leite, Daina Reid
• DPs | Nicola Daley, Stuart Biddlecombe BSC
• Editors | Wendy Hallam Martin ACE CCE, Aaron Marshall CCE, Ana Yavari
• Production Design | Elisabeth Williams

 

Star Trek: Section 31

– 1 Nomination

• Supervising Color | Stefan Sonnenfeld
• Color | Cody Baker 
• Finishing Editor | Mike Delegal 
• Finishing Production | Jessica Clarke, Trent Anderson, Beck Houser, Nathaniel Clark, Monika Pul
• Director | Olatunde Osunsanmi
• DP | Glen Keenan CSC
• Editor | Bartholomew Burcham
• Production Design | Paul Kirby

 

The Lord of the Rings: The Rings of Power | Season 2

– 1 Nomination

• Color | Greg Fisher (Eps 1-4), Chris Rodgers (Eps 5-8)
• Additional Color | Conor Middleton, Hugh Howlett
• Finishing Editor | Nick Pratt
• Additional Finishing Editors | Thomas Lambert, Leon-Ray Ryder Potter
• Color Production | Leigh Myers, Ann Dawson
• Directors | Charlotte Brändström, Louise Hooper, Sanaa Hamri
• DPs | Alex Disenhof ASC, Laurie Rose BSC, Jean-Philippe Gossart AFC
• Editors | Dan Crinnion, Kate Baird, Andy Morrison ACE BFE, Joel Skinner
• Production Design | Kristian Milsted

 

The Umbrella Academy | Season 4

– 1 Nomination

• Color | Jill Bogdanowicz
• Additional Color | Stratton Farrar
• Finishing Editor | Mike Delegal 
• Dailies | Company 3
• Color Producer | Sydney Johnson
• Directors | Jeremy Webb, Paco Cabezas, Neville Kidd, ASC
• DPs | Neville Kidd, ASC, Michael Marshall, Fraser Brown, CSC
• Editors | Carol Stutz, Scott Turner
• Production Design | Andrew M. Stearn

 

The Boy & the Octopus

– Outstanding Commercial

• Color | Tom Poole
• Color Producer | Nick Krasnic
• Director | Taika Waititi
• DP | Mike Berlucchi
• Agency | adam&eve DDB
• Production Company | Hungry Man
• Edit | Joe Guest @ Final Cut